In The Style Of Vol.23 BURiAL

P2P | 05.07.2020 | 52.31 MB

All samples are in the style of Burial.

Track from Scratch, In the Style of: Marshmello

FANTASTiC | 13 September 2018 | 323 MB

Whether you’re a fan of Marshmello, dance music, or you just want to see how the pro’s do it. This course takes you through the key steps and processes from getting your ideas down and picking sounds through to mapping out your arrangement and mixing your track. Filled with tips and tricks this course is a great source of inspiration to get you started on a chart smashing track. Inspire your creativity with new skills and professional techniques for Pop & Dance Music

In The Style Of Vol.7 TA-KU WAV

P2P | 31.01.2017 | 14.79 MB

Over 120 drum samples from  personal drum stash.

In The Style Of Vol.4 KAYTRANADA WAV

P2P | 31.01.2017 | 13.47 MB

Over 100 drum samples  personal drum stash. All samples are in the style of KAYTRANADA.  Watch the tutorial to hear some of the sounds available in the kit.

In The Style Of Vol.5 Mura Masa WAV

P2P | 30.01.2017 | 21.93 MB

Over 150 drum samples from personal drum stash.

Jazz Manouche In the Style of Wawau Adler DVD5

DVD5 | NTSC 16:9 | (720×480) | MPEG2 ~3815 kbps

English: AC3, 192 kb/s (2 ch) | 01:51:06 | 3.80 GB

Genre: Guitar lessonsJosef “Wawau” Adler is a jazz guitarist from the town of Karlsruhe in Germany. Wawau comes from a family of Sinti gypsies, so it is only natural that his biggest musical influence is the great gypsy jazz guitarist, Django Reinhardt. While Wawau plays many styles of guitar, including bebop and modern jazz, he has gained an enviable, worldwide reputation for performing Gypsy Jazz. But Wawau’s musical style goes beyond simply following Django’s musical legacy. By adding influences such as Wes Montgomery, Charlie Parker, Pat Martino and George Benson, Wawau has developed a style which is uniquely his own. Django made such a strong impression on musicians that it is easy to become lost in the study of Django’s awesome technique. For many players, this becomes an end in itself. But what starts out as a noble goal often becomes a trap for the Django enthusiast. Technical aspects such as speed and volume can cause many players to lose sight of the soul and feeling of Django’s playing. For Wawau, technique plays a secondary roll to the pure artistry of Django’s great music.