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  • End Of 2021 Loop Kit MULTiFORMAT
    February 22nd, 2022 ⚡

    End Of 2021 Loop Kit MULTiFORMAT

    End Of 2021 Loop Kit

    FANTASTiC | 24 January 2022 | 495 MB

    ..:: WAV, MiDi, CHANNEL EFFECTS FL STUDiO (FST) ::..



    Viewed 8666 By Music Producers.


    • Avid Pro Tools v2021.7.0 WiN RETAiL-R2R
      December 29th, 2021 ⚡
      Categories: Audio Software, WiNDOWS

      Avid Pro Tools v2021.7.0 WiN RETAiL-R2R

      Pro Tools v2021.7.0 WiN

      Team R2R | 01 Nov 2021 | 2.39GB

      EMPOWERING INSPIRED ARTISTS

      Your talent and artistry know no bounds. Take your sound further with software and hardware that let you focus on what you do best. Meet Pro Tools. Pro Tools are constantly updating and upgrading the legendary DAW with new and exciting features. During 2020, Avid introduced a wide range of new enhancements and updates including: Audio to MIDI, Record-Enable modes, Space Clips and expanded video/audio file support to name a few. You can now also use Ableton Link with Pro Tools, perfect for collaborations, providing added flexibility for your music creation process. You can also switch to the new ‘Dark Theme’ – perfect for late-night studio sessions.



      Viewed 56173 By Music Producers.


      • Electronic Sound Issue 77: May 2021
        December 25th, 2021 ⚡
        Categories: News

        Electronic Sound Issue 77 May 2021

        Electronic Sound Issue 77

        PDF | 13 May 2021 | 40.1MB

        We’re heading for the dark side of the krautrock kaleidoscope with this month’s Electronic Sound cover stars, the inimitable Can. We’ve a limited edition purple vinyl seven-inch featuring an excerpt from the band’s stunning new live album to accompany the magazine too. Prompted by the release of ‘Live In Stuttgart 1975’, the first in a series of archive Can gig recordings, we speak to Irmin Schmidt about the band he created with Michael Karoli, Holger Czukay and Jaki Liebezeit towards the end of the 1960s. As we try to deconstruct their wholly unique brand of sonic voodoo, Schmidt reveals the inner workings of Can, together with his own memories of their powerful live performances. “We were constantly inventing collectively,” he says. “We came onstage and we didn’t have a plan. We just started. What we did was always a reaction to the whole environment – to the sound, to the acoustics, to the crowd, to our mood, and to the moment.”



        Viewed 9430 By Music Producers.


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