Pulsar Primavera v1.2.6 WiN
Team R2R | 07 July 2025 | 67.3MB
PLATFORM: VST2/VST3/AAX(MOD)
The real sound of spring reverberations. Six customized classic spring reverb models.
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The real sound of spring reverberations. Six customized classic spring reverb models.
There are several reasons to use a variable-bias tube compressor. One is the exceptional compression transparency that this kind of compressor can achieve, even when pushed into extreme gain reduction. Another – and perhaps the most common – is their ability to add cohesion or “glue” to buses, whole mixes and masters. Unfortunately, the original hardware is expensive and difficult to integrate with “in-the-box” workflows.
The most complete passive EQ plugin. Musical and intuitive, a must-have for mixing and mastering.
Modify, change and disguise your voice in any application or game that uses a microphone to add another dimension of creativity. From ‘Girl’ to ‘Alien’, the voice changing options are limitless. Create voices for online video games, avatars and podcasts, Voice disguiser for anonymity over the radio or internet, Change voices for voiceovers and other audio projects, Small download installs in seconds Voxal works behind the scenes intercepting audio from your microphone before it goes to your applications, so you don’t need to change any configurations or settings in other programs. Simply install and start creating voice distortions in minutes.
The Echorec is a software emulation of the iconic echo/delay unit of the same name produced by the Italian brand Binson in the 1960s. The sound of this magnetic disk delay differs from the tape delays used at the time, and has largely contributed to the audio signature of many 70s bands: Pink Floyd, The Shadows, Jimmy Page etc. Vintage Echorec devices are known for their saturation, self-oscillation, and oversound, all shaping the music produced in the 70s. They are also, however, known to be fragile and difficult to maintain.
The paragon of EQs, reinvented. The best companion for your passive EQ. Pulsar 8200 is a faithful emulation of the legendary GML 8200 designed by George Massenburg*, the inventor of the parametric EQ. Full EQ control is a formality today, but it was a dazzling novelty back in the days. Just like the original machine, Pulsar 8200 gives you a tight and solid low end, a crystalline high end, and surgical control over the frequency spectrum. He perfectly replicates the all-discrete, Class-A analog electronics that made the original machine famous in the 80s, and still used today. Its parallel topology, coupled with unique filtering shapes, allows an intuitive and unique spectrum shaping, resulting in smooth curves, and a more natural result compared to classic digital EQ, maintaining its own “analog personality”.
Pulsar 1178 is an audio plug-in (VST/VST3/AU/AAX) that meticulously recreates the original 1178 hardware compressor in its tonal color and compression character, while adding several additional features, turning it into a very versatile compressor for tracking and mixing. A compressor that eats transients for breakfast, the 1178 is a rare and expensive legend of the recording studio, cleaner and more versatile than its older brother, the 1176. 1178 further than the original unit, adding all the features you would expect from a modern, versatile plug-in, including a full sidechain EQ for added control, an optional saturation stage for warmth and character, and precise metering.