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  • KORG Polysix v2.2.1 AU STANDALONE VSTi macOS-MORiA
    January 11th, 2022 ⚡MaGeSY®

    KORG Polysix v2.2.1 AU STANDALONE VSTi macOS-MORiA

    KORG Polysix v2.2.1 MAC

    MORiA | 07 October 2021 | 14.6 MB

    ..:: AU, VSTi, STANDALONE :::.

    The Polysix programmable six-voice polyphonic analog synthesizer was introduced in 1981. With a surprisingly full-sounding voice structure, chorus/phase/ensemble effects and performance functions such as chord memory, arpeggiator, and unison the Polysix became a world-wide hit. Its distinctive string and pad sounds are often heard to this day. In addition to faithfully replicating the sound of the original, the Polysix software synthesizer also adds enhancements such as 32-voice polyphony (max), up to 16-voice unison (with detune/ spread function), flexible external modulation settings, MIDI clock synchronization, and a spread function that adjusts the spaciousness of the effects — functionality that brings this classic synthesizer up to date for modern music production. The interface provides reorganized knobs and switches that resurrect the Polysix in a contemporary “rack-mountable” form for even more intuitive operation and sound-creating versatility



    Viewed 120073 By Music Producers.


    • Honky Tonk Piano v2.71 AAX AU VSTi WiN MAC-DECiBEL
      January 9th, 2022 ⚡MaGeSY®
      Categories: AAX, AU, macOS, VSTi, WiNDOWS, x64, x86

      Honky Tonk Piano v2.71 AAX AU VSTi WiN MAC-DECiBEL

      Honky Tonk Piano v2.71 WiN MAC

      Team DECiBEL | 16 Apr 2020 | 2.91GB each

      …::: AAX, AU, VSTi, x86, x64 :::…

      Honky Tonk Piano was sampled from a vintage Chickering upright piano – exact age unknown – primarily through a Neumann TLM 102 microphone. The piano had undoubtedly seem some action, and although it could be tuned (one note at a time) the tone of the piano was a bit on the “honky” side. The piano was sampled close-miced with lid open in mono, but each note was carefully panned to creat a stereo effect. An AKG D112 was used initially in order to capture the lower frequencies, but the TLM 102 did a fine enough job on its own. We attempted to sample this piano deeply (10 velocity layers, 2 note round robin) but in the end, round robin was only partially captured, while the velocity goals were met. Unlike most piano libraries that just record one or the other, the piano was sampled with both sustain pedal open and closed, increasing the library’s size, but allowing for more expression while playing. Once the notes were recorded, the laborious task of processing them began. Noise was removed and the piano was eq’d and compressed – yes, this is a heavily processed plugin. The end result is an EXTREMELY PURCUSSIVE and LOUD piano library that will cut through your mix. This is not a pristine, clean plugin, and the notes can be quite hard hitting! We feel this adds to the percussive nature of honky-tonk style piano playing. Although we’ve cleaned up the notes quite a bit since the VST’s initial release, we feel that too much cleaning-up starts to destroy the sound and feel of the plugin.



      Viewed 91639 By Music Producers.





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