Miroslav Refills Vol.3 Percussion & Keys

TEAM BSOUNDZ | 15.05.2006 | 1.42 GB

This title covers both orchestral percussion instruments, such as timpani, bells, chimes, vibraphone, glockenspiel, celeste, snare, bass drum, shakers and more, as well as a stunning concert grand piano, cathedral pipe organ and harpsichord. This collection contains a majestic collection of powerful dynamic single hits and individual percussion elements for complex orchestral layers. Includes additional bonus symphonic textures and powerful interactive orchestra combis.

Miroslav Vitous Orchestra

String Ensembles Version 2.0 EMU

Team CHiC | 2003/05/05 | 397.70 MB

One might say to die for, but perhaps it would be more advisable to stick around and enjoy these first-rate sounds, created by the ex-bassist of Weather Report and an unnamed European orchestra. Digitally recorded in stereo throughout, the ensembles retain just the right amount of ‘hall’ in the sound. Expensive, but very good. The first version of this library had no loops, to the bemusement of keyboard players everywhere, but version 2.0 (reviewed here) contains looped sounds. However, Miroslav Vitous himself considers the unlooped samples superior in quality and strongly urge-using them for mastering, which is fine as long as your composition doesn’t employ any very long notes!

Miroslav Vitous String Ensembles EMU

Team ALFiSO | 29-03-2003 | 433.07 MB

This huge undertaking contains 11 Violins, 23 Violins, 4 Violas, 4 Violoncellos, 10 Violoncellos, and 9 Contrabasses. Playing styles include: Vibrato, No Vibrato, Mute, Detache, Pizzicato, Staccato, Sul Ponty, Sul Ponty Tremolo, with various speeds and velocities for the ultimate performance in String sampling.

Miroslav Vitous Orchestra

Woodwind Brass Ensemble Version 2.0 EMU

Team CHiC | 2003/05/05 | 392.36 MB

One might say to die for, but perhaps it would be more advisable to stick around and enjoy these first-rate sounds, created by the ex-bassist of Weather Report and an unnamed European orchestra. Digitally recorded in stereo throughout, the ensembles retain just the right amount of ‘hall’ in the sound. Expensive, but very good. The first version of this library had no loops, to the bemusement of keyboard players everywhere, but version 2.0 (reviewed here) contains looped sounds. However, Miroslav Vitous himself considers the unlooped samples superior in quality and strongly urge-using them for mastering, which is fine as long as your composition doesn’t employ any very long notes!