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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • U-he ColourCopy v1.0.1 WiN CE-V.R
    September 18th, 2021 ⚡
    Categories: AAX, U-He, VST, VST3, WiNDOWS, x64, x64, x86, x86

    U-he ColourCopy v1.0.1 WiN CE-V.R

    U-he ColourCopy v1.0.1 WiN

    Team V.R | 11 August 2021 | 15 MB

    (Win32/64; AAX*, VST3, VST)

    A virtual analog effect inspired by classic bucket-brigade delays (bbd), but extended with modern features. We called our new baby “Colour Copy” because it can deliver the kind of colouration people still love in classic bbd units, but with a wider variety of colours. Colour Copy started life as the little delay unit called “Lyrebird” we built into Repro-1, but the sound was too good not to be developed further and become an fx plug-in.



    Viewed 8785 By Music Producers.


    • U-He Twangstrom v1.0.1.12092 WiN CE-V.R
      September 18th, 2021 ⚡
      Categories: AAX, U-He, VST, VST3, WiNDOWS, x64, x64, x86, x86

      U-He Twangstrom v1.0.1.12092 WiN CE-V.R

      U-He Twangstrom v1.0.1 WiN

      Team V.R | 11 August 2021 | 15 MB

      (Win32/64; AAX*, VST3, VST)

      A flexible spring reverb box-of-tricks. If you’re familiar with Bazille, you might already have come across its built-in spring unit. We took that one, then modelled two more reverb tanks, paired it with drive section, filter stage, envelope, and mod matrix. It emulates a hand-picked selection of the most popular units you will find in classic guitar and instrument amplifiers, recreating the odd character of real springs.



      Viewed 7013 By Music Producers.


      • Polaris v1.8.1 AU VST AAX x86 x64 WiN MAC-RET
        September 18th, 2021 ⚡
        Categories: AAX, AU, macOS, VST, WiNDOWS, x64, x86

        Polaris v1.8.1 AU VST AAX x86 x64 WiN MAC-RET

        Polaris v1.8.1 WiN MAC

        Team RET | 13 August 2021 | WiN+OSX: 18.6 MB

        Polaris is an echo/reverb plugin inspired by early hardware digital reverbs of the late 1970s and able to provide echo, ambience and reverb out of a single multitap delay line. When hardware digital reverbs came out to the market they were really expensive. Most manufacturers were already exploiting chains of comb and allpass filters (smoother reverbs, but expensive in both resources and chips), there were other techniques involving the use of a single multitap delay line to create a reasonable reverb while keeping the cost affordable. That idea is so simple yet powerful: you mix a bunch of unmodulated taps (Early Reflections) with the remaining modulated taps (Diffusion) to create a cheap but convincing reverb.



        Viewed 8429 By Music Producers.


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