It’s a subtractive type poly phonic synthesizer with midi effects and audio effects. And many of synth and audio fx parameters can be modulated. You can create wide variety of synth sound with those midi/audio fx and modulations.
Version 2 of HY-MPS, block base sequencer.
Repro-1 dives into the past for analogue inspiration, reverently modelling a classic synth. Every detail of the original was captured using component-level modelling technology to create the most authentic model possible. All the subtle characteristics and quirks found in the original are present in Repro-1. Repro-1 is a fierce synth: hard working, raw sounding and immensely playable. At first glance Repro-1 is simple and intuitive, but the clean and classic design hides a deep feature set capable of a wide range of sounds.
Achieve authentic vintage vibes “in-the-box” with the Retro Pack. This bundle of precisely modelled instruments and effects will allow you to recreate that nostalgic mojo without the need for a time machine.
We took a journey back to the Golden Age of magnetic tape recording. We wanted to recreate all kinds of tape machines in software, from the ground up. After many months spent on research, measurement and on developing an architecture that would be flexible enough for the job, we knew we had nailed it… But we couldn’t stop there: We added the old noise-reduction systems that were often (mis)used for timbral compression effects. Then more heads and a global feedback path, which made an uber-tape-delay and realistic ‘one-shot’ tape flanging possible. Users familiar with analogue recording gear should instantly feel at home with Satin, and digital afficionados will also learn to love the magic of tape – Satin invites you to explore and find out for yourself.
Dirty Harry is an unashamedly DIY Lo-Fi Synth based on the samples of my two homemade, lofi noisemakers, the Atari Punk Console and the BugBrand WOM dirty harry offers 20 unique waveforms in all their mono/monophonic glory. For extra grit the oscillators can be syncüfd or ring modulated. Fidelity can be lowered further still with reduction in sample quality, distortion and a unique üebad contactüf emulation. 2 tempo sync LFOs allow modulation of filter, pitch and contact, with one LFO modulating the depth and frequency of the other. There are envelopes for volume, pitch and filter, with different contours and pitch options. Throw in an arpeggiator, pitch drift and portamento and you can see that whilst it may be lofi in sound, it doesnüft lack for sound design feaures.
SLiX is a randomising loop slicer, which switches between up to 4 loops and can shuffle, repeat, reverse and gate the slices of each loop according to user defined probability. Load any 4 loops, sync them to tempo, slice them up and then set probabilities that each loop will play and for each randomising effect per loop. Even the randomness is randomised, with a parameter that varies the probability in a user defined range. slix was co-developed with sink, who also provided the included 295 original loops.
