• HY-Filter4 v1.1.62 WiN-TCD-MaGeSY

    HY-Filter4 v1.1.62 WiN

    Team TCD | 29 July 2024 | 60.3MB

    HY-Filter4 is a semi-modular type effect plugin. It contains multi-engine filter + built-in 38 effect units + 10 types of modulators + the CTRL SEQ. You can modulate parameters of the main filter, bult-in effects and modulators by using the modulation units. In addition, these are controlled by the CTRL SEQ which is a grid sequencer.


    Viewed 13194 By Music Producers & DJ´s.


  • EQ173 v1.0.4 WiN-BUBBiX
    July 29th, 2024 ⚡
    Categories:

    EQ173 v1.0.4 WiN-BUBBiX-MaGeSY

    EQ173 v1.0.4 WiN

    BUBBiX | 30 June 2024 | 21.4 MB

    ..: AAX, VST2, VST3, x86, x64 :…

    EQ173 Preamp & EQ. Red Rock Sound EQ173 is based on introduced in 1970, this hallowed class-A, transistor mic/line amp with EQ epitomizes the beautiful sound, with unparalleled clarity, sheen and bite. Save time and avoid tedious manual workarounds with EQ173 plug-in designed from the ground up for fast, efficient work on mid/side, stereo and the objects, the beds (fixed channels) of immersive mixing environments.


    Viewed 19087 By Music Producers & DJ´s.

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  • MEQ-5 v1.5.2 VST2 VST3 x86 x64 WiN-BUBBiX
    July 27th, 2024 ⚡
    Categories:

    Meq 5 V1.0.0 Vst2 Vst3 X64 Win Mocha

    MEQ-5 v1.5.2 WiN

    BUBBiX | 28 June 2024 | 6.8 MB

    MEQ-5 Midrange Equalizer

    The MEQ-5 based on Classic Mid-Range Equalizer from the ’70s, with two bands of midrange boost and one band of midrange dip, the MEQ-5 gets the very best out of the «power region» where guitars and vocals can make or break a mix. The HLF-3C completes the MEQ-5 plug-in. This plug-in has 12 dB per octave low and high cut filters, providing broad retro-tonal sculpting or bygone-era special effects, without the inconvenience of insertion loss found with the unamplified passive hardware. Save time and avoid tedious manual workarounds with MEQ-5 plug-in designed from the ground up for fast, efficient work on mid/side, stereo and the objects, the beds (fixed channels) of immersive mixing environments.


    Viewed 28158 By Music Producers & DJ´s.


  • StereoSavage v2.1.1 WiN-TCD
    July 24th, 2024 ⚡
    Categories:

    StereoSavage v2.1.1 WiN-TCD

    StereoSavage v2.1.1 WiN

    Team TCD | 23 May 2024 | 8.8MB

    PLATFORM: VST2/VST3/x86/x64/AAX(MOD)

    Achieve the stunning stereo your mix deserves. StereoSavage provides an innovative stereo toolbox, combining tried and tested studio techniques with emulations of modern and classic tools that will bring your mix to life. Generate stereo from mono with the: VOX, DELAY and EXPAND programs. Place sounds precisely in the stereo field with the adjustment tools: WIDTH, PAN and ROTATION. Create movement and chorus-like effects with the LFO and retain a solid low end with the adjustable BASS BYPASS. StereoSavage includes all of these features in a single plugin for the first time, offering the flexibility to enhance your track with dramatic effects, or add the perfect subtle finishing touches.


    Viewed 28365 By Music Producers & DJ´s.


  • EQ3 v3.5.3 WiN-BUBBiX
    June 26th, 2024 ⚡
    Categories:

    EQ3 v3.5.3 WiN-BUBBiX-MaGeSY

    EQ3 v3.5.3 WiN

    BUBBiX | 26 June 2024 | 99 MB

    ..: AAX, VST2, VST3, x86, x64 :…

    In the ’80s it was the first to use a different approach to tonal adjustments. In conventional analog equalizers, whether they are shelving, sweepable, graphic or parametric types, various sections of the audio spectra are boosted or attenuated by adding or subtracting bandpasses. In this case, frequency shaping is achieved by summing bandpasses. Our emulation of this method is quite similar to the original and improved with additional possibilities of digital technology. Now you can hear it for yourself. There are five broad, overlapping, interacting bands: 10 (Sub), 40, 160, 650 and 2.5 кHz, along with the «rock (airy) band» control, which is an HF boost-only control. When using the EQ3, remember that the bands are broad, approximately 2 octaves. They overlap one another. For example: when boosting the 10 kHz «rock band» to a +6 position on the knob, to keep the response flat through in 2.5 kHz region you should rotate the 2.5 kHz coarse knob to about a -1 position. The amount you back off the 2.5 kHz control should, of course, be set by ear. Following this kind of procedure will accomplish a more airy sound, with much more clarity.


    Viewed 24348 By Music Producers & DJ´s.


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