Beat Magazine August 2020

English | 100 pages | PDF | 80.87 MB

Whether large studio, home recording or laptop setup… when creative ideas come up, a well thought-out workflow is essential. But what can you do to optimize your hardware and software setup so that ideas can be captured quickly and efficiently when the muse kisses you? And how do you get the best sound when recording? In our large Workflow feature we address these questions and show you how to make the most of your technology to achieve the best possible musical output.

Future Music September 2020

English | 100 pages | True PDF | 139 MB

Sub Focus & Wilkinson ASM Hydrasynth reviewed, Roundup: Visual Analysers, Arturia Audifuse Studio and much more…

Beat July 2020 English DVD

English | 100 pages | PDF | 78 MB | 8.12 GB

8,5 GB of Valuable Software

Whether large studio, home recording or laptop setup… when creative ideas come up, a well thought-out workflow is essential. But what can you do to optimize your hardware and software setup so that ideas can be captured quickly and efficiently when the muse kisses you? And how do you get the best sound when recording? In our large Workflow feature we address these questions and show you how to make the most of your technology to achieve the best possible musical output.

Modulation Bundle 2020 macOS

P2P | 9 October 2020 | 540 MB

AU/STANDALONE/VST/VST3/64Bit

Analog Sound In Motion

A vibrant trio of essential modulation effects based on elusive analog classics. Bathe your mix in stunning analog chorus, rich multi-mode flanger and swirling dual phaser – dreamy textures await. Modulation FX You’ll Actually Use Color your mix with a selection of irresistible and instantly recognisable effects. These are no ordinary modulation plugins; they’re circuit-accurate emulations of time-tested classics, meticulously engineered to capture every tonal nuance of their hardware predecessors. Ever-changing, ever-inspiring We see modulation as a journey without a destination. You start with a dry signal. You switch the effect on and take your first step. The journey evolves, twisting and turning in interesting and enticing ways. When you switch the effect off, you’re back where you started – ready to take the journey all over again.

Computer Music 289 DVD

TEAM MaGeSY® | 04 November 2020 | DVD: 10.60 GB

English | 100 pages | True PDF | 29.35 MB

CM EDiTOR: 𝖨 𝗍𝗁𝗂𝗇𝗄 𝖨’𝗏𝖾 𝗌𝗍𝖺𝗋𝗍𝖾𝖽 𝗎𝗌𝗂𝗇𝗀 𝗍𝗁𝖾𝗌𝖾𝖶𝖾𝗅𝖼𝗈𝗆𝖾 𝖼𝗈𝗅𝗎𝗆𝗇𝗌 𝖺𝗌 𝗌𝗈𝗆𝖾 𝗄𝗂𝗇𝖽 𝗈𝖿 𝗌𝖾𝗅𝖿-𝗁𝖾𝗅𝗉 𝗍𝗁𝖾𝗋𝖺𝗉𝗒 𝗌𝖾𝗌𝗌𝗂𝗈𝗇𝗌. 𝖬𝖺𝗒𝖻𝖾 𝗂𝗍’𝗌 𝖢𝖮𝖵𝖨𝖣 (𝗈𝗋 𝗍𝗁𝖺𝗍 𝖨 𝗃𝗎𝗌𝗍 𝗇𝖾𝖾𝖽 𝗍𝗈 𝗀𝖾𝗍 𝗈𝗎𝗍 𝗆𝗈𝗋𝖾) 𝖻𝗎𝗍 𝖨 𝖺𝗉𝗉𝖾𝖺𝗋 𝗍𝗈 𝖻𝖾 𝗎𝗌𝗂𝗇𝗀 𝗍𝗁𝖾𝗆𝗍𝗈 𝗎𝗇𝗅𝖾𝖺𝗌𝗁 𝗅𝗈𝗇𝗀-𝗁𝖾𝗅𝖽 𝖽𝖾𝗆𝗈𝗇𝗌 𝖺𝗇𝖽 𝗂𝗇𝗌𝖾𝖼𝗎𝗋𝗂𝗍𝗂𝖾𝗌, 𝖺𝗇𝖽 𝖺𝗅𝗅 𝖺𝗍 𝗒𝗈𝗎𝗋 𝖾𝗑𝗉𝖾𝗇𝗌𝖾. 𝖫𝖺𝗌𝗍 𝗆𝗈𝗇𝗍𝗁 𝖨 𝖺𝖽𝗆𝗂𝗍𝗍𝖾𝖽 𝖨 𝖼𝖺𝗇’𝗍 𝗉𝗅𝖺𝗒 𝗄𝖾𝗒𝖻𝗈𝖺𝗋𝖽𝗌 𝖺𝗇𝖽 𝗎𝗌𝖾 𝗍𝖾𝖼𝗁𝗇𝗈𝗅𝗈𝗀𝗒 𝖺𝗌 𝗆𝗒 𝖼𝗋𝗎𝗍𝖼𝗁 𝗂𝗇 𝗍𝗁𝗂𝗌 𝗋𝖾𝗀𝖺𝗋𝖽. 𝖳𝗁𝗂𝗌 𝗆𝗈𝗇𝗍𝗁 𝖨’𝗅𝗅 𝖺𝖽𝗆𝗂𝗍 𝗍𝗁𝖺𝗍 𝖨 𝗎𝗌𝖾𝖽 𝗍𝗈 𝖿𝗂𝗇𝖽𝗆𝖺𝗄𝗂𝗇𝗀𝗆𝗎𝗌𝗂𝖼 𝗈𝗇 𝖺𝗇 𝗂𝖯𝖺𝖽 (𝖺𝗇𝖽 𝗂𝖯𝗁𝗈𝗇𝖾 𝖾𝗌𝗉𝖾𝖼𝗂𝖺𝗅𝗅𝗒) 𝖺 𝗅𝖺𝗋𝗀𝖾𝗅𝗒 𝗍𝖾𝖽𝗂𝗈𝗎𝗌 𝖾𝗑𝗉𝖾𝗋𝗂𝖾𝗇𝖼𝖾. 𝖨 𝗍𝗁𝗂𝗇𝗄𝗆𝗒 𝖿𝗂𝗇𝗀𝖾𝗋𝗌 𝖺𝗋𝖾 𝗍𝗈𝗈 𝖻𝗂𝗀, 𝗆𝗒 𝖺𝗍𝗍𝖾𝗇𝗍𝗂𝗈𝗇 𝗌𝗉𝖺𝗇 𝗍𝗈𝗈 𝗌𝗆𝖺𝗅𝗅 𝖺𝗇𝖽𝗆𝗒 𝖾𝗑𝗉𝖾𝖼𝗍𝖺𝗍𝗂𝗈𝗇𝗌 𝗍𝗈𝗈 ‘𝖽𝖾𝗌𝗄𝗍𝗈𝗉’. 𝖡𝗎𝗍 𝗁𝖺𝗏𝗂𝗇𝗀 𝗐𝗋𝗂𝗍𝗍𝖾𝗇 𝗌𝖾𝗏𝖾𝗋𝖺𝗅 𝖠𝗉𝗉 𝖱𝗈𝗎𝗇𝖽𝗎𝗉𝗌 𝗈𝗏𝖾𝗋 𝗍𝗁𝖾 𝗅𝖺𝗌𝗍 𝖽𝖾𝖼𝖺𝖽𝖾, 𝗂𝗍 𝖿𝖾𝗅𝗅 𝗈𝗇 𝗆𝗒 𝗌𝗁𝗈𝗎𝗅𝖽𝖾𝗋𝗌 𝗍𝗈 𝗀𝗂𝗏𝖾 𝗂𝗍 𝗈𝗇𝖾 𝗅𝖺𝗌𝗍 𝖼𝗁𝖺𝗇𝖼𝖾 𝗐𝗂𝗍𝗁 𝗍𝗁𝗂𝗌 𝗂𝗌𝗌𝗎𝖾, 𝖺𝗇𝖽 𝖨 𝗁𝖺𝗏𝖾 𝗍𝗈 𝗌𝖺𝗒, 𝖨 𝗐𝖺𝗌 𝗅𝖺𝗋𝗀𝖾𝗅𝗒 𝗌𝗎𝗋𝗉𝗋𝗂𝗌𝖾𝖽 𝖺𝗍 𝗆𝗒 𝗈𝗐𝗇 𝖿𝗂𝗇𝖽𝗂𝗇𝗀𝗌. 𝖬𝖺𝗄𝗂𝗇𝗀 𝗆𝗎𝗌𝗂𝖼 𝗈𝗇 𝖺 𝗍𝖺𝖻𝗅𝖾𝗍 – 𝖨 𝗐𝗈𝗇’𝗍 𝗀𝗈 𝖺𝗌 𝖿𝖺𝗋 𝗍𝗈 𝗌𝖺𝗒 ‘𝗉𝗁𝗈𝗇𝖾’ 𝗃𝗎𝗌𝗍 𝗒𝖾𝗍 – 𝗂𝗌 𝗇𝗈𝗐 𝗇𝗈𝗍 𝗃𝗎𝗌𝗍 𝗉𝗈𝗌𝗌𝗂𝖻𝗅𝖾 𝖻𝗎𝗍, 𝖺𝗇𝖽 𝖨 𝖺𝗅𝗆𝗈𝗌𝗍 𝗌𝗁𝗂𝗏𝖾𝗋 𝗍𝗈 𝗌𝖺𝗒 𝗍𝗁𝗂𝗌, 𝖺𝖼𝗍𝗎𝖺𝗅𝗅𝗒 𝗊𝗎𝗂𝗍𝖾 𝗀𝗈𝗈𝖽 𝖿𝗎𝗇. 𝖦𝖺𝖽𝗀𝖾𝗍, 𝖡𝖾𝖺𝗍 𝖬𝖺𝗄𝖾𝗋 𝟥 𝖺𝗇𝖽 𝗍𝗁𝖾 𝖾𝗑𝖼𝖾𝗅𝗅𝖾𝗇𝗍 𝖿𝗋𝖾𝖾 𝗌𝗒𝗇𝗍𝗁 𝖠𝗎𝖽𝗂𝗈𝗄𝗂𝗍 𝖲𝗒𝗇𝗍𝗁 𝖮𝗇𝖾 (𝖽𝗈𝗐𝗇𝗅𝗈𝖺𝖽 𝗂𝗍 𝗇𝗈𝗐) 𝖺𝗋𝖾 𝗆𝗒 𝗈𝗐𝗇 𝖿𝖺𝗏𝗈𝗎𝗋𝗂𝗍𝖾𝗌 𝖺𝗇𝖽 𝗋𝖾𝖺𝗅 𝖾𝗒𝖾 𝗈𝗉𝖾𝗇𝖾𝗋𝗌 𝖺𝗌 𝗍𝗈 𝗐𝗁𝖺𝗍 𝖼𝖺𝗇 𝖻𝖾 𝖽𝗈𝗇𝖾, 𝖻𝗎𝗍 𝗂𝗍’𝗌 𝗍𝗁𝖾 𝖾𝗑𝖼𝖾𝗅𝗅𝖾𝗇𝖼𝖾 𝗈𝖿 𝗍𝗁𝖾 𝖠𝖴𝟥, 𝖨𝖠𝖠 𝖺𝗇𝖽 𝖠𝖡 𝖼𝗈𝗇𝗇𝖾𝖼𝗍𝗂𝗏𝗂𝗍𝗒 𝖿𝗈𝗋𝗆𝖺𝗍𝗌 𝗍𝗁𝖺𝗍 𝗁𝖺𝗏𝖾 𝗋𝖾𝗏𝗈𝗅𝗎𝗍𝗂𝗈𝗇𝗂𝗌𝖾𝖽 𝗆𝗈𝖻𝗂𝗅𝖾 𝗆𝗎𝗌𝗂𝖼-𝗆𝖺𝗄𝗂𝗇𝗀. 𝖲𝗈 𝖾𝗇𝗃𝗈𝗒 𝗍𝗁𝖺𝗍 𝗈𝗇𝖾, 𝖺𝗇𝖽 𝖾𝗇𝗃𝗈𝗒 𝗈𝗇𝖾 𝗈𝖿 𝗈𝗎𝗋 𝖻𝖾𝗌𝗍-𝖾𝗏𝖾𝗋 𝖿𝗋𝖾𝖾 𝗌𝗈𝖿𝗍𝗐𝖺𝗋𝖾 𝗀𝗂𝗏𝖾𝖺𝗐𝖺𝗒𝗌 𝗂𝗇 𝗍𝗁𝖾 𝖿𝗈𝗋𝗆 𝗈𝖿 𝖪𝗂𝗅𝗈𝗁𝖾𝖺𝗋𝗍𝗌’ 𝖲𝗅𝗂𝖼𝖾 𝖤𝖰. 𝖠𝗇𝖽 𝖾𝗇𝗃𝗈𝗒 𝗍𝗁𝖾𝗆 𝗐𝗁𝗂𝗅𝖾 𝗒𝗈𝗎 𝖼𝖺𝗇, 𝖻𝖾𝖼𝖺𝗎𝗌𝖾 𝗇𝖾𝗑𝗍 𝗂𝗌𝗌𝗎𝖾 𝖨’𝗅𝗅 𝗉𝗋𝗈𝖻𝖺𝖻𝗅𝗒 𝗎𝗇𝗍𝖾𝗍𝗁𝖾𝗋 𝖺𝗇 𝖾𝗏𝖾𝗇 𝗆𝗈𝗋𝖾 𝖽𝖾𝗉𝗋𝖾𝗌𝗌𝗂𝗇𝗀 𝖽𝖾𝗆𝗈𝗇. 𝖣𝗂𝖽 𝖨 𝖾𝗏𝖾𝗋 𝗍𝖾𝗅𝗅 𝗒𝗈𝗎 𝖺𝖻𝗈𝗎𝗍 𝗍𝗁𝖺𝗍 𝗍𝗂𝗆𝖾 𝗐𝗁𝖾𝗇 𝖨 𝗐𝖺𝗌 𝟣𝟦 𝖺𝗇𝖽 𝖻𝗈𝗎𝗀𝗁𝗍 𝗆𝗒 𝖿𝗂𝗋𝗌𝗍 𝖠𝗍𝖺𝗋𝗂? 𝖶𝖾𝗅𝗅…

MusicTech September 2020

English | 132 pages | True PDF | 85 MB

It’s quite common for musicians to re-establish themselves as producers, after years of on-the-road toil and disputes over royalties (ok, we’re generalising a little here) it’s unsurprising that many seek a life of relative stability behind the desk. But to make the opposite career switch is not something we encounter very often. However, if there’s one man who can successfully make that transition from producer-to-artist, it’s the internationally renowned Paul Epworth; the Grammy-winning mastermind behind the key works of Adele, Coldplay, Bloc Party, Florence and the Machine and mountains more. In our brand new interview, Paul explains why now is the perfect time for him to embark on a solo foray into uncharted regions, and also how he is able to juggle that with being one of the world’s most celebrated and in-demand producers. Also this issue, we bring together a range of room correction software to run a group test, with the intention of learning just how much of an improvement they can actually make for your equipment and space. The results were… well, you can find out for yourself in our guide.

Professional Audio Mai 2020

German | 84 pages | PDF | 26.4 MB

Professional audio bietet durch Produktvergleiche und im eigenen Testlabor durchgeführte Produkttests eine fundierte Kaufberatung für Musiker und Toningenieure, vom anspruchsvollen Amateur bis hin zum Semiprofi und Profi. Ausführliche News-Strecken, umfangreiche Marktübersichten, Reportagen, Workshops und Interviews ermöglichen einen umfassenden Überblick über neue Trends und Produktangebote.