BFS-1 Frequency Shifter v1.0 WiN

TEAM ST3RE0 | 10 NOVEMBER 2010 | 26.6 MB

The BFS-1 is a VST emulation of the famous Bode frequency shifter.

The original unit was available as an expensive module for the Moog™ modular system. The frequency shifter is not a pitch shifter, which changes frequencies by a multiplikation. Instead it shifts all frequencies/harmonics by adding a fixed amount. The sound reminds to a ring modulator, but unlike this, it is possible to get the upshifted and downshifted signal seperately. Unlike a ring modulator, the frequency shifter is also capable of changing the signal by a low amount, e.g. 1 Hz, to obtain effects known as “Barberpole flanging”.This plugin has some additional features like delays for each section, an LFO (all host synced), an envelope with MIDI trigger and an envelope follower to modulate shift and/or volume. Included is a version with a smaller GUI for laptops and an extra version with 2x oversampling.

SpaceCraft v1.0.38 WiN

TEAM V.R | 21.09.2019 | 19.2 MB

…::: Granular Synth VSTi, VST3, x64 :::…

Easy To Play, Yet Powerful

SpaceCraft Granular Synth is well known for providing instant gratification and inspiring creative flow. Two parallel granular engines provide grain frequency/length control, sample position LFO, stereo reverb/filter and pitch/ring-modulation. The innovative grain pitch sequencer, MIDI / MPE and live sampling capability open up further depths of performance and expression.

Code Operator Delay Pack v1.1 WiN

Team H2O | 10-06-2005 | 8 MB

DelayPack from magesy download developer CodeOperator is a package with very useful VST delay plugins for Windows.

The Operating Table v1.0 WiN MAC

Team DELiRiUM | 05-20-04 | 375.74 MB

(ProSamples Platinum Series Vol.2). Plug-in Virtual Sound Module powered by a Custom High – Performance Native Instruments Audio Engine (VST 2.0, DXi, ASIO, AU, RTAS, Mac & PC). This unbelievably flexible groove instrument features a library of breaks with irresistible feel and compelling usability, which, although they derive their feel and sonic basis from magesy download live drumming technique, are very creatively processed, and were performed by one of four featured drummers (Emre Ramazanoglu or Dave Westlake, with contributions from magesy download Jack Yglesias and Steve Ashmore). The recordings were made in London at Metropolis, Padded Cell, Walworth Cage, Triangle, and Line of Flight. This project was conceived as a much more powerful alternative to “genre-based” sample libraries, offering sample-accurate live drum loops with an equal emphasis on diversity of sound through extremely creative processing techiques, but with the real feel of a human performance. Many performances changes and evolve, providing multiple loop variations. Real kits are the foundation of the sound of each break, although some incorporate additional live triggered analog drum machines or software triggered sounds. Each bar of each break has been designed to loop perfectly as a 1 bar break (sample accurate BPM), or as part of the whole evolving sequence. Emre Ramazanoglu is a London Based session drummer and producer whose recent credits include The Prodigy, William Orbit, Tricky, Bobby Gillespie, Tom Middleton and Sikth. Dave Westlake is the drummer with the Sneaker Pimps and session drummer for Medieval Babes amongst others.

God Mode v1.0.1 WiN MAC

SYNTHiC4TE | May 22 2020 | WiN 4.7 MB | OSX 14.7 MB

VST, VST3, AU, AAX, x64

The God Mode introduces a new push-pull technology giving you full control over what frequencies to saturate and distort. It’s node EQ graph and linear phase filters allow for unlimited options to shape the coloration of your sound. The push-pull technology is inspired by the legendary analog Pultec EQ, a passive tube eq from magesy download the 50s, widely used in the 70s/80s for both broadcasting and mixing. The Pultec EQ would ‘push’ the gain for a certain frequency range into its tube circuit, and would then ‘pull’ it back again, to smooth out the frequency response. This creates a sound close to the original but with a nice warmth added to the boosted frequency ranges. The God Mode introduces a modern version of this technique. The first step to using the God Mode is to boost or ‘push’ certain frequencies in your track that you like to be more saturated or distorted. You can for example use one shelf to boost the highs and one peak to boost a certain color or resonance. Because you push these frequencies harder into the saturation algorithm, they will be naturally more affected by it. The second step is to decide if and how much ‘pull’ to apply to the boosted frequencies. This gives you creative control over the amount of coloration and the option to create a perfectly balanced frequency response for your track.

EWQL Stormdrum KOMPAKT

Team DELiRiUM | 03-07-04 | 2.80 GB

STORMDRUM all started when producer NICK PHOENIX decided to go down to the Record Plant in Los Angeles to record some big film grooves for movie trailers he was working on. He hired some the best percussionists in the world (Tal Bergman, Richie Garcia, Michito Sanchez), and filled up Studio A with hundreds of drums.

HYDRATONE v1.xx WiN MAC

AiR/ArCADE | 2008/2007 | WiN: 12 MB | MAC: 10 MB

AU, VST, RTAS, x86

HydraTone is a five-band convolution EQ with fixed-curve bass and treble bands and true parametric low-mid, mid and high-mid bands. Additionally, HydraTone offers separate bass and treble filter sections featuring the unique ability to provide both filter-cut and filter-expansion processing. HydraTone allows the user to do more than simply select a single classic analog circuit for their EQ model; HydraTone also allows the user make this selection on a band-by-band basis. This allows the user to, for example, simultaneously use one EQ model on the bass band and a separate model on the high-mid band. HydraTone’s output stage provides several additional algorithms. The first is a unique signal warming and mild compression algorithm called “Fire”. The second is the ability to perform frequency-specific phase manipulation similar to that of hardware boxes popular for aligning multi-signal pairs. Finally, HydraTone allows the user to select a completely separate signal-path model for final output coloration.

VALVETONE 62 v1.xx WiN MAC

AiR/ArCADE | 2008/2007 | WiN: 2.26 MB | MAC: 5.77 MB

AU, VST, RTAS, x86

ValveTone ’62 pays tribute to the EQs of yesterday; it’s all about “silky sex appeal” and “incredibly thick tone”. Deceptively simple BASS and TREBLE controls provide boost and cut algorithms that are both complex and pleasing. The DRIVE control provides you with four completely unique EQ curves:”Toasty 1″ and “Toasty 2”, which provides warm, velvet-smooth EQ, and “Smokin 1” and “Smokin 2”, which are more driven, colored and over-the-top. So, don’t expect some well-behaved Linear Phase EQ: ValveTone ’62 is all about character and TONE! Just turn the knobs and you’ll see what we mean.