Fat Machine v1.2 VSTi WiN

Team 0xdBass | 15 July 2003 | 1.75 MB

…: Digital Analogue Synth :…

It is an easy to use, high quality virtual analogue synthesizer, with many powerful and unique features for its small size. Fat Machine posseses the capability to realise a remarkably agressive or crystal clear sound, you decide! Fat Machine is the perfect synth for nasty leads and huge warm basses, or trancy arpeggios with a constantly evolving sound. And dont miss its incredible fat analogue kicks and percussions. Careful attention has been paid to choose its functions for the utmost musical quality, ensuring easy editing and high creativity. Fat Machine is a superb MIDI performance synth with modwheel, aftertouch, pitchbend and several velocity mod destinations for its three flexible envelopes. Based on the previously released Astrolead synth which shared some of the sound shaping characteristics of the Astrobelt Pad Machine synthesizer, it has been revamped to include a thorough filter redesign, as well as improving and adding many other features. It’s Random Soundbank Generator can create an endless supply of new and inspirational sounds with just a click of the mouse.

Mother Ship Astrobelt v1.2 VSTi WiN

Team BEAT | 11/27/2003 | 863.20 KB

Synth (Analogue / Subtractive)

Mother Ship Astrobelt is a high quality, alias free, virtual analogue synthesizer, with an intuitive interface, and sporting many unique features for its small size. Though designed to create cool, sweeping pads, Mother Ship is a powerful and flexible synth, capable of a wide range of sounds from rich pads and otherworldly percussion, to trancy, morphing arpeggios and chemical bass lines. Close attention has been paid to the musical nature of Mother Ship strobelt’s feature set, ensuring easy editing and high creativity. An exclusive audio feature, totally unique in its VST range, is the “pre DCF” output to the Delay Effect, Delay has its own multi mode filter, this way it’s possible to combine two different filters outputs for many interesting effects. Mother Ship features a full host of MIDI performance functions, such as modwheel, aftertouch, pitchbend and several velocity mod destinations for its three flexible envelopes. With Astrobelt’s intelligent Random Sound Bank Generation, 128 new and inspiring presets may be obtained with a single mouse click!

Microrock Pro v1.0 VSTi WiN

Team BEAT | 08/18/2004 | 687.25 KB

-microrock- is a physically modelled synthesizer with filters, distortion, overdrive, wah, chorus, vibrato and delay effect. -microrock- is a monophonic synthesizer that is ideally suited for bass, lead and powerchord lines. It is designed to deliver an aggressive and expressive sound for solos and riffs, similar to those you might get with an electric bass or an electric guitar through some pedal effects. But at any rate, -microrock- is and remains an electronic synthesizer and the emulation of a real string instrument vastly depends on how you will program and play it. -microrock- is an electronic synth for leads and riffs inspired by the grungy and pychedelic mix of early effected electric guitar and synths, like the ones from the first Pink Floyd album. -microrock- voices can also resemble human vocals or brass instruments sounds, thanks to the internal filters and its modulation abilities.

HarpTime Pro v1.5 VSTi WiN

TEAM BEAT | 11/20/2006 | 1 MB

Strings / Orchestral

The HarpTime VST synthesizer was designed to reproduce the sound of the plucked folk harp, and uses an advanced physical modeling synthesis in which twelve strings are all individually modeled to allow true sympathetic resonances. The harp has a beautiful sound which is usable in very many musical styles (mediaeval period music, classical, folk, ambient, film music and ballads, for example). However, samples can only reproduce a limited, and somewhat ‘static’ snapshot of a particular real instrument being played. In comparison, physical modeling allowed us to build a VSTi which reproduces the characteristic of a variety of real harps, with more flexibility, control, and dynamics than a sample set will normally provide. HarpTime can reproduce the beautiful of the Celtic harp, as well as that of many similar types, such as Japanese (koto), Paraguayan and African harps.

Peti Harmonium Accordion v0.5 VSTi WiN Beta

Team NoGRP | 09-21-2006 | 1.15 MB

Peti uses hybrid FM synthesis technology and was developed primarily to emulate the sounds of the Harmonium, a member of the Reed Organ family, which is also known as the “pump organ”. The Harmonium, in its smaller form, is widely used in north Indian music, and its full, sweet sound is often used in pop and rock music, but Peti is not limited to this instrument alone. Peti is also capable of emulating a wide variety of reed organ variants, and can model timbres which resemble the many instruments in this family, ranging from from accordions to pipe organs, and even the famous melodica often used in reggae dub music. Peti was designed to allow the user complete control over a simulated Bellows mechanism, with 11 different modes providing ‘automatic’ or ‘manual’ pumping, with appropriate modulation of the sound-generation engine’s parameters. It also features two separate ‘reed bank’ simulators, allowing it to create the widest possible range of reed organ timbres via its sophisticated hybrid-synthesis system. Peti’s sound engine is also capable of emulating other key features of the Harmonium, including the body resonance of the instrument itself, the noise of air in the bellows and chambers, a ‘musette’ tremolo feature, and ‘key coupling’, which traditionally allows a single note to trigger two voices.