TDR VOS SlickEQ GE v1.3.7 WiN

P2P | 26 October 2021 | 9 MB

..:: AAX, VST2, VST3, x86, x64 ::..

TDR VOS SlickEQ – Gentleman’s Edition takes SlickEQ‘s concept to new heights and adds an exotic “Tilt”-filter flanked by flexible low-pass and high-pass filters. Five distinct EQ models provide a rich set of predefined EQ curves and behaviours for the three main semi parametric filter bands. SlickEQ GE offers a switchable EQ non-linearity and seven different output stages. These options offer subtle and interesting textures, from the typical “mojo” often associated with high quality analogue audio gear, up to more obvious saturation.

U-he Triple Cheese v1.3.0

FREE | 27 August 2021 | 57.5 MB

Triple Cheese: Luscious and cheesy

.:AAX AU VSTi VST3i AUi x86 x64:.

Triple Cheese, winner of the 2006 KVR Developer Challenge, is a truly unique freeware synthesizer. No traditional oscillators or wavetables, no FM or phase distortion and no analogue modelled filters here. A touch unusual and a little cheesy, Triple Cheese is quite capable of some surprising sounds.

MetaPlugin 3 v3.9.71 MAC

SPTNDC | October 24 2021 | 40.5 MB

PLATFORM: MAC32/64 – AU/VST/VST3

Metaplugin is a plugin that loads other plugins. As simple as that. Build your own effect networks with this plugin wrapper using any VST/VST3 (and AU, if you’re on Mac) effect you already have on your harddisk. To get you started, a Mid-Side matrix, a fourband crossover filter and a routing plugin are included in the package. This means instant cross-track routing, mid-side, multiband compression/distortion/reverb/… you name it. Of course that’s only the beginning… let your imagination run free, nothing is impossible, from creating your own layered synth sounds to building whole sound generators from scratch using simple modules.

Molot GE v1.0.4 WiN MAC

P2P | 22 October 2021 | MAC: 21.3 MB | WiN: 8.53 MB

..:: VST2, VST3, AAX, AU ::..

Russian for “Hammer”, Molot is the name of a popular dynamic compressor originally released in 2011 by Vladislav Goncharov. With a modernized concept, extended flexibility, and a generous dose of Rock ’n Roll, Molot GE proudly takes over the job of its predecessor. Molot GE is a particularly characterful dynamic range compressor melding several classic compression mechanisms with sophisticated saturation, creative tone control, and a snappy peak limiter. Whether it be mellow leveling, tight dynamic control, or aggressively vibrant compression, Molot GE covers a remarkable wide range of compression colors. While Molot GE doesn’t emulate any “vintage” device, its sound and behavior was definitely inspired by their most interesting musical peculiarities. This flexibility makes it suited for almost any source, be it drums asking for more crisp and impact, solidification and enrichment of vocals, or the enhancement of guitar and bass recordings of all types.

MagicDeathEyeStereo v1.1.1 MAC

SPTNDC | October 9 2021 | 13.4 MB

PLATFORM: MAC32/64 – AU/VST/VST3

The second product of the ongoing and very fruitful collaboration with MagicDeathEye is a faithful emulation of their stereo master buss compressor & equalizer. From the description of the hardware: “The stereo compressor is two mono compressor circuits with some extras designed for mastering and buss compression duties. This new version has an added EQ section. There are two (boost only) bands with two frequency selections each. The EQ is worked into the Variable Mu tube gain structure. This means it is not before or after the compression section, it is within it. The EQ circuit is inductor based and has wide curves for giving program material that “little something”. There is also a two frequency low cut for tightening up out of control bass. The boost of the bands can be 5dB or 3dB split between 5 steps. I spent a lot of time shaping this EQ mastering everyday and fine tuning the components on the weekends. It sounds absolutely fabulous.”

MagicDeathEye v1.1.7 MAC

SPTNDC | October 9 2021 | 12.7 MB

PLATFORM: MAC32/64 – AU/VST/VST3

Everybody who has ever had a chance to listen to a MagicDeathEye compressor has been blown away by its sound. Carefully designed by Mr. Ian Sefchick (mastering engineer at Capitol Records), this tube compressor’s circuit is loosely based on a Fairchild 660. It’s a variable gain compressor that sounds just as great on your mastering bus as on your individual tracks. Nothing is smashed here, everything breathes and shines while the MagicDeathEye will smoothly glue your audio signal together in that warm and almost elegant way only expensive tube compressors can. Already now a legendary piece of hardware, the MagicDeathEye compressor is just to good to be exclusively available only to some of the greatest studios in the world. After almost a year of careful circuit and signal analysis. Staying extremely close to its hardware role model while still keeping the CPU load at a very reasonable level, we sincerely believe that the answer to the ever-old question “Do I really need another compressor plugin” is a resounding yes for this one!

MiKRON Chorus v1.0.1 WiN

Team R2R | Oct 07 2020 | 7 MB

PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED)

Mikron Chorus was inspired by the Juno chorus, the chorus effect found in the Roland Juno synthesizer as well as the Boss/Roland chorus pedals from the 70/80ies. It has the same signal routing as the Roland/Boss CE2, and the spectral characteristics of its bucket brigade delay chips, but without the noise that always accompanies bucket brigade delays. Mikron Chorus has the same ease of use as the pedals it was inspired by, with just a few handy extra features. Where the CE2 only had adjustable rate and depth. Mikron Chorus adds adjustable delay time, feedback and mix. This gives you not only more flexibility, but makes it also possible to use Mikron Chorus as a flanger by dialling in shorter delay times, and adding feedback. Last, but not least there is the stereo mode that you can use to give the chorus extra spaciousness.