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  • VocAlign Pro v4.xx VST3 RTAS WiN MAC-AiR-XVX

    VocAlign Pro RTAS v4.x.x WiN MAC

    Team: XVX | 04.26.2010 | MAC: 8.76 MB

    Team AiR | 10/2010 | WiN: 5.16 MB

    VocALign® is the unique audio software solution for music and audio post that will adjust the timing of one audio signal to match the timing of another. VocALign’s unique ability to align two signals enables it to be used creatively to take guide or even “live” tracks and create performances with perfectly aligned overdubs. This outstanding software gives users perfectly aligned double-tracked vocals, tight backing vocals, easy re-grooving of recorded vocals for remixing and shorter overdub sessions. Users also have the ability to choose the best rhythm and pace for a specific vocal, or even lay down the required tempo pattern for the artist. For post-production, VocALign will automatically edit a line of replacement dialog so that it aligns with the dialog recorded with the original film or video. The artist can concentrate on performance and the result is perfectly lip-sync’d dialog, or more convincing foreign language dubs. VocALign is a truly amazing tool, which reduces the time taken to re-record dialog or vocals, saving money by drastically reducing production and studio time. Artists can now concentrate on performance and not sync during overdubbing sessions.


    Viewed 263620 By Music Producers & DJ´s.


  • CDXtract v4.5 & 4.5.1 PC & MAC AiR-ArCADE

    CDXtract v4.5 & 4.5.1 WiN MAC

    Team: AiR | Date: 06/2007 | Size: 1.88 MB

    Team: ArCADE | Date: 20.12.2008 | 4.1 MB

    CDXtract converts all your sampler CDs (Akai, Roland, EMU, Kurzweil…) and files (Giga, Soundfont, Kontakt, Halion, EXS24…) so that you can use them in your Sampler software. CDXtract has been the reference Sampler Format converter since it was first released in 1999. The CDXtract technology is used inside half of the major Sampler software available today such as Halion or Stylus RMX.


    Viewed 56994 By Music Producers & DJ´s.

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  • TriTone-Digital HYDRATONE v1.xx WiN MAC

    HYDRATONE v1.xx WiN MAC

    AiR/ArCADE | 2008/2007 | WiN: 12 MB | MAC: 10 MB

    AU, VST, RTAS, x86

    HydraTone is a five-band convolution EQ with fixed-curve bass and treble bands and true parametric low-mid, mid and high-mid bands. Additionally, HydraTone offers separate bass and treble filter sections featuring the unique ability to provide both filter-cut and filter-expansion processing. HydraTone allows the user to do more than simply select a single classic analog circuit for their EQ model; HydraTone also allows the user make this selection on a band-by-band basis. This allows the user to, for example, simultaneously use one EQ model on the bass band and a separate model on the high-mid band. HydraTone’s output stage provides several additional algorithms. The first is a unique signal warming and mild compression algorithm called “Fire”. The second is the ability to perform frequency-specific phase manipulation similar to that of hardware boxes popular for aligning multi-signal pairs. Finally, HydraTone allows the user to select a completely separate signal-path model for final output coloration.


    Viewed 33406 By Music Producers & DJ´s.


  • TriTone-Digital VALVETONE 62 v1.xx WiN MAC

    VALVETONE 62 v1.xx WiN MAC

    AiR/ArCADE | 2008/2007 | WiN: 2.26 MB | MAC: 5.77 MB

    AU, VST, RTAS, x86

    ValveTone ’62 pays tribute to the EQs of yesterday; it’s all about “silky sex appeal” and “incredibly thick tone”. Deceptively simple BASS and TREBLE controls provide boost and cut algorithms that are both complex and pleasing. The DRIVE control provides you with four completely unique EQ curves:”Toasty 1″ and “Toasty 2”, which provides warm, velvet-smooth EQ, and “Smokin 1” and “Smokin 2”, which are more driven, colored and over-the-top. So, don’t expect some well-behaved Linear Phase EQ: ValveTone ’62 is all about character and TONE! Just turn the knobs and you’ll see what we mean.


    Viewed 16103 By Music Producers & DJ´s.


  • TriTone-Digital ANGELTONE v1.xx WiN MAC

    ANGELTONE v1.xxWiN MAC

    TEAMS AiR/ArCADE | 2007/2008 | WiN: 22 MB | MAC: 18.92 MB

    AU, VST, RTAS, x86

    AngelTone is a digital mastering EQ that utilizes “state-of-the-art modeling” to combine analog mastering EQ sweetness with digital precision and recall. AngelTone features five bands. Three bands are capable of full-range parametric operation. The two extreme bands feature both full-range peaking and shelving EQ modes. All parametric and peaking bands have access to the entire range of EQ frequencies available in AngelTone, allowing for powerful sculpting and precision.


    Viewed 13579 By Music Producers & DJ´s.


  • CLASSICTONE-56 v1.x WiN MAC

    CLASSICTONE-56 v1.x WiN MAC

    AiR/ArCADE | 2007/2008 | MAC: 5.64 MB | WiN: 4.38 MB

    AU, VST, RTAS, x86

    ClassicTone-56 is a true-to-the-original recreation of one of the best sounding graphic EQs ever made. These graphic EQs are found in consoles and lunch boxes around the world and are prized for their punchiness and girth. ClassicTone-56 features 10 bands. From low to high the bands are: 31 Hz, 63 Hz, 125 Hz, 250 Hz, 500 Hz, 1 kHz, 2 kHz, 4 kHz, 8 kHz and 16 kHz. All bands are capable of 12 dB of boost or cut.


    Viewed 13863 By Music Producers & DJ´s.


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