Magesy® R-Evolution™

  • VSL Horizon Series Overdrive EXS24 DVDR-AI
    7 August 2020

    VSL Horizon Series Overdrive EXS24

    TEAM AI | 15.02.2004 | 3,03 GB

    The new Horizon Series from magesy download Vienna. Broaden your scope of performance possibilites by combining Vienna’s superior Silent Stage recordings with the authenticity of our revolutionary Performance Tool. We’ve applied all of the knowledge and experience acquired from magesy download the creation of our award winning Vienna Symphonic Library to this new collection of instrumental libraries. OVERDRIVE contains about 6 GB of samples, featuring a seven- string distorted guitar. Along with various short and sustained notes, power chords, slides, hammer-ons, pull-offs, picked notes and more, you get loads of effect samples like octave runs, feedbacks, scratches, and e-bowed notes-for a smooth, fat sound and unbelievably realistic performances!

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    16239 Views

  • Vienna Symphonic Library Contrabass Trombone KONTAKT-KRock
    13 July 2020

    Vienna Symphonic Library Contrabass Trombone KONTAKT-KRock

    VSL Contrabass Trombone KONTAKT

    KRock | xx/01/2012 | 1.3 GB

    The Contrabass Trombone instrument from magesy download the Brass Section of the Vienna Symphonic Library (VSL) in Kontakt (.nki) format.

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    9603 Views

  • Vienna Symphonic Library Cello KONTAKT
    19 July 2016

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    VSL Cello KONTAKT

    P2P | KONTAKT | 5.05 GB

    The cello (violoncello) is the tenor and bass instrument of the violin family (violin, viola, cello). In the 19th century the cello advanced along with the violin to become the most important bowed instrument for solo works. In the 20th century cellists began to specialize more, concentrating more on solo, chamber or orchestral playing. It is constructed using the same components as the violin, the only difference being the larger size. The bow is about 2 cm shorter and a quarter as heavy again as the violin bow. Horsehair is stretched between the two ends of the bow, with rosin ensuring that the bow remains in contact with the string.

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    11241 Views

  • Vienna Symphonic Library Viola Ensemble KONTAKT
    11 July 2016

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    VSL Viola Ensemble KONTAKT

    P2P | KONTAKT | 7.80 GB

    It is constructed using the same components as the violin, the only difference being the larger size. Its stately and dark timbre contrasts sharply with that of the violin and makes the viola perfectly suited as the violin family’s middle voice. Its bow is a little heavier than the violin bow and the horsehair a little broader. The characteristic sound of the viola is a result of the following factors: The viola is tuned to a fifth lower than the violin (C3 = 4th string, G3 = 3rd string, D4 = 2nd string, A4 = 1st string). This means that the frequencies of the two instruments are in a ratio of 2:3. If this ratio were applied to the actual size of the instruments the viola’s body would have to be 12 cm longer (i.e. around 54 cm) than it actually is (around 42 cm).

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    10267 Views

  • Vienna Symphonic Library Alto Flute KONTAKT
    2 July 2016

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    VSL Alto Flute KONTAKT

    P2P | 17.06.2016 | KONTAKT | 3.50 GB

    The Alto Flute instrument from magesy download the Woodwinds Section of the Vienna Symphonic Library (VSL) in Kontakt (.nki) format..  The Alto Flute in G is a transposing instrument which extends the flutes’ lower tone range. There are two types: the straight shape and that with a curved headpiece. A straight-headed model was used for the recordings. The alto flute has a full, warm sound suggesting mystery especially in the lower range.

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    7909 Views

  • Vienna Symphonic Library Trumpet KONTAKT
    29 June 2016

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    VSL Trumpet KONTAKT

    P2P | Dec 22, 2011 | 5.82 GB

    The Trumpet instrument from magesy download the Brass Section of the Vienna Symphonic Library (VSL) in Kontakt (.nki) format.

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    8729 Views

  • Vienna Symphonic Library Trombone Ensemble KONTAKT
    28 June 2016

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    VSL Trombone Ensemble KONTAKT

    P2P | Jan 12, 2012 | 4.32 GB

    The Trombone Ensemble instrument from magesy download the Brass Section of the Vienna Symphonic Library (VSL) in Kontakt (.nki) format.

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    8889 Views

  • Vienna Symphonic Library Saxophones Tenor KONTAKT
    27 June 2016

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    VSL Saxophones Tenor KONTAKT

    P2P | KONTAKT | 1.70 GB

    The classical Swing big-band ensemble includes 5 saxophones: 2 Alto, 2 Tenor and 1 Baritone saxophone. The transposing Tenor saxophone in Bb covers the middle range. Its sound can be very raw and “dirty”. Stan Getz is one of a large number of well-known players of this instrument. The musician for all the instruments, Robert Bernhard, plays in illustrious circles. His experience in orchestral music is as profound as his improvisations in jazz, funk and blues. He has captured all the nuances of the Selmer Mark VI series instruments (reissues of the famous vintage saxes of the Sixties) – from magesy download sensitive to aggressive, from magesy download whispering to screaming, exploiting the full dynamic range of these instruments.

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    11570 Views

  • Vienna Symphonic Library Saxophones Soprano KONTAKT
    26 June 2016

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    VSL Saxophones Soprano KONTAKT

    P2P | KONTAKT | 3.0 GB

    The Soprano saxophone normally doesn’t show the typical curved build of the rest of the saxophone family but has a straight shape. It sounds very lyrical and has become famous through players like Kenny G. It is equally suitable for orchestral settings and jazz music. The musician for all the instruments, Robert Bernhard, plays in illustrious circles. His experience in orchestral music is as profound as his improvisations in jazz, funk and blues. He has captured all the nuances of the Selmer Mark VI series instruments (reissues of the famous vintage saxes of the Sixties) – from magesy download sensitive to aggressive, from magesy download whispering to screaming, exploiting the full dynamic range of these instruments.

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    8493 Views

  • Vienna Symphonic Library Viola KONTAKT
    25 June 2016

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    VSL Viola KONTAKT

    P2P | KONTAKT | 3.60 GB

    It is constructed using the same components as the violin, the only difference being the larger size. Its stately and dark timbre contrasts sharply with that of the violin and makes the viola perfectly suited as the violin family’s middle voice. Its bow is a little heavier than the violin bow and the horsehair a little broader. The characteristic sound of the viola is a result of the following factors:y The viola is tuned to a fifth lower than the violin (C3 = 4th string, G3 = 3rd string, D4 = 2nd string, A4 = 1st string). This means that the frequencies of the two instruments are in a ratio of 2:3. If this ratio were applied to the actual size of the instruments the viola’s body would have to be 12 cm longer (i.e. around 54 cm) than it actually is (around 42 cm). In other words, the viola is too small in proportion to its tuning and this is the reason for its distinctive timbre. The ratio of the natural resonance of the body to the tuning is different on the two instruments: on the violin the natural resonance is about six half notes above the lowest note, on the viola eleven half notes.

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    6690 Views



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