Guitar World – December 2013

English | HQ PDF | 164 pages | 106 MB

In the December 2013 issue of Guitar World we mark the 20th anniversary of Nirvana’s masterpiece In Utero with a deluxe box-set reissue of the album. Guitar World delivers the gospel according to Dave Grohl, Krist Novoselic and Pat Smear. Also, Pat Smear goes under the microscope, detailing how an aimless L.A. punk rocker became a trusted friend of Kurt Cobain, a secret weapon of the Foo Fighters and a frequent performer with Paul McCartney. We also learn about Nirvana’s assault on Rome, Italy’s papal capital, as recounted by Sub Pop Records cofounder Bruce Pavitt in his new book about Nirvana’s 1989 European tour.

VSL Horizon Series – Saxophones I Kontakt 5.3 Library

Tenor & Soprano Saxophones Combo | 263 MB

This is a compilation/combo, made out of Tenor and Soprano Saxophones. It has a keyswitch for 6 articulations. It is made for simplicity and usability. This is Kontakt 5.3 instrument. It will not work with any earlier versions of Kontakt.

Workshop 2 Expanded Workflow TUTORiAL

SYNTHiC4TE | Jan 03 2014 | 2.59 GB

Stop wasting time and learn how to finish tracks and make music more efficiently. This workshop takes Songwriting, Workflow, Sound Design, Chord/Scale Theory, Library and Organization further while still providing the Tips, Tricks, and Techniques to use Ableton to the Maximum.

Stanton Moore Cymbal Library

HYBRID for BFD and BFD Eco

TEAM MAGNETRiXX | 03 January 2014 | 2.11 GB

Born and raised in New Orleans, Stanton Moore’s playing is especially connected to the city, its culture and collaborative spirit. Modern Drummer has called Moore’s trademark sound “infectious, jazz-meets-Bonham, nouveau second-line. In the early ‘90s, Moore helped found the New Orleans-based essential funk band Galactic. Moore launched his solo career in 1998. He has appeared on Heavy Metal Grammy nominees Corrosion of Conformity’s In the Arms of God, Irma Thomas’ After the Rain (winning a grammy in the process), Robert Walter’s Super Heavy Organ, Tom Morello (Rage Against the Machine) and Boots Riley’s (the Coup) Street Sweeper Social Club, Will BernarDiane Birch’s Bible Belt, Alec Ounsworth’s (Clap Your Hands Say Yeah) Mo Beauty. He continues to play dates globally with an ever-evolving cast of musicians including John Scofield; Karl Denson; George Porter, Jr., Leo Nocentelli, Charlie Hunter; Warren Haynes; John Medeski and Chris Wood, Donald Harrison Jr.Dr. Lonnie Smith, Dr. John, Tab Benoit, Robert Walter; the New Orleans Klezmer All-Stars and the Preservation Hall Jazz Band.

ExpDigital G-Flux v1.0.2 VST WiN MAC

Team: AMPLiFY | Date: 11.18.2006 | Size: 8,49 MB / 5,39 MB

GFlux is a multi mode modulated filter. But this simple description fails to do justice to the complex sound design tool that GFlux is! GFlux is a multi-filter plug-in with extensive modulation capabilities. The core of GFlux is the concept of the ‘flow’. Each flow represents a different filter layout, controlling which filters feed to others. The flows range from simple 8 pole filters right through to complex serial / parallel networks. These flows cover almost all the possibilities for routing and combined with the separate level control for each filter state you can create very complex filter responses.

Lounge Vol.1 MULTiFORMAT

TEAM MAGNETRiXX | 03 January 2014 | 455 MB

Lounge Vol 1 is a beautiful combination of contemporanean and architectural 24-Bit samples and loops that will suit and enhance your Lounge music productions. Think your music productions like a designer!

Tracking and Mastering Series 1 TUTORiAL

MATRiX | 2.1.2014 | 564.44 MB

Producer of the stars Tony Shepperd has worked with Whitney Houston, Madonna, Quincy Jones, Diana Ross, Lionel Richie, Kenny Loggins, Boyz II Men and many, many more. In his first series, Tony reveals his personal theories and practices for recording a rock band and mixing the track… Get on board!. Tony Shepperd starts your time together with an introduction, followed by “The Journey of Sound”, where Tony discusses the important fundamentals of sound. Next, setting up to record drums and tracking the trio is shown. How to record vocals is then demonstrated, as well as setting up keyboards and MIDI. The “3 Dimensions of a Mix” are discussed, and Tony then begins to deconstruct the mix he created of the rock band.