• MusicTech – April 2018
    March 22nd, 2018 ⚡
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    MusicTech – April 2018

    English | 116 pages | True PDF | 15.77 MB

    Emulating the artists that inspired us in our many music-making ventures is as much about rekindling those feelings as it is knowing how the sounds were created. In our cover feature this month we show you how to get impossibly close to the sonic signatures left by your musical heroes. Continuing the theme we present our newest feature ‘Recording Spotlight,’ where we speak to Peter Franco, engineer on Daft Punk’s Random Access Memories, and gain insight into the complex, painstaking work that went into creating this modern classic. Additionally, we sit down with dance-music producer Stefano Ritteri and rising UK production star Rhiannon Mair, get into the meat of Cubase 9.5 and get hands-on with all the latest gear, tech and software. We hope you enjoy the issue…


    Viewed 1318 By Music Producers & DJ´s.


  • Computer Music May 2018
    March 22nd, 2018 ⚡
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    Computer Music May 2018

    English | 116 Pages | PDF | 62 MB

    Start-to-finish keys course | FREE Scale Player MIDI plugin | Dave Clarke interview | 3 sample packs | Tom Hades 90-min studio video | Arturia VC6 & Logic Pro 10.4 guides… and more!


    Viewed 1904 By Music Producers & DJ´s.


  • Computer Music February 2018 PDF
    March 15th, 2018 ⚡
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    Computer Music February 2018

    P2P | 18 December 2017 | English | 116 pages | PDF | 25 MB

    Computer Music’s goal is to help its readers create great music with a PC or Mac. Each month find easy-to-follow tutorials for all sorts of music software, unbiased reviews of the latest products and answers to technical questions.


    Viewed 1808 By Music Producers & DJ´s.


  • Electronic Sound Issue 39 2018
    March 9th, 2018 ⚡
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    Electronic Sound Issue 39 2018

    English | 100 pages | True PDF | 09 Mar 2018 | 16.2 MB

    The new issue of Electronic Sound finds us in Berlin, yet again. This time round we’re taking a look at the past, present and future of a total Berlin institution – Tangerine Dream. Of Germany’s two schools of electronic music (the other being in Düsseldorf/Cologne of course), the music coming out of Berlin was all about texture and mood, it was spacey, drifting and ambient, which was no surprise when you consider at the time West Berlin was a city where young men were exempt from national service. Coupled with cheap rent, the place quickly filled with those whose idea of fun didn’t include serving in the army, but did rather involve creating the nation’s counterculture. And in Tangerine Dream’s case, they did that with synthesisers.


    Viewed 1572 By Music Producers & DJ´s.


  • Future Music April 2018
    March 9th, 2018 ⚡
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    Future Music April 2018

    English | 116 pages | True PDF | 09 Mar 2018 | 33.0 MB

    There’s an often repeated cliche that mastering is a kind of ‘dark art’ – a deep and impenetrable science that is beyond the capabilities of mere mortals. However, given the amount of tutorials, courses and mass-market plugins out there, all designed to tackle the mastering process, this is clearly nonsense.  That’s not to say that the process doesn’t require a fair amount of skill and expertise, but given the power of modern DAWs and plugins, these are now techniques that even the most cash-strapped producer can get to grips with at home. In this issue’s cover feature, we’ll introduce you to the tools, theory and essential skills you’ll need to get to grips with mastering in your DAW.


    Viewed 2116 By Music Producers & DJ´s.


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