RX Final Mix v1.03 MAC

PlatenseSoul | 18.08.2016 | 46.64 MB

AU VST VST3 RTAS 32Bit 64Bit

Every Sound in Its Place: RX Final Mix is a real-time plug-in for controlling your peaks and giving your mixes and sub-mixes a smooth sonic balance. The newest member of the RX family of post production tools, RX Final Mix plug-in is built specifically for audio post production professionals and video editors. The Dynamic EQ and True Peak limiter are optimized with intelligent DSP for both maximum sound quality and True Peak compliance with the latest loudness standards (BS.1770-2/3, EBU R128, etc.). This processing delivers reactive, program-dependent, and more transparent mix results, giving you loud and impactful mixes with on-spec True Peak levels. Ensure clearer dialogue, maximum sonic impact, and more accurate mix compliance with RX Final Mix!

StageCraft Plug-ins Bundle

Team V.R | August 14 2016 | 8.5 MB

Amplifikation Vermilion v1.1.3 WiN MAC

Team R2R | 05 Aug 2016 | OSX: 37.5 MB | WiN: 220.6 MB

APP/AU/VST/VST3

Amplifikation Vermilion is a guitar amplifier audio plugins inspired by classic guitar combo amplifiers. It offers gorgeous looks and endless tonal possibilities for the serious guitarist who requires versatility. The engine is carefully tuned to match the tone of authentic classic amps and will truly sing to your playing style. The guitar amp simulator Amplifikation Vermillion packs everything guitarists love: jangly cleans, raw tube saturation, bouncy reverb, and a trippy tremolo circuit. The warm, chimey, and slightly gritty clean channel is great for country, soul, funk, blues, and older “roots” styles of music, and even pulls some weight for your indie pop tracks.

Amplifikation Creme v1.3.3 WiN MAC

Team R2R | 05 Aug 2016 | OSX: 33.0 MB | WiN: 190.3 MB

 APP/AU/VST/VST3

Amplifikation Creme, featuring ultra-precise digitally engineered head and matching cabinets with built-in overdrive section consisting three kinds of legendary overdrive pedals built right to the amp giving you a full control of harmonically-rich distortion crammed with intense dynamics.

AnalogStage v1.1.1 WiN MAC RETAiL

P2P | 24.07.2016 | 68,41 MB

VST VST3 AU RTAS AAX

AnalogStage emulates those sound characteristics usually associated with analog gear (saturation, hiss, non linear frequency response, etc.) and can be used to bring to your mix some analog console flavor if used on every channel or buss. AnalogStage simulates the response of three different types of analog technology: operational amplifiers (the cleanest and more modern technology), transistor (the discrete transistor designs were popular in the 70s and have some fat saturation) and tube (the dynamic and smooth saturation of the past). Every one of the three different type of emulation can be used inside the same project but for convenience you can create up to eight group of instances so that any change to the emulation type, age, hiss switch and saturation switch is applied to every plugin belonging to the group.

Spikes v1.0.0 WiN MAC RETAiL

P2P | 24.07.2016 | 11,21 MB

AU VST VST3 RTAS AAX

Spikes is a transient processor, thanks to it’s intelligent auto settings you need just one knob to manipulate the sound, but if you want to tweak it every control is there at your fingertips. Working with audio often happens that you need to manipulate peaks and body of the signal, sure you have compressors at your disposal but a compressor needs a fixed threshold to work, a plugin like Spikes on the other hand uses a relative threshold so you don’t have to worry about the level of the signal.

Sybilla Pro v1.1.0 WiN MAC

P2P | 21.07.2016 | 22,30 MB

VST VST3 AU RTAS AAX

Sybilla Pro is a multi filter de-esser, unlike other traditional de-essers Sybilla Pro has 8 different tunable filters to effectively find the offending sibilance and feed the compressor that will reduce it. Sybilla Pro is a wideband de-esser, the compressor stage is driven by the sum of the output of the active filters above the threshold so that if the sibilance moves in frequency Sybilla Pro can follow it and never miss it. Another peculiarity of this plug-in is that the threshold is not fixed, but relative to the signal, the compressor is driven by the sum of the filters which is computed against the unfiltered signal, this difference is then used as key for the compressor. What happens with this kind of processing is that de-essing takes places even in softer passages where with traditional fixed threshold de-essers the signal must be above the set threshold for de-essing to take place.