GON v1.0.0 WiN

Team R2R | September 22 2020 | 8 MB

PLATFORM: WiN32/64 – VST/VST3/AAX

A free, universal visualization plug-in for stereo bus masters.

Introduction: Available for all major plug-in formats, including VST 2, VST 3 and AAX for macOS and Windows plus Audio Units for macOS, GŌN (rhymes with “lone”) is a free software goniometer that authentically replicates an analog oscilloscope experience while keeping complexity at bay. This “phase scope” plug–in quickly conveys global trends and troubles, with a visual out–of–phase warning built in. Plus, an optional autogain feature insures that you’ll see an understandable display with a very wide range of input amplitudes.

EQ232D v1.0.1 WiN

Team R2R | 13 Nov 2020 | 20.5MB

PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

The EQ232D is a faithful plugin recreation of one of the most respected analog mastering EQs of the new millennium! The original hardware EQ232P MKII on which it is based is renowned for delivering the lush, supple bottom and clear, smooth top end of the legendary Pultec EQs—but with a clean and modern twist that’s perfect for contemporary styles of Hip Hop, EDM, Pop, or even Metalcore. ​This precisely modeled plugin version of instant classic mastering-grade EQ is no different. Like the analog original, it offers the incredible low and high-end shaping capabilities of the best passive EQ designs ever devised, along with the precision, detail, and features of a high-end 21st-century design.

CrispyTuner v1.0.12 MAC

[Ked] | 09 June 2021 | 8.14 MB

(32BiT, 64 BiT, AU, VST3)

We are happy to announce that the CrispyTuner and its pitch correction algorithm!

RX 8 v8.1.0 WiN

Team V.R | 30 September 2020 | 462.85 MB

STANDALONE, VST, VST3, x64

Audio Editor Advanced

RX has long been the go-to audio repair and polishing suite for film, television, music, podcasts, video games, sample libraries, and more. With RX 8, we’ve created new tools and improved beloved modules to help you accomplish more in less time than ever. Rescue your rig with Guitar De-noise: powerful tools to control fret squeaks, amp hiss and noisy pick sounds.

R2 Stereo Reverb v3.0.2 WiN

Team AudioUTOPiA | 29 October 2016 | 113 MB

..:: AAX*, VST2, VST3, x86,x64 ::..

The R2 reverb plug-in is a reverb with attitude. In many ways, it harkens back to classic reverbs of the 80’s and 90’s. The reverb tail is fat and full of movement. The chorus controls can even add subtle (or unsubtle) pitch effects. Whether it’s a choir or a power ballad, R2 adds a rich character to the mix. But it doesn’t end there. Like its little brother PhoenixVerb, R2 can also create rooms and plates of its own. The gate control has found special applications as an auto-ducker for dialog mixers or even for traditional mixes keeping the reverb under control. R2 is a traditional reverb with a modern attitude. R2 has also been designed with ease of use as a primary concern. The most important parameters are always available, and a richer set of controls are available only a click away. Presets are organized with application-specific keywords, and the user can easily create new presets and keywords to tailor R2 to the needs of any particular facility.

Virtual Buss Compressors v1.2.6.4 WiN

Team AudioUTOPiA | 19 Dec 2015 | 215.3 MB

..:: AAX*, VST2, VST3, x86, x64 ::..

Virtual Buss Compressors comprises three unique sounding, 100% analog-modeled dynamic processors that are designed for program material including full mixes, mastering, drums, group mixes, and more. Every nuance of real analog compressors has been modeled; including the exact nonlinear characteristics of their transformers, tubes, VCAs, amplifiers, phase distortions, harmonic distortions, and timing.

Perfect Room v1.2.1 WiN MAC

Team FLARE | 05 April 2021 | WiN: 5.21 MB | MAC: 8.16 MB

VST, VST3, AU, AAX, x64

A perfect room? Classic algorithmic reverb plugins use a combination of short feedbacking delays to create the illusion of reverberation. These delays cause unwanted metallic resonances and sharp spikes in the reverb’s frequency response. The denise team challenged themselves to create something better – a perfect room – and invented their TXVerb™ technology. Using this technology, the denise Perfect Room doesn’t use delays for the tail. Its technology allows for highly creative use, different sounds, and can enhance the character and colouration of any audio you run through it in an extremely natural way, sounding defined and tight from the lowest kick all the way up to the highest vocal.