412 MAR-CB EVM Expansion
P2P | September 26 2016 | 538 MB
THE CABINET: The “412 MAR-CB” is based on a 1970’s Marshall 1960B “checkerboard” 4×12 cabinet.
THE SPEAKER
The “EV-CSTM” is an OwnHammer custom interpretation of Electro-Voice speakers, re-voiced to be more similar in frequency response to Celestion G12H, G12M, and Vintage 30 type speakers.
The “EV-L” is based on Electro-Voice EVM 12L Classic speakers.
The “EV-MIX” is based on an equal 50/50 blend of the EV-CSTM and EV-L.MICS
“57” is based on a modern production Shure SM57 dynamic microphone. “70” is based on a Microtech Gefell UMT70S condenser microphone. “121” is based on a Royer R121 ribbon microphone.
“160” is based on a Beyerdynamic M160 ribbon microphone.
“414” is based on an AKG C414 B-ULS condenser microphone.
“421” is based on a vintage Telefunken MD421-5 dynamic microphone. “MID” is based on a mid field placed AEA R92 ribbon microphone. “REAR” is based on a vintage Neumann KM84 condenser microphone. “ROOM” is based on a vintage Neumann KM84 condenser microphone.MIXES
“CHUNK” is based on a more “fat” sounding version of the PROG mix. “CUT” is based on an on-axis 57 and off-axis 57 mic combination. “CUT+121” is based on a 121 added to the Quick-Start CUT mix.
“JS” is based on a multi-mic configuration created by Jon Symons. “MDRN” is based on a 57 + 421 mic combination.
“OH1” is based on a 57 + 121 mic combination.
“OH1F” is based on a more “fat” sounding 57 + 121 mic combination. “OH2” is based on a 421 + 121 mic combination.
“OH2F” is based on a more “fat” sounding 421 + 121 mic combination. “PROG” is a proprietary mix that excels in modern progressive music styles. “SP2” is based on a multi-mic configuration created by Scott Peterson.The mix file in the “Summary” folder is based on a 57 + 70 + 121 mic combination. This mix fits somewhere in the middle of the brightness and darkness scale of the OwnHammer pre-made mix types.
Wave audio format IR’s (.wav) are compatible with convolution reverb type loaders in recording software and outboard hardware units and are provided in:
– 24 bit resolution
– 44.1, 48, 88.2, and 96 kHz sample rates
– mono channel count
– minimum phase transformed (“Mpt”) and non-minimum phase transformed
– 200 and 500 ms decay tail lengths
– For added convenience, .wav files appropriate for conversion or submission to the following platforms have been separated out and designated within the library structure:
– Atomic Amplifire
– Fractal Audio Systems hardware/software
– Kemper Profiling Amp
– Line 6 Helix
– Two Notes hardwareKNOW YOUR PLATFORM’S FILE FORMAT!THIS LIBRARY CONTAINS .WAV FORMAT FILES ONLY.
INFO/DEMO: http://redi.se/3f0j
412 MAR-CB EVM Expansion Impulse Response
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