AGF v1.2.6 WiN-R2R

Team R2R | 2013.09.13 | Size: 2.17 GB

Ample Guitar F aim to bring the Fender Stratocaster Custom Guitar sound to your studio.

AGP v1.2.6 WiN-R2R

Team R2R | 2013.09.13 | Size: 1.90 GB

Ample Guitar P aim to bring the PRS Artist Custom Guitar sound to your studio.

CD Label Designer v5.3.594 WiN

TEAM LAXiTY | 2014-03-11 | Size: 8.37 MB

LAXiTY has released the updated version of “Dataland CD Label Designer”. It is an advanced software tool that enables you to create CD jewel cases and DVD box labels, as well as booklets and business card disk labels. Description: It supports inserting images, text, circular text and shapes, allowing you to arrange and change the size, angle, and transparency of objects. You can customize print layouts to match your pre-cut labels or your printer for printing directly to printable disks. You can also send designs to a LigtScribe™ device or export to high-resolution image files and send them to professional printing service.

Band-in-a-Box 2014 Build 381 UPDATE

Team CHAOS | March 11 2014 | 29.95 MB

Band-in-a-Box is so easy to use! Just type in the chords for any song using standard chord symbols (like C, Fm7, or C13b9), choose the style you’d like, and Band-in-a-Box does the rest… Band-in-a-Box automatically generates a complete professional-quality arrangement of piano, bass, drums, guitar, and strings or horns.RealTracks add the human element of great session musicians to your songs and version 2014 offers some of the most exciting new RealTracks yet! Along with 101 new RealTracks there are 3 Unreleased Bonus RealTracks Sets including Pop Strings. Plus, version 2014 has a great new look with a redesigned GUI, 54 MIDI SuperTracks and 36 Artist Performances, new Hi-Q MIDI sounds and much more!

Silverspike Reverb It VST 1.2 WiN

TEAM peace-out | 04.08.2009 | 11.2 MB

Silverspike Reverb.it simulates diffuse reverberation of rooms. Its quality results from a unique reverb algorithm based on random reflection patterns. This reverb is no toy. It provides dense, smooth, and authentic reverberation that you would only expect from expensive external high-end equipment. Two shelving filters and up to three separate reverb frequency bands give you full control on the spectral balance of the reverberated signal. No matter whether you need a rehearsal room, a concert hall, or a stadium. Perfect stereo imaging. And yes, Reverb.it is ready for 32bit/96kHz.

Sanford Reverb VST 2.0.1 WiN-ASSiGN

TEAM ASSiGN | 02 MARCH 2010 | 7 MB

The Sanford Reverb is a true stereo reverb. It is capable of simulating everything from small rooms to giant cavernous spaces. Its sound is dense, clean, and crisp making it perfect for most situations.

Spring Reverb Type4 v1.0.1 AU VST UB WiN MAC

VST AU PC & MAC OSX UB REPACK-DYNAMiCS

Team DYNAMiCS & AiR & NEMESiS | 01-26-2009 | 6 MB

A spring reverb is a system to obtain artificial reverberation invented during the 40’s by Laurens Hammond (also inventor of the Hammond Organ). In a Spring Reverb pan, the audio signal is coupled to one end of the spring by a transducer (a device that can convert electrical energy into mechanical energy or viceversa). This creates waves that propagate through the spring in both directions. At the other end of the spring there is another transducer that converts the motion in the spring into an electrical signal, which is then amplified and added to the dry sound. Most spring reverb units use several springs together, with each spring having its own characteristics (length, dimensions, tension, etc.) resulting in a natural reverberation by summing several delayed sounds at fixed or random intervals. However, with real spring reverbs the user isn’t allowed to change these characteristics. A software simulation like Type4, on the other hand, allows you to adjust parameters like “decay” (reverb duration), the dampening factor, the virtual spring tension and other parameters that affect the overall timbre of the reverb effect. Why should you want to use a spring reverb rather than a precise and modern digital reverb? Spring reverbs have typical sonic characteristics that, nowadays, make them desirable mostly as effects on their own rather than simulations of an acoustic phenomena.