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Mercury Bundle, the complete collection of all 21 plugins. Ravage distortion, Hiku mastering effect, FireFly bus compressor etc.
An in-depth series of Sibelius tutorials, for version 2019, applicable to all versions including First, Standard and Ultimate! Learn Sibelius 2019, Avid’s flagship notation and scoring software inside and out, as well as how create your first score and arrangement. Doug welcomes you and sets the stage for what you’ll learn throughout the video tutorials. He then starts at the beginning, showing you the important Sibelius basics needed to get up and running, and create your first Sibelius project. Next, you’ll explore all of Sibelius’ preferences and how to set them correctly, and then all of the Ribbon Tabs, where you can control, view and customize your scores and arrangements. Note Input Methods are then revealed, and you’ll see how to use both the keypad and mouse for note entry, as well as adjust pitches, record MIDI, and create articulations and dynamics. Throughout the rest of this Sibelius tutorial video series, Doug shows you the finer points of using the Sibelius Transport controls, the Mixer section to fine tune the volume of your different instruments, writing for Percussion, making your Lead Sheet, printing it out for your musicians, and many more Sibelius tips and tricks.
Electronic Musician is not merely a recording magazine but covers all aspects of music production—performance, recording, and technology, from studio to stage. EM finds the top artists and producers – as well as all the musical trendsetters – and gets them to advise, mentor, and detail their craft. Each issue gives you the tools you need to make better music, from production to performance. Plus tips and techniques, gear reviews, and insights from today’s top artists.
New tutor this week, Glasgow based driving, soulful Techno producer Harvey McKay. In How To Make Techno 2019 Harvey shows us his creative process in making a dark, brooding, and downright sinister techno track from start to finish in Ableton. Starting with a sub layered overdriven and saturated kick we build tension with a rumbling bassline, pitched and crunched down hi-hats and a snare before adding the sinister main synth line created in u-he’s Repro. Once the elements are in place we build up the scenes in Ableton’s session view before recording as if playing live to lay down the basic arrangement. It’s then a case of tweaking automation and editing the playthrough to get to the final mixdown so it can be sent off for mastering.