Guru VSTi RTAS v1.6.12 WiN

Team ASSiGN | 11 JULY 2010 | 5.02 GB

GURU takes the best features of hardware beatboxes, drum samplers and loop manglers, and combines them into a unique, inspirational software instrument. Whether integrated in to your DAW or running standalone, GURU’s powerful sequencer with ultra tight timing and realtime groove adjustment is an intuitive and addictive interface with which to quickly write inspiring rhythmic foundations for your tracks. High-quality built-in effects, including compressors, EQs, delays, reverbs are available right under your fingertips, as well as sample manipulation capabilities like reverse, bitcrusher, and resonant filters – all the power you need, whether you want to mangle your sounds or just tweak them. GURU gives you the hands-on feel which you crave… record performances with a MIDI controller, mouse or laptop keyboard, fire off sequences with a single keypress, drop parts in and out, chop loops instantaneously, and switch grooves on the fly – all with sample accurate timing. GURU is a complete beat production worksation environment, ideally suited to live use or for fast, intuitive composition in the studio or on the road.

EVE2 v2.51 AU VSTi WiN MAC

TEAM ASSiGN | 15 JANUARY 2010 | WiN+MAC: 673MB

What’s EVE? EVE stands for Electronic Vintage Ensemble, which suggests the design philosophy behind the instrument. EVE was made to recreate in the virtual world of softsynths the exciting and immediate experience of the early age of electronics in pop, rock and jazz music from the 1960’s and 1970’s. During this creative period in music history, many musicians started to employ the innovative sounds of the ‘electric keyboards’ which were newly available for use on stage and in the studio: Rhodes electric pianos, Hammond and Vox organs, Hohner clavinets, strings machines such as the Arp Solina string ensemble, Moog synthesizers, and all those that are now considered ‘classics’. It was not only keyboards that were a part of this revolution in popular music: the use of effects and recording techniques for layering, blending and manipulating sounds transformed the way music was produced and conceptualized. Tape based delay lines, rotating speaker cabinets, guitar distortion pedals, wah wah, phasing, flanging and other effects became an integral part of the process of sound design.

ZG Gloss DLP WAV

Team ASSiGN | 16 NOVEMBER 2010 | 76.57 MB

This Mixman Soundisc contains samples designed to carry the party mood all night. Influences from Chicago’s deep gospel house sound and Detroit’s moody techno rhythm are evident in this collection of housey doings. Classic drum sounds from TB808s and TR909s will keep the purist in the mix while a good selection of bass patterns and synthesizer melodies will hook the hip-shakers. Gloss is a sound package that can back

EDiROL Virtual Sound Canvas v1.60 WiN

Team: ASSiGN | 31 JANUARY 2010 | 6.96 MB

Virtual Sound Canvas Multi Pack

VSC-MP1: Virtual Sound Canvas allows you to take MIDI files and customize them to suite your taste. Use the Playback List function to store and retrieve your compositions. Export your finished files into popular multimedia applications as .WAV or .AIFF file formats. MIDI made easy.

Trance Soundset Vol.1 MASSiVE

TEAM ASSiGN | xx.xx.2012 | 17 MB

THE definite Trancecollection for “Massive” synthesizers. Prepare for massive leads & synths, massive pads & athmos, massive plucks & pikes, massive basslines and arpeggios – of course all 8 macro knobs are fully assigned and will allow you to do some cool tweaks to the sounds!

Quiver v1.1 VSTi WiN

Team ASSiGN | 12 MARCH 2012 | 5.69 MB

Quiver is modular synthesizer that tries to make it easy to tweak the sounds. The modularity of Quiver allows the user to sculpt different kinds of sound, without presenting an overwhelming number of options.

Pals Chorus VST x86 WiN

TEAM ASSiGN | 25 APRiL 2010 | 6.20 MB

NUSofting Pals may be effectively used both to increase fatness of Lead sounds or to emulate a wide ensemble using pads or plucked sounds. The modulation for all effect voices is provided by 4 LFOs, each LFO has its own phase and rate values plus one LFO has the phase modulated, that ensures a rich and varied modulation of the voices. VariAmnt adjust the depth of the modulation for all voices. For Lead sounds small amounts of Size and Time are preferred, where for Pads you may use the full range. For saturated sound increase OutGain, that will also boost the volume and is not reccomended for high pitched sounds. When OutGain is turned hard left the volume is zero. When Stereo is turned hard left the output is mono. NUSofting Pals may also be used both to turn a mono sound into stereo or to turn a stereo sound into mono.