🎵 MaGeSY ® R-EVOLUTiON™⭐ ⚡(FAST EDiTiON)⚡

  • gEQ12 v4.0.1 AAX VST3 VST x86 x64 WiN-R2R
    May 16th, 2021 ⚡MaGeSY®
    Categories: AAX, VST, VST3, WiNDOWS, x64, x64, x86, x86

    gEQ12 v4.0.1 AAX VST3 VST x86 x64 WiN-R2R

    gEQ12 v4.0.1 WiN

    Team R2R | January 15 2020 | 4.8 MB

    PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED

    gEQ12 is 12 band stereo/MS graphic equalizer with accurate spectrum analyzer and minimum/linear phase modes. Today’s mixing and mastering processes require a full featured but easy to use equalizer which can accurately shape the tone of a track , bus or master track. eEQ12 provides all necessary tools in one package paired with some unique features. The display shows the spectrum curve of incoming and outgoing signal. gEQ12 has the unique feature that the outgoing spectrum is directly calculated from incoming spectrum (incoming spectrum – filter curve = outgoing spectrum). This allows you to capture the incoming signal, to freeze it and to modify then the filter curve based on the altered outgoing spectrum. The filter response is controlled by 12 individual filter bands. Each filter band has its own display handle, which can be adjusted by mouse.



    Viewed 71586 By Music Producers.


    • FinalLoud 3 v3.0.5 AAX VST VST3 x86 x64 WiN-R2R
      May 16th, 2021 ⚡MaGeSY®
      Categories: AAX, VST, VST3, WiNDOWS, x64, x64, x86, x86

      FinalLoud 3 v3.0.5 AAX VST VST3 x86 x64 WiN-R2R

      FinalLoud v3.0.5 WiN

      Team R2R | 15.01.2021 | 5.42 MB

       PLATFORM : WiN32/64 – VST/VST3/AAX(MODiFiED)

      FinalLoud 2 is a loudness and True Peak finalizer tool. It is the successor of FinalLoud. FinalLoud 2 solves quickly a very common challenge in audio engineering: reaching a certain target loudness level for any audio material while maintaining given True Peak ceiling. Therefore FinalLoud 2 combines a gain control, a high quality True Peak limiter and an accurate loudness meter under an easy-to-use interface. The gain control pushes the loudness level to the target level and in parallel the limiter ensures the True Peak ceiling.



      Viewed 99130 By Music Producers.


      • DSEQ v2.2.4 AAX VST VST3 x86 x64 WiN-R2R
        May 16th, 2021 ⚡MaGeSY®
        Categories: AAX, VST, VST3, WiNDOWS, x64, x64, x86, x86

        DSEQ-AAX-VST-VST3-RTAS-x86-x64-WiN-R2R

        DSEQ v2.2.4 WiN

        Team R2R | January 15 2020 | 5.47 MB

        PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED)

        DSEQ is a dynamic processor working in the frequency domain.DSEQ is removing digital harshness on the fly thanks to self-adjusting frequency bands. DSEQ works fully in the frequency domain, providing very high frequency selectivity thanks to self-adjusting dynamic equalizers. DSEQ does its job with highest transparency even pushed hard. This avoids distortion, phasing and artefacts even with very critical sound material. And DSEQ offers several quality modes taming even singular frequencies. On top DSEQ provides a very easy to use interface. With just a few parameters (threshold, selectivity and attack/release) a broad range of applications can be covered. Even the initial parameter set could make your mix more transparent. Just pick the threshold parameter and lower it step by step. From there you can start focusing on specific frequency regions by using the pre-filters.



        Viewed 73204 By Music Producers.


        • Flatline: Mastering Maximizer v1.0.1 WiN-R2R
          May 16th, 2021 ⚡MaGeSY®
          Categories: AAX, VST3, WiNDOWS, x64

          Flatline Mastering Maximizer v1.0.1 WiN-R2R

          Flatline v1.0.1 WiN

          Team R2R | 15 Jan 2021 | 2.8MB

          PLATFORM: WiN64 – VST3/AAX(MODiFiED)

          Dominate your master

          Flatline is the last clipper you’ll ever need – bringing you the sound of pushing premium, world-class converters at a fraction of the cost. Designed with ultimate workflow in mind, it turns your mix into a world-class stream, CD or radio-ready master in a matter of seconds. Using industry-leading code, it offloads processing onto the GPU – leaving you with power to spare where it matters most (the mix!). Instead of overwhelming you with options, Flatline instead focuses and hones in on the “secret weapon” technique of high-end mastering houses since the 2000s: The sound of clipping top-tier digital converters. This is the sound you grew up with, and it’s finally within your reach. Developed in concert with professional mastering engineers to give you only what you need, with no fluff, Flatline is a powerhouse tool: Equally at home in a project studio as it is in a high-end mastering facility.



          Viewed 26580 By Music Producers.


          • Archetype: Gojira v1.0.0 (AAX FiXED) WiN-R2R
            May 16th, 2021 ⚡MaGeSY®
            Categories: AAX, Audio Software, VST, VST3, x64, x64

            Archetype Gojira v1.0.0 WiN-R2R

            Archetype: Gojira v1.0.0 WiN

            Team R2R | Jan 15 2021 | 274 MB

            PLATFORM: WiN64 – STANDALONE/VST/VST3/AAX(MODiFiED)

            Archetype: Gojira covers as vast a ground as the bands’ iconic compositions. From clean, mellow ambient sounds to the most obliterating high gain, Archetype: Gojira provides enough options for you to create your own iconic sounds. Two brand-new algorithms to ingratiate the Pitch Effects section, giving you unparalleled flexibility for crafting and tweaking your tone. Wow A MIDI-programmable pitch shifter pedal with 3 different modes providing ultimate control over the additional octave and pitch sweep. Tracking better than the best analog equivalent, nothing is stopping you from nailing Stranded now. Oct A polyphonic octaver pedal capable of adding two independent octaves, one -1 octave and the other -2 octaves below your dry signal. You’ve never played riffs this heavy.



            Viewed 44404 By Music Producers.


            • RealRick v4.0.5.7471 AAX STANDALONE VSTi VST3 WiN-R2R
              May 16th, 2021 ⚡MaGeSY®

              RealRick v4.0.5.7471 AAX STANDALONE VSTi VST3 WiN-R2R

              RealRick v4.0.5.7471 WiN

              Team R2R | 15 Jan 2021 | 514.3MB

              PLATFORM: WiN32/64 – STANDALONE/VST/VST3/AAX

              In the early 1960s Rickenbacker® history became forever wedded to one of the biggest music upheavals of the 20th century: the invasion of the mop-top Beatles from Liverpool, England. The Beatles created unprecedented, international interest in Rickenbackers. John Lennon would own at least four models, George Harrison’s double-bound 360/12 (the second one made by the company) defined a new tone at the other end of the audio spectrum. Its ringing sound embellished “You Can’t Do That”, “Eight Days a Week”, “A Hard Day’s Night”, “Ticket To Ride” to name just a few. Jim McGuinn made the bell-like quality of its tone the foundation of the Byrds’ early style. The Who’s Peter Townshend, Creedence Clearwater Revival’s John Fogerty, Steppenwolf’s John Kay, and many other well-known 1960s guitarists became faithful Rickenbacker® users. Groups like Oasis, Pearl Jam, Radiohead, U2, and other of today’s top acts include Rickenbacker® guitars in their musical arsenal. Rickenbacker® is the principal guitar of artists such as R.E.M.’s Peter Buck and Against Me!’s Laura Jane Grace, and many others.



              Viewed 37642 By Music Producers.


              • Need 31102 Console EQ v1.7.1 WiN MAC-R2R
                May 14th, 2021 ⚡MaGeSY®
                Categories: AAX, AU, macOS, VST, VST3, WiNDOWS, x64, x64, x86, x86

                Need 31102 Console EQ v1.7.1 WiN MAC-R2R

                Need 31102 Console EQ v1.7.1 WiN MAC

                Team R2R | 2021.01.13 | WiN: 33 MB | MAC: 62 MB

                PLATFORMS: WiN32/64/MAC – AU/VST/VST3/AAX

                The iconic 31102 preamp/eq (featured in the Neve 8068 consoles) has been used to mix many hit records for years. Guns N’ Roses, Bruce Springsteen, AC/DC, Red Hot Chili Peppers, Nirvana, Metallica… etc. We’re proud to present the true analog emulation for one of the best-sounding class A mic pre/EQ modules ever produced. Need 31102 Console Eq, with same character and enhanced with a great modern workflow! The Need 31102 is holding each small detail and true vintage tone of the original unit. Iconic console tone has been reborn!



                Viewed 76621 By Music Producers.


                • Amplifikation Clarent v1.0.0 WiN-R2R
                  May 14th, 2021 ⚡MaGeSY®
                  Categories: AAX, Audio Software, VST, VST3, x64, x64, x86, x86

                  Amplifikation Clarent v1.0.0 WiN-R2R

                  Amplifikation Clarent v1.0.0 WiN

                  Team R2R | 13 Jan 2021 | 443MB

                  PLATFORM: WiN32/64 – STANDALONE/VST/VST3/AAX(MODiFiED)

                  3rd gen Tube Simulation technology following the much hyped Amplifikation Caliburn and Matchlock. Amplifikation Clarent is inspired by Orange* amps and thanks to the 3rd gen Tube Simulation engine guarantees a more dynamic natural sounding, realistic amp recording experience for guitarists. There are no other guitar amplifiers other than Orange Amplifiers* whose looks and presence is as unique as its sounds. Instantly recognizable by its bright colorful appearance, delivering thunderous crunchy tone used by world class acts such as Fleetwood Mac*, The Black Crowes*, Oasis*, Mastodon*, High on Fire*, Slipknot*, Orianthi*, Deftones*, Korn*, and many others!



                  Viewed 31160 By Music Producers.


                  • GainMatch v1.1.3 WiN MAC-R2R
                    May 14th, 2021 ⚡MaGeSY®
                    Categories: AAX, AU, macOS, VST, VST3, WiNDOWS, x64, x64, x86, x86

                    GainMatch v1.1.3 WiN MAC-R2R

                    GainMatch v1.1.3 WiN MAC

                    Team R2R | 13 Jan 2021 | WiN: 8.5MB | OSX: 31.7MB

                    PLATFORMs: WiN32/64/MAC: AU/VST3/AAX

                    This tool was designed to make gain matching easy and fast!

                    Have you ever seen a plugin that sounds so much better when you put it on? And later discovered that it just adds 1 dB of gain on everything? Or maybe a new compressor, that has a fixed 2dB steps output knob? So that comparing before and after is a pain? Or maybe a saturation plugin with no output gain, so that it’s almost unusable? Decide if it’s better, not louder, in a moment! GainMatch is an affordable and easy to use tool that we think everyone should have in their arsenal.



                    Viewed 36081 By Music Producers.




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