Modern Black Console for Nebula 3

P2P | Feb 22, 2013 | 896 MB

The solid rock sound: Building on the rich heritage of extremely high quality recording consoles, this highly colored modern console has rich, punching, dynamic and deep sound by the celebrated 2520 Op-Amp, ideally suited for rock and pop but also for some jazz and more. For “that” amazing American sound! The programs: Carefully sampled @96kHz in a professional recording studio with hi-quality audio and digital cables and master grade converters with audio levels perfectly matched and calibrated. They are precisely programmed without normalizing or other destructive digital processing. The programs don’t sound processed, harsh or digital as most plugins do, but instead sound like a natural extension of the original audio, gluing your tracks in the mix with an analog vibe.

Classic Logic Console for Nebula 3

P2P | Jan 31, 2013 | 961 MB

The PITBULL console: It’s the world’s most successful studio production console. It’s reputation is built upon excellence of design, advanced electronic engineering and a sound quality that has produced hundreds of best-selling recordings. A key element in the sound of many of these recordings is the punch and drive of the mixes created by this classic ’80 console.
This unit has been serviced and upgraded to give serious punch and animal power with unbelievable cleanness.

Mastering Suite For Nebula Pro

Team MAGNETRiXX | 04 March 2014 | 124 MB

The “Mastering Suite” library is my set of completely original eq, filter, and harmonically enhanced programs that I created specifically for my own mastering use. These provide you with a superior collection of Mastering presets that excede the expectations of analog hardware eq’s and surgical digital eq’s alike! Important: The Mastering Suite is created at a perfect 1-to-1 sample quality at 44.1kHz and can be converted to 48, 96, and other rates with flawless quality. This makes it ideal for direct use at CD Quality for mastering without any need for up-sampling. For those that wish to use these filters at higher rates without any loss of the original upper frequency range of the original source (this means cleaner than if using an analog mastering equalizer that goes all the way to the top of the same frequency range), then please also download our free high pass utility in the menu below. Use this filter on a parallel track to combine the filtering of the Mastering Suite eq and the original high frequency spectrum content of your original file together.

Oday Retro Audio Releases

Teams Various | 25 May 2016 | 9.42 GB

 TUTORiAL, AKAi, CDDA, SYLENTH1, ACiD, WAV, AiFF, REX, MiDi, Presets and More…

50 Retro Packs Releases from AMPLiFY, BSOUNDZ, SYNTHiC4TE, MAGNETRIXX, SoSiSO, DiSCOVER, DYNAMiCS, P2P…

Raybon and Norland-B Spring Reverbs Nebula

44.77.55 | 14 May 2016 | 44 & 96KhZ | 1.06 GB

This set includes two very different sounding spring reverbs. The ‘Raybon’ hardware actually has two separate sets of springs in it, producing a stereo reverb (and was sampled as such). The ‘Nolard’ part of this library was made from the same model I used for my previous Nolard Spring set, but a different actual unit was used. Both reverbs have EQ controls which were sampled for use here, and I don’t know of anyone else doing this in Nebula reverbs.

C660 Compressor Presets for Nebula UPDATED

44.77.59 | 08 May 2016 | 269 MB

This set is ‘based on’ a very highly regarded remake of the classic 660 compressor. It can sound ‘creamy’, yet still clear and detailed. It has been called the best compressor around for vocals by many, as well as for slamming drums, and among other uses it can even give sounds a nice sheen without engaging the compression. Many commonly use it with just a few dB of reduction solely for it’s velvety sound. I think the positive qualities of the comp have translated well to this set, and I would imagine that almost anyone could find several uses for these programs.

Girthy Mastering EQ Mojo 192 khz for Nebula 3

SYNTHiC4TE | Feb 19 2013 | 266 MB

This is a superb sampling of an E-M-Eye mastering EQ known for girth and weight especially in the low end – Even without any curves it adds a transformer magic all on its own. This is the DSOTM sound ITB. Add some heft to your tracks with ease. Naturally this equaliser is at home whether you are mixing or mastering. Works well with the Waves Q-clone Package that I made with all knob positions of the hardware.Get it here or GET THE BUNDLE HERE. Painstakingly sampled in 0.5 Db steps across the whole range of the hardware. Natural yet coloured this EQ can add that final polish to your tracks where colour is part of the desired result. Also use it with the Abbey Road plugin. Provided at 192 khz, 96 khz and 44 khz.