Magesy® R-Evolution™
  • Extra Boy Pro v4.91d VST-AMPLiFY
    17 July 2017
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    Extra Boy Pro v4.91d VST WiN

    TEAM AMPLiFY | 12.07.2007 | 4.74 MB

    Extra Boy Pro (name derived from ‘Extract’) is a tool that can be used to isolate, remove, suppress or enhance ANY part of a stereo audio track! Extra Boy Pro operates in real-time and is not restricted to vocal processing only. Extra Boy Pro incorporates a unique 2D Spectral-Spatial editing mode by which individual instruments, having been visually identified by their Spectral-Spatial graphical signature, can simply be deleted from the mix! Alternatively, an instrument that needs a boost can be boosted by simply drawing a Region of Interest (ROI) around its Spectral-Spatial signature and increasing the gain in that part of the mix. Multiple ROIs can be drawn and deleted independently. This provides the capability to delete, isolate or boost multiple instruments. A scrolling Spectrograph mode provides a further powerful diagnostic tool by which to visually identify individual instruments and edit their audio properties.

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    15839
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  • Elevayta Wider Boy Pro v4.92d VST-AMPLiFY
    2 November 2014
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    Elevayta Wider Boy Pro v4.92d VST WiN

    TEAM AMPLiFY | 12.07.2007 | 3.79 MB

    Wider Boy Pro is a stereo enhancer insert and mastering effect. Unlike most other stereo enhancers, Wider Boy Pro uses the fact that low frequencies are less directional than higher frequencies. By separating out the two frequency bands, and selectively applying different processing to Bass and Treble, Wider Boy Pro realizes a wider stereo sound without losing the punch of the bass. The parameter range and flexibility also provides the possibility to generate a number of interesting additional effects.

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    6065
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  • Elevayta Stream Boy v4.90d VST-AMPLiFY
    2 November 2014
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    Elevayta Stream Boy v4.90d VST WiN

    TEAM AMPLiFY | 12.07.2007 | 4.48 MB

    Stream Boy is a real-time host bridge! As such, Stream Boy enables the real-time streaming of audio data from a track, or tracks, within one host application to a track, or tracks, within another host application (or even multiple hosts). NEW FEATURE! Stream Boy now also provides the functionality to record the composite audio stream from within any Rx instance within any host! Note: Both host applications must be able to host VST effects plug-ins.

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    3937
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  • Elevayta FreqEq Boy v4.90d VST-AMPLiFY
    2 November 2014
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    Elevayta FreqEq Boy 4.90d VST WiN

    TEAM AMPLiFY | 12.07.2007 | 4.27 MB

    FreEq Boy is a plug-in that provides the functionality to capture, store, merge and apply EQ curves from different audio sources. FreEq Boy also allows freehand drawing of stereo EQ curves and the possibility to import user defined stereo EQ curves from a simple text file description. So, if you are into designing your own EQ curves, this is the tool for you.

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    4303
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  • Elevayta Convo Boy v5.02 VST-AMPLiFY
    2 November 2014
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    Elevayta Convo Boy 5.02 VST WiN

    TEAM AMPLiFY | 12.07.2007 | 5.2 MB

    Convo Boy is an “easy to use” convolution engine that can load stereo or mono .wav based Impulse Response functions. In fact, any wave file up to 20 seconds in length can be loaded. This is not a new concept, but my approach has been to make it as simple as possible to use. There are, in addition, some unique features that are not found on any other convolution based plug-in. Convo Boy differs from Convo Boy LITE in the features that are available and the minimum latency that can be achieved. Audio sound quality is no different.

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    4853
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  • Elevayta Clone Boy v4.92d VST-AMPLiFY
    2 November 2014
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    Elevayta Clone Boy v4.92d VST WiN

    TEAM AMPLiFY | 12.07.2007 | 5.2 MB

    Clone Boy is a real-time Spectral Cloning effect. Clone Boy is intended to be used in pairs. Two instances of Clone Boy communicate in real-time. The first instance when inserted, say, on audio track 1, acts as a transmitter and transmits the spectral signature of the audio on that track to the second instance of Clone Boy. The second instance of Clone Boy when inserted on, say, track 2, acts as a Receiver. The second instance receives the spectral signature from track 1 and applies it, in real-time, to the audio on track 2. Voila! The audio on track 2 now has the spectral characteristics of the audio on track 1, but with its original pitch, melody and dynamics.

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    4139
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