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Magesy® R-Evolution™
  • ALPHA DANCE Vol.1 AKAi
    24 March 2020
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    ALPHA DANCE 1 AKAi

    Team: TFL | February 19th, 2001 | 215.9 MB

    ALPHA DANCE 1 features great ORIGINAL material for creating COMMERCIAL dance music. Ready-looped, ready-mapped.

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    8258
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  • Korg Z1 AKAi INTERNAL-PHOTONE
    6 January 2020
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    Korg Z1 AKAi INTERNAL

    PHOTONE | 27th July 2016 | 613.80 MB

    The Z1 is like a polyphonic Prophecy housed in a full sized and featured Trinity workstation-like casing! It does all the analog sounds and more. This is a great analog modeling synth with 12-voice polyphony, thirteen waveforms, four LFOs, two resonant filters, two effects units and more. The ability to create unique sounds is endless. The factory patches could use some help, but overall the sound is very nice! It has a fully polyphonic arpeggiator that blows all others away. It has five preset arpeggio patterns and fifteen user patterns. Unfortunately there is no on-board sequencer. There is incredible real-time control available with knobs to control the two resonant filters, and a touch controlled ‘XY’ pad for tweaking patches in real-time. The Z1 is used by KMFDM, Gary Numan, LTJ Bukem and Orbital.

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    7301
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  • Proteus 2000 AKAi INTERNAL-PHOTONE
    6 January 2020
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    Proteus 2000 AKAi

    PHOTONE | 26th July 2016 | 504.75 MB

    The Proteus 2000 is a reincarnation of the economic Proteus rack module series of the early nineties. While its synthesis architecture is virtually the same as the original Proteus, the Proteus 2000 is packed with major new features, sounds and expandability for the most demanding professionals! It features 128-voice polyphony and 32 MIDI channels allowing it to handle even your most complex MIDI sequences. It ships with a whopping 32 MB of sample ROM memory which is expandable up to 128 MB using four internal ROM slots! The sounds it ships with are called the “Composer” soundset, offering you 1,536 presets (1,024 ROM, 512 user). The sounds cover the whole spectrum of synthesizer type sounds, from real instruments to bizarre sounds and effects.

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    4959
  • E-MU Audity 2000 AKAi INTERNAL-PHOTONE
    6 January 2020
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    E-MU Audity 2000 AKAi

    PHOTONE | 16th September 2016 | 497.65 MB

    The Audity 2000 takes its name from the classic and one-and-only Audity, but that’s about it. Although, the Audity 2000 has the same synthesis architecture as the Proteus, and the Proteus’s synth chips were designed with the original Audity in mind. The Audity 2000 is a digital synth with an unprecedented 16 simultaneous arpeggiators. That’s great for trance and techno! With an emphasis on electronic groove music, the Audity 2000 offers up many dance type sounds but with an uncomfortable digital “tinny” overtone. Its 12-pole digital resonant filter is nice…but it’s no Moog.

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    9324
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  • Yamaha CS1X AKAi INTERNAL-PHOTONE
    6 January 2020
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    Yamaha CS1X AKAi

    PHOTONE | 19th July 2016 | 427.03 MB

    The CS1x is Yamaha’s first Analog Emulation performance keyboard for electronic and dance musicians (the CS line is back!). It’s a digital synthesizer that emulates analog style, sounds and controls. All controls and parameters are real-time and MIDI controllable. As well as a superb set of quality synth bass, pads, voices, leads and arpeggiated sequences there are plenty of amazing drum sounds also with analog sound and control.

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    5591
  • Kawai K-5000 AKAi-P2P
    6 January 2020
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    Kawai K-5000 AKAi

    P2P | 26.09.2016 | 408 MB

    The K5000 was Kawai’s top of the line music workstation digital synthesizer when it was released back in 1996. It’s a bold and elegantly designed synth with a large LCD display, realtime controls and incredible sounds! The look and functionality is rivals the competition from the time…the Korg Trinity and Kurzweil K2500. Programming sounds with the K5000 can be a breeze (once you learn how) although it has over 1,000 parameters per patch! That’s plenty to play with. It combines additive synthesis and PCM sampled waveforms for you to layer and combine to design a whole range of sounds. Plenty of LFO modulation, filters and envelope controls allow you to shape and morph your sounds further. On-board multi-effects add the final touch of life to your sounds.

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    3665
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  • E-MU Proteus 1 XR AKAi INTERNAL-PHOTONE
    5 January 2020
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    E-MU Proteus 1 XR AKAi

    PHOTONE | 19th July 2016 | 572.25 MB

    When I first heard the Proteus/1 I was blown away by its internal demo song. The strings sounded so real to me, one could hear the rosin on the bow and the friction of it on the strings of the violins. One of the peculiar things about the Proteus is the fact that many patches seem to emulate Roland D-50 patches, but not Korg M1 patches.. Both instruments were the instruments “to beat” at the time. I wonder why the programmers only focused on the D-50 and didn’t give the M1 sounds a shot.

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