EBusLim v1.4.1 WiN MAC

Team R2R | 9 August 2020 | WiN: 6.8 MB | OSX: 15.6 MB

EBusLim is a brickwall peak limiter and loudness maximization AAX, AudioUnit and VST plugin for professional streaming, sound and music production applications. EBusLim implements a single EL-4-based limiter mode originally designed in Elephant mastering limiter plug-in. This mode is suitable for bus, drum bus, master bus and track processing. The design idea behind EBusLim is to produce an extremely easy-to-use yet effective limiter. Since EBusLim only features a single processing mode the processing latency was reduced down to 0.5 milliseconds permitting the use of this limiter as master bus overload protector for both stereo and multi-channel real-time applications.

Drumformer v1.9 WiN MAC

Team R2R | 9 August 2020 | WiN: 7.8 MB | OSX: 18.4 MB

MultiBand Drum & Master Track Dynamics Processing Plug-in

Drumformer is a multiband drum and master track dynamics processing plug-in for professional music and audio production applications. Drumformer was designed to be a comprehensive solution for the broadest range of sound processing tasks, allowing you to easily implement almost any dynamics processing idea you may have. Drumformer can operate in broadband, 2-band and 3-band modes, with each band having compressor-expander and saturation modules. The sound of the compressor can be defined as “gluey with a ping”, because it instantly creates a “tight and glued together” sound while masterfully emphasizing the transients. The saturation module offers you a choice between six saturation modes, each having a smooth sound and differing harmonic content. Drumformer features a precise gate module with a round sound and multifaceted controls that is useful when you are processing a multi-tracked drum kit. The built-in parametric equalizer with its spectrum analyzer will also come in handy. The “Clipper” module which is a part of the plug-in allows you to get artistic master output clipping effects.

Deft Compressor v1.10 WiN MAC

Team R2R | 9 August 2020 | WiN: 7.2 MB | OSX: 17.2 MB

…::: AU, AAX, VST, VST3, x86, x64 :::…

Deft Compressor is an audio signal compressor plug-in for professional audio production applications. The characteristic feature of this compressor is its ability to produce “slim” and “slick” sounding compression, with intelligibility enhancement effect. Such result is achieved by compressor’s timing function that closely resembles the S-curve on both attack and release stages. S-curve timing function also helps compressor to sound “warm” and “clean” at most settings. While at high attack settings Deft Compressor can be used to emphasize audio transients, it can also be used to “smash” audio signal if you use attack settings as low as 0.1 millisecond. Deft Compressor also features a so called “vintage” compression mode which produces compression sound reminiscent of analog valve compressors: it produces a warm, gently saturated sound with the ability to overdrive the output signal. Deft Compressor is perfectly usable for compressing vocals, drums, guitars and other instruments, both technically and creatively. Beside that, it can be used to compress mix groups and full mixes.

Crunchessor v2.14 WiN MAC

Team R2R | 9 August 2020 | WiN: 6.6 MB | OSX: 15.5 MB

AAX, AU, VST, VST3, x86, x64

Crunchessor is a general-purpose track compressor for professional audio production applications. One of its main advantages is the ease of tuning, which at the same time instantly delivers an excellent sonic performance. Another remarkable feature of Crunchessor is its valve-type processing, which is applied in parallel to compression. This makes Crunchessor an ideal choice for musicians and producers who are fond of magesy analog compression sound and its warmness. Beside this, Crunchessor offers you a selection of compression coloration styles–by itself a pretty unique feature for a compressor. By choosing an appropriate coloration style, you can add the character most suitable for the sound material you are working with. As an option, you can disable both coloration and valve warming processing to get a neutral and clean compression sound. Crunchessor also accepts external side-chain source signals and allows you to filter key signal sources before they are used for compression. Being a general-purpose compressor, Crunchessor can be used for any kind of sound material: drums, vocals, bass, guitars, synth sounds, etc. Crunchessor can be suitable both for single track and whole mix processing. Full multi-channel operation is supported.

KORG TRiTON v1.0.1 WiN

Team R2R | Feb 10 2020 | 262 MB

WiN64 – STANDALONE/VSTi

The last masterpiece of the 20th Century, revived after 20 years. A perfect reproduction of the TRITON workstation in software. The KORG TRITON series of synthesizer workstations was first released in 1999 to accolades and prestigious awards. Top musicians around the world loved the expressive PCM sound and used their TRITONs on countless songs. This year, on the 20th anniversary of its release, the KORG TRITON will finally be realized in software as the KORG Collection TRITON. The plug-in faithfully reproduces the HI (Hyper Integrated) synthesis system down to the smallest details and contains every one of the vast number of preset programs. Reclaim the true masterpiece sound that characterizes so many hit songs.

CRTIV TapeBus v1.4 WiN MAC

Team R2R | 9 August 2020 | WiN: 7.3 MB | OSX: 17.4 MB

(AU, VST, VST3, AAX*, x86, x64)

CRTIV Tape Bus plug-in for professional music production applications recreates characteristic elements of the reel-to-reel tape sound. This includes saturation, modulation noise and smearing effects which are known for the “analog” feel they bring to audio recordings. This plug-in also applies a selected impulse response taken by us from magesy download the existing tape machines.

CRTIV Shumovick v1.2 WiN MAC

Team R2R | 10 Feb 2020 | WiN: 5.99 MB | MAC: 14.4 MB

PLATFORMS: WiN32/64 – VST/VST3/AAX | MAC: AU/VST/VST3/AAX 

CRTIV Shumovick plug-in for professional music production applications produces a creative dynamic noise-floor padding effect. This effect is most effective on beats and synth sounds used in electronic music production – EDM, hip-hop and the like. The noise-floor effect created by this plug-in is correlated to the spectral content of the sound being processed. As a result, on beats, this creates mellow noise bursts that make bassdrum sounds a lot softer, with a bit of stereo-field enhancement effect. On synths, on the other hand, such noise-floor effect may boost the power and density of the sound. Shumovick can be also effective when used on sterile-sounding basslines where it can add a bit of “pillowy” noise background. In practice, Shumovick can be also used on acoustic drum buses adding “vintage” feel and aggression to them. Shumovick is, however, not as effective when used on full mixes, but can be also used on full mixes in some music genres.

CRTIV Reverb v2.2 WiN MAC

Team R2R | 9 August 2020 | WiN: 5.9 MB | OSX: 14.3 MB

(AU,VST,VST3,AAX*,x86,x64)

CRTIV Reverb is a stereo reverberation effect AAX, AU and VST plugin for professional music production applications. This reverb plug-in provides a wide palette of reverb spaces while requiring only a minimal effort to use. The tails created by this reverb are very dense and produce a well-defined spatialization. Since the reverb uses a kind of “true stereo” algorithm the panned sounds receive a good stereo field placement.

CRTIV Chorus v1.3 WiN MAC

Team R2R | 9 August 2020 | WiN: 5.7 MB | OSX: 13.7 MB

(AU,VST,VST3,AAX*,x86,x64)

CRTIV Chorus is a stereo chorus effect AAX, AU and VST plugin for professional music production applications. Chorus is able to produce stereo-widening and weird modulation effects. Chorus plugin uses 4 operators for each channel thus creating a quite dense stereo chorus sound.

BMS v2.4 WiN MAC

Team R2R | 9 August 2020 | WiN: 5.5 MB | OSX: 13 MB

WiN32/64: VST/VST3/AAX | MAC: AU/VST/VST3/AAX

BMS is a bass management system AAX, AudioUnit and VST plugin for professional surround sound applications. BMS is able to extract and manipulate low-frequency content of non-LFE channels in up to 7.1 surround configurations. The main purpose of BMS is to simplify evaluation of low-frequency content present in non-LFE channels during mastering. At the same time, it is possible to mix extracted low-frequency content to the LFE (“Low Frequency Effects”) channel. An option to remove the extracted signal from magesy download non-LFE channels is also available. In BMS you can specify a desired frequency of the crossover filter, and adjust its steepness.