SYNTAX WAV MiDi

Team ARCADiA | 13 October 2024 | 808.40 MB

SYNTAX: a brand new Hardwave sample collection. Blending together trance arps and leads, trap beats and future garage vibes, SYNTAX provides instant inspiration for forward-thinking beatmakers. SYNTAX features snappy drums, distorted 808s and reese basses, dark trance melodies, as well as one shots that will fit right at home in your sample library. Loops and Samples work in any DAW. 100% Royalty-free for use in your musical productions.

Mic Drop v1.5.0 macOS

TNT | 04 November 2024 | 8.34 MB

Mic Drop allows users to mute and unmute their microphone using a customizable, global keyboard shortcut. With Mic Drop, you always know whether your mic is on or not, helping to avoid those embarrassing situations. It is ideally suited for remote workers, teachers, podcasters, user researchers, or anyone spending lots of time in video meetings. Works with any app, even if it’s not currently in focus.

Electronic Sound 118 2024

English | 100 pages | PDF | 40 MB

This month’s Electronic Sound cover stars are the fabled White Noise – Delia Derbyshire, Brian Hodgson and David Vorhaus – and we’re bundling the magazine with a fantastic seven-inch featuring previously unreleased Radiophonic Workshop remixes of two killer tracks by the pioneering electronic supergroup. Radiophonic stalwarts Derbyshire and Hodgson formed White Noise with offbeat American musician Vorhaus in 1968. We’ve interviewed the band’s two surviving members for our cover feature, which is the story of their witchy and wonderful ‘An Electric Storm’ album. It’s an entertaining tale, with lots of strange twists and turns. Lots of sex and drugs as well. White Noise used reel-to-reel tapes and an early VCS 3 on the album, but it doesn’t sound the least bit dated. And while it wasn’t a commercial success on its release in 1969, it’s become hugely influential in the decades since, inspiring sonic adventurers like Throbbing Gristle, Aphex Twin, Broadcast and more.

Bg Extasy v1.0.2 WiN

Team R2R | 09 June 2024 | 34.3MB

PLATFORM: VST2/VST3/AAX/x64

Every now and then, a new classic is born, they come in the shape of a revisited classic or a whole new world with monster tone and myriads of options, with its 3 distinctly voiced channels morphing past, present and future tones.

NA 8180 v2.0.2 WiN

Team R2R | 09 June 2024 | 26.3 MB

PLATFORM: VST2/VST3/AAX(MOD)

8180 Guitar Amplifier plugin is based on a Peavey 5150*. The 8180 Monster Tube Guitar Amplifier plugin is the landmark for heavy and rock guitar sounds. If you are looking out for a modern and rich high gain tone ideal for the most aggressive rock and metal genre, then your search ends here! Two channels with independent controls for volume and gain, low, mid and high shared equalizer controls and exclusive power amp resonance and presence controls.

NA 501 Chorus Echo v1.0.2 WiN

Team R2R | 09 June 2024 | 9.3MB

PLATFORM: VST2/VST3/AAX(MOD)

Rediscover the iconic sound of the RE-501 Chorus Echo*, now reborn as the NA 501 Chorus Echo plugin. This meticulously modeled plugin captures the essence of the legendary tape echo, BBD chorus, and spring reverb, enhanced with modern digital functionality for today’s music producers. Ideal for adding rich, analog textures to any genre, the NA 501 is a versatile tool for musicians and producers seeking that classic sound with contemporary flexibility.

Pitch n Time Pro v3.1.0 AAX WiN

Team R2R | 10 November 2023 | 3.74 MB

Pitch ‘n Time Pro is a high quality time-stretching and pitch-shifting AudioSuite software plug-in for the Pro Tools platform. It works with all versions of Pro Tools including Pro Tools HD, LE, and M-Powered. Pitch ‘n Time Pro offers time compression and expansion from a ratio of 1/8 speed through to 8 x speed independent of pitch, and pitch shifting of up to 36 semitones independent of tempo. The time-stretching and pitch-shifting functions each have three interchangeable panels, ranging from simple fixed ratios to complex tempo and pitch alterations that vary over time. You can even warp the timing of your samples just by placing markers and moving them around. The tempo and pitch panels can be mixed and matched to suit your application, with real time previewing.