• TT LCATwoB Mojo 192 khz For Nebula
    May 2nd, 2014 ⚡
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    TT LCATwoB Mojo 192 khz For Nebula

    TEAM MAGNETRiXX | 01 May 2014 | 271 MB

    This is a light sampling of a not so famous compressor. From the Danish company that brought the CL1B comes this versatile compressor. It can do warm or smash. This sampling sounds more forward and adds depth as you increase the G-drive. ( WHAT IS A MOJO SET? A common complaint facing Nebula users is the GUI and the workflow which may require a number of steps that an algorithmic plugin simply avoids. For example, to get more than one band of equalisation in most cases you need multiple instances of the plugin and the bands don’t always interact like the hardware would. But the sound is stellar. You also have a limited level of dynamic levels with eqs in a lot of cases.


    Viewed 3886 By Music Producers & DJ´s.


  • Titan V2 High Shelf 192 khz For Nebula
    April 18th, 2014 ⚡
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    Titan V2 High Shelf 192 khz For Nebula

    TEAM MAGNETRiXX | 16 April 2014 | 218 MB

    This is part of the Titan V2 series. Superb upgrades on the original samplings with improved calibration, and size optimisation. This is the High Shelf of my Vintage Lustraphone Helios module. Complete with believable distortion especially with the shelf cuts you will get the mojo of this extra-ordinary strip quickly. Great for getting rid of that harsh digital high end or adding a really wonderful flattering high end.Use and EQ after this baby to carve your sound further.


    Viewed 3723 By Music Producers & DJ´s.


  • Titan V2 Kick 192 khz For Nebula
    April 18th, 2014 ⚡
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    Titan V2 Kick 192 khz For Nebula

    TEAM MAGNETRiXX | 16 April 2014 | 342 MB

    A genuine original vintage Lustraphone version of this extraordinary module, used in Europe since the 70s. This specific channel is loved not only for the way it distorts but for the way the low end has a full woody sound. Think of many of the most memorable coloured 70s band albums and this console gets a mention. Unique, highly coloured and highly desirable, this library gives you a flavour of many ways to treat a kick through it. I also sampled some presets with the EW kick pad. It augments the main TITAN V2 Library giving you even more options for your kick tracks. Add a tape emu on the master bus and make your tracks sound like the 70s with ease.


    Viewed 2916 By Music Producers & DJ´s.


  • Titan V2 Piano 192 khz For Nebula
    April 18th, 2014 ⚡
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    Titan V2 Piano 192 khz For Nebula

    TEAM MAGNETRiXX | 16 April 2014 | 337 MB

    A genuine original vintage Lustraphone version of this extraordinary module, used in Europe since the 70s. This specific channel is loved not only for the way it distorts but for the way the low end has a full woody sound. Think of many of the most memorable coloured 70s band albums and this console gets a mention. Unique, highly coloured and highly desirable, this library gives you a flavour of many ways to treat a kick through it. I also sampled some presets with the EW kick pad. It augments the CUSTOM TITAN V2 Library giving you even more options for your piano tracks. Add a tape emu on the master bus and make your tracks sound like the 70s with ease. A note about the G-drive on this library – finding the sweet spot may be tricky depending on your track level. If you hear a pumping action you may have too reduce the input – if you go beyond that you might reach a nice distortion so experiment.


    Viewed 2920 By Music Producers & DJ´s.


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    The Console Strip PRO Distorted 192 khz For Nebula

    TEAM MAGNETRiXX | 12 April 2014 | 46 MB

    This goes well with the other set but it is different so if you get this, your AyPeye Strip set PRO will be complete. It is aimed at Mastering guys and those engineers who want some extra mojo and homogeneity on the Master bus. The difference between this sampling and the original PRO sampling is that this is designed to go on your MASTER BUS if you want a finer degree of control with only 8 dbs range and extra warmth. I sampled it with extra long sweeps in very fine dB increments so that the added warmth is very smooth. Works okay with hot signals otherwise work at -6 dBs and use the G-drive in conjunction with the input knob. Place it first in your Master bus chain. Works best IMHO if you load the sample rate that is twice your Native rate. The magic begins when you start Equalising!!


    Viewed 3695 By Music Producers & DJ´s.


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    The Console strip Punchy Kick 192 khz For Nebula

    TEAM MAGNETRiXX | 06 April 2014 | 666 MB

    This is a superb sampling of a 1u rack mounted channel strip that has four modules. This sampling focusses on the Kick drum. If you have ever wanted that punchy sound on your kick you can have it now. Covering punchy to clear to deep – get it easily in superb quality. The G-drive gives you real depth and harmonic content. This is a cutting edge library guaranteed to make your mixes sound less digital. You will be amazed at how someone had placed a sock over your digital files. Sampled at the highest sampling rate available to date in Nebula Libraries and delivered at that rate. Native 192 khz sampling and also 96 khz available. Designed to work best at 96 khz. This means you need to be patient as the libraries load and resample internally. Don’t worry, the quality will speak for itself. You will be amazed at the improved transient response.


    Viewed 3341 By Music Producers & DJ´s.


  • Titan V2 Line IN ELITE 192 khz For Nebula
    April 7th, 2014 ⚡
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    Titan V2 Line IN ELITE 192 khz For Nebula

    TEAM MAGNETRiXX | 06 April 2014 | 199 MB

    This is part of the Titan V2 series but is also ELITE as I sampled it with the highest quality settings I am able to extract out of the hardware and my sampling tools. Superb upgrades on the original samplings with improved calibration, and size optimisation. This is the line input of my Vintage Lustraphone Helios module. Use an EQ before or after this baby to carve your sound further. I was in the throes of pre-mixing my a second album and after determining that I was going for an overall Helios sound, I realised that I was yet to sample the line input. I had made the Preamp available but the line in was not there. So I duly went about sampling it in an afternoon. There is one distinct difference between the line in and the Preamp.


    Viewed 3704 By Music Producers & DJ´s.


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