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  • EQuity v1.0.0 WiN MAC-R2R

    EQuity v1.0.0 WiN MAC-R2R

    EQuity v1.0.0 WiN MAC

    Team R2R | 03 Mar 2021 | WiN: 4.0MB | OSX: 7.2MB

    .: AU, VST2, VST3, x64, STANDALONE :.

    .: Six Band Visual Equalizer :.

    EQuity is a six band visual equalizer with precise meterings, featuring a frequency analyzer and an IR-based preamp section. It was initially conceived as a simple EQ module to be incorporated in other audio products, then the visual EQ section and the spectrum analyzer were added. It represents an inexpensinve solution for DAWs and other audio environments where the use of a visual equalizer comes handy. The low CPU power requirement makes it perfect for being run in multiple instances on complex mixes.



    Viewed 47430 By Music Producers.


    • VariSpeed v1.0.0 WiN x64 READ NFO-R2R
      May 24th, 2021 ⚡MaGeSY®

      VariSpeed v1.0.0 WiN x64 READ NFO-R2R

      VariSpeed v1.0.0 WiN

      Team R2R | 13 Nov 2020 | 6.2MB

      PLATFORM: WiN64 – STANDALONE/VST/VST3

      ..:: WEM Copicat IC400 “Belt Drive” Tape Echo Delay Unit ::..

      GSi VariSpeed is a new plugin that GSi offers free of charge to everybody. It’s a simulation of the WEM Copicat IC-400 Belt Drive VariSpeed model, the first tape echo machine made by WEM with a DC capstan motor capable of changing speed, thus varying the delay time. GSi VariSpeed replicates the hardware instrument “as is” with all its pros and cons, without any additional feature except the fact that it is digital and MIDI-controllable. This can be considered as the second chapter of a tribute to the genius of Mr. Charlie Watkins that GSi began back in 2008 with the release of the freeware “WatKat”, which was a simulation of the “Custom Copicat”.



      Viewed 56190 By Music Producers.


      • GS-201 Mk2 v1.0.0 WiN MAC-R2R
        June 17th, 2020 ⚡MaGeSY®

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        GS-201 Mk2 v1.0.0 WiN MAC

        Team R2R | 04 Sep 2019 | WiN: 6.3 MB | 10.4 MB

        WiN64 – VST/STANDALONE/VST3 | MAC – AU/VST/STANDALONE/VST3

        There was a time when the echo effect was made using magnetic tapes, and among the many units that the industry brought to the market, one model shone above all: the Space Echo RE-201. This was by far one of the most used and still today is one of the most sought after tape echo units ever made. The new GS-201 Mark II is the evolution of a project we started back in 2008 with the release of the old version of GS-201. The purpose is to capture the magic of the Space Echo and make it available to all, right there, into the computer. Not an easy task, but the experience we gained during the last 10 years in audio DSP development has helped us reach a result that sometimes can fool even ourselves.



        Viewed 27025 By Music Producers.


        • GS-201 Tape Echo v1.2.0 VST x86 x64 WiN
          March 20th, 2017 ⚡MaGeSY®

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          GS-201 Tape Echo v1.2.0 VST WiN

          R2R KGN | 15/10/2008 | 5 MB

          Tape echo effects were invented towards the end of the fifties. Presumably the very first tape echo machine was invented by Charlie Watkins of London, England, in 1958. It was based on a small loop of 1/4 tape onto hich audio was recorded by a magnetic head and then read by three separated heads. What was read from the tape was amplified by the internal all-valve circuit and eventually recorded back to the tape, creating the eedback or sustaining echo effect. The delay time of the unit was determined by distance of the write head from the read heads, in conjunction with the sd of the tape.



          Viewed 23671 By Music Producers.

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          • GSi VB3 v1.4 VST VSTi WiN-ASSiGN
            October 17th, 2015 ⚡MaGeSY®

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            GSi VB3 v1.4 VST VSTi WiN

            TEAM ASSiGN | 29 JUNE 2010 | 7.23 MB

            VB3 is a virtual tonewheel organ which simulates an american electromagnetic organ of the old days, but it’s also capable of other simulations like the italian transistor organs of the seventies or the red-tolex organs played by famous pop bands of the sixties.



            Viewed 22145 By Music Producers.

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            • GSi Shake Pad v1.1 VST WiN-ASSiGN
              August 13th, 2014 ⚡MaGeSY®

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              GSi Shake Pad v1.1 VST WiN

              TEAM ASSiGN | 02 MARCH 2010 | 3.82 MB

              ShakePad is a virtual multi-effect unit intended for real time sound manipulation via an X/Y pad. It includes 50 different high quality effect algorithms with full stereo operation.



              Viewed 15814 By Music Producers.

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              • Genuine Soundware Plugins Pack WiN MAC-R2R

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                Genuine Soundware Plugins Pack WiN MAC

                TEAM R2R | 2014.05.02 | 800 MB

                KeyPerformer.v1.1, MilesTone.v1.0, ShakePad.v1.1, VB3.v1.4



                Viewed 17939 By Music Producers.


                • Spring Reverb Type4 v1.0.1 AU VST UB WiN MAC
                  March 11th, 2014 ⚡MaGeSY®

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                  Spring Reverb Type4 v1.0.1 AU VST UB WiN MAC

                  VST AU PC & MAC OSX UB REPACK-DYNAMiCS

                  Team DYNAMiCS & AiR & NEMESiS | 01-26-2009 | 6 MB

                  A spring reverb is a system to obtain artificial reverberation invented during the 40’s by Laurens Hammond (also inventor of the Hammond Organ). In a Spring Reverb pan, the audio signal is coupled to one end of the spring by a transducer (a device that can convert electrical energy into mechanical energy or viceversa). This creates waves that propagate through the spring in both directions. At the other end of the spring there is another transducer that converts the motion in the spring into an electrical signal, which is then amplified and added to the dry sound. Most spring reverb units use several springs together, with each spring having its own characteristics (length, dimensions, tension, etc.) resulting in a natural reverberation by summing several delayed sounds at fixed or random intervals. However, with real spring reverbs the user isn’t allowed to change these characteristics. A software simulation like Type4, on the other hand, allows you to adjust parameters like “decay” (reverb duration), the dampening factor, the virtual spring tension and other parameters that affect the overall timbre of the reverb effect. Why should you want to use a spring reverb rather than a precise and modern digital reverb? Spring reverbs have typical sonic characteristics that, nowadays, make them desirable mostly as effects on their own rather than simulations of an acoustic phenomena.



                  Viewed 16279 By Music Producers.

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