Slam XL v1.1.0 WiN MAC

Team R2R | May 02 2019 | WiN: 28.4 MB | OSX: 75 MB

PLATFORMS: WiN64 – VST/AAX | MacOSX – AU/VST/AAX

SLAM XL is that “perfect” channel and bus fattener, that can instantly bring your beats, keyboards, live instruments, vocals or percussion to life, without the need of chains of plugins or very complicated plugins, which take more time and are difficult to use. The easy and appealing interface of Slam XL gives you instant control over equalization, saturation, compression, limiting and stereo expansion right out of the box from one plugin, so you don’t have to reach out for other plugins or break your creative flow. SLAM XL is that “perfect” channel and bus fattener, that can instantly bring your beats, keyboards, live instruments, vocals or percussion to life, without the need of chains of plugins or very complicated plugins, which take more time and are difficult to use.

Valvesque v2.0 WiN MAC

Team R2R | 03 Jun 2017 | OSX: 118.9 MB | WiN: 21.7 MB

AU VST AAX x86 x64

Stereo Valve (Tube) Distortion EQ. The plugin models the sound of ritish Valve Distortion found on major hit records of today, and also features a Varislope Equalizer for always musically pleasing sound. Made with our proprietery Reactive Transients Technology.  The “warmth” and “crunch” that certain great valve gear brought to classic recordings is still missed today. Although many companies have tried to emulate classic valve hardware, we felt that we still needed to reach out to our hardware outboard for “that sound!” We were after that Classic British Distortion Valve Sound produced by the 5654 valve based equipment. Finally we decided to embark on the difficult journey of trying to emulate and get the sound signature of one of our favorite pieces of valve gear. In order to do this we needed to start from scratch. So we went a little back in time, much like the gear, and found a unique mathematical system to model our classic hardware, including all its detailed non-linearities. This modeling technology was then further designed and implemented by our team to measure how different transients “react” to valve gear.

That Thing v1.3.0 WiN MAC

Team R2R | May 02 2019 | WiN: 147 MB | OSX: 189 MB

There was something about older drum machines and synths that made them sound punchier and more pleasing than today’s clinically perfect sounds. “That Thing” is a multi effects processor that was designed to get you “That Thing” missing from digitally perfect tracks today. It features a beautiful wide and deep chorus section great to thicken anything from synths, vocals, bass, pads drums and other sounds. The soundscape generator features 50 samples of old vinyl players, tape machines, old radio, tube gear, atmospheres, ambiences etc. These ad to your sound with an envelop follower, so the sounds add in only when signal is present and move, and pan with the level of the signal. Easily change the pitch of the soundscape to make it work with any audio you pass through it. The plugin features a bit crusher and distortion that emulates the sound of vintage drum machines giving you a choice of 8/12/16 and 24 bit audio. There is also an analog Low Cut and High Cut filter section designed to shape your sounds further. A wet and dry fader is included to blend in the effects with your original audio.

Metal Comb Music Boxes WAV

P2P | 02.05.2019 | 48 kHz/24-bit: 2.18 GB | 192 kHz/24-bit: 7.95 GB

A worldwide unique recording of metal comb music boxes for royalty-free use in films, series and other media productions. Over 12 GB HD Quality recordings up to 24Bit/192kHZ in Stereo X/Y and M/S.

Drum Programming Masterclass Part 3

Team DECiBEL | 02 May 2019 | 1.89 GB

…::: Advanced Programming :::…

This is a class designed for music producers who are ready to get serious about drum programming. The art of programming drums on a MIDI grid, in drum machines, or with audio files can be tricky to master but when you finish this class, your tracks will have the extra energy that comes from professional drum tracks. I’ll be using Ableton Live and some Logic in this course, but it will be easy to following along on whatever program you are most comfortable with. We will start the class off with explanation of working with samplers, and working on the MIDI grid. Then we will learn to adapt that pattern to work for a number of different styles, including Drum and Bass, Trap, and Dubstep. DRUM PROGRAMMING MASTERCLASS, PART 3: ADVANCED DRUM PROGRAMMING TECHNIQUES is a comprehensive class – that means there are three (3!) different classes that together make the complete sequence. This is Part 3.

Drum Programming Masterclass Part 2

Team DECiBEL | 02 May 2019 | 2.20 GB

…::: Samplers and Sequencing :::…

This is a class designed for music producers who are ready to get serious about drum programming. The art of programming drums on a MIDI grid, in drum machines, or with audio files can be tricky to master but when you finish this class, your tracks will have the extra energy that comes from professional drum tracks. I’ll be using Ableton Live and some Logic in this course, but it will be easy to following along on whatever program you are most comfortable with. We will start the class off with explanation of working with samplers, and working on the MIDI grid. Then we will learn to adapt that pattern to work for a number of different styles, including Drum and Bass, Trap, and Dubstep.