Maxwell BETA v0.9 VST WiN

FREE | WIN: x86 VST | 5.84 MB

Lively Audio Maxwell is a transparent look-ahead limiter for professional audio production and broadcasting, as well as home audio production. It’s the advanced version of our free Maxwell Smart. Maxwell is created with FlowStone, so it’s a 32-bit VST 2.4 plugin for Windows only at the moment (although 64-bit support for OS X and Windows are on our roadmap). Right now Maxwell is in the beta v0.9, and We don’t want to give a specific price estimation at this point, sorry, but the cost will be fair for a home user as well!

FireBird v2.1 VSTi WiN-R2R

TEAM R2R | 2014.08.20 | 13.46 MB

Firebird is not just another subtractive synthesizer, it uses a unique synthesis architecture to deliver next-generation sounds. Its innovative user interface provides you with the tools to create impressive sounds with a minimal amount of effort. Featuring an impressive selection of 437 build-in sounds, representing both highly sought-after VA sounds, as well as sounds more specific to Firebird and characterized by its Harmonic Content Morphing synthesis, breathing both life and dynamics into the sounds.

DyVision Works DyScratch VSTi 1.0 PROPER

Team: ASSiGN | Date: 05 SEPTEMBER 2010 | Size: 4,11 MB

PROPER NOTE: Previous peace-out relase has nag caption on the plugin name and GUI. This proper release removed all of annoying demo restrition.

DyScratch from DyVision Works is a VST instrument (VSTi) for use in modern DAW programs. It provides a producer or songwriter with the ability to create ‘scratch’ sounds / effects from their own samples or recordings without leaving the sequencer environment. Whats more, every single parameter (including the actual ‘scratch’ motion and speed) can easily be recorded, tweaked and automated using MIDI from within your VST sequencer environment. DyScratch can also be ‘played’ live using a standard MID keyboard.

GrindMachine v1.5.5 WiN MAC RETAiL

SYNTHiC4TE | August 17 2014 | 28.9 MB

Grind Machine is the ultimate metal tone monster.

No need to tweak, just plug Grind Machine into your track and enjoy instant mix ready tones that cut through your mix effortlessly. Grind Machine keeps it simple, using any of it’s 12 amplifiers and 20 cabinets it gives you over 240 kick-ass sounding rig variations, leaving you to focus on the songwriting process and save time on your mix. Grind Machine also includes DJENTBOX, an overdrive pedal that makes low tunings sound tighter and more in your face!

Sony Vegas Pro 13 Build 373 x64 WiN PORTABLE

P2P | 15/08/2014 | 255 MB

Vegas™ Pro 12 is an integrated, forward-thinking production environment designed for a new generation of creative professionals. Combining a familiar track-based timeline with hundreds of thoughtful workflow innovations, Vegas Pro 12 is a refreshing, modern approach to post-production. Supporting more formats, more workflows, and more creative control than ever before, Vegas Pro 12 makes it easy to deliver your message and express your artistic vision.

Panther v.1.1.2 WiN v1.1.4 MAC OSX

TEAM ArCADE | 15.08.2014 | WiN: 3.29 MB | MAC: 7.45 MB

AU/VST/RTAS 32/64

Panther gives you independent control over Left and Right channels of any stereo track. You get controls for EQ, Gain, Pan and Delay. It also features Mid/Side mode for extra control over your stereo tracks. Panther is designed to solve the most common issues you face when mixing stereo tracked instruments. It has everything you need to prevent (or create!) volume, phase and tonal differences between the left and right channels of your track. With Panther, you get independent EQ, Gain, Pan and Delay control over each channel. Panther also provides a Mid/Side option to give you complete control over the stereo field of your tracks.

GSi MrRay73 Mark II v2.0.3 VSTi WiN

TEAM NEMESiS | 6 October 2011 | 10.4 MB

MrRay73 Mark II is a digital simulation of the famous american electro-mechanical piano of the seventies, invented during World War II by a music teacher, Harold B. Rhodes (1910 – 2000), and widely used in almost all musical genres ranging from soul/black music to jazz, blues, modern and pop. This instrument has rapidly become a legend, and is still used today, altough samples have replaced the real thing so that very often music producers use huge sample libraries or hardware keyboards / workstations to achieve this kind of sonority, and often the result is a cold and ‘dead’ sound, with no vitality, no warmth, nothing that even compares to the unpredictability and genuineness of the real thing.