Vintage 73eQ PRO For Nebula

Team MAGNETRiXX | 24 February 2014 | 139 MB

The vintage fatty sound

First launched in 1970, the 1073 modules have established themselves as one of the most sought after mic pres in the history of recording. The module features a Class A amp with 3 bands of creamy Eq. Get the real vintage sound, with St.Ives/Marinair transformers and Motorola power transistor… Not a modern reissue or a clone with cheap electronic components… The legend lives on !

Neev 81 SideCar Console

Team ARCADiA | 10 September 2024 | 484.74 MB

Custom designed and hand-made, the sidecar console is based on eight legendary vintage Class AB mic-preamps and equalizers which come from the 70’s era “with a lot of character”. The summing amp has a vintage design of pure Class A with Carnhill transformers which gives that “in your face” Neev sound. A professional studio requested me to build this sidecar console for their dance-techno production, choosing the rich, dynamics and fat sound it has. Its high bandwidth pure audio path, superior dynamics and greater control make the Neev 81 Sidecar Console the first choice for recording and mixing Rock, Pop, Dance and more.

STN Plex Delay For Nebula 3

Team MAGNETRiXX | 16 February 2014 | 70.3 MB

Vintage maestro echoplex, Seven delay programs (Seven delay times), Dry program (dry echoplex signal path), 24/96

C660 Compressor Presets Nebula UPDATED

44.77.59 | 08 May 2016 | 263.5 MB

This set is ‘based on’ a very highly regarded remake of the classic 660 compressor. It can sound ‘creamy’, yet still clear and detailed. It has been called the best compressor around for vocals by many, as well as for slamming drums, and among other uses it can even give sounds a nice sheen without engaging the compression. Many commonly use it with just a few dB of reduction solely for it’s velvety sound. I think the positive qualities of the comp have translated well to this set, and I would imagine that almost anyone could find several uses for these programs.

Creamy 660 Comp/Limiter NEBULA

NanoBeat | 09 January 2015 | 205.1 MB

This set is ‘based on’ a very highly regarded remake of the classic 660 compressor. This comp is widely considered to be one of the out there. It can sound ‘creamy’, yet still clear and detailed. It has been called the best compressor around for vocals by many, as well as for slamming drums, and among other uses it can even give sounds a nice sheen without engaging the compression. It’s commonly cited as a favorite for vocals, acoustic guitar, and other material. Many commonly use it with just a few dB of reduction solely for it’s velvety sound. I think the positive qualities of the comp have translated well to this set, and I would imagine that almost anyone could find several uses for these programs.

Behemoth For Nebula 3

Team MAGNETRiXX | 10 February 2014 | 156.74 KB

 About: Behemoth is based on a custom analog/digital chain that is intended to “clean-up” low end while mostly intensifying lower level harmonic content. Although primarily aimed at low level low-mid frequency content, subtle higher details are also brought to the forefront. The purpose here is to hopefully bring about fuller and more forward sounding program material albeit in a non-traditional sense of compression or dynamic controlling. A consequence and benefit of this psycho-acoustic processing is the saving of a dB here and there, sometimes more depending on the specific material at hand: fuller sounds at a similar output. A similar characteristic of the preset “So Transcited”.

Distressing De Skinny Mojo

P2P | 17.02.2014 | 271 MB

When you want fat sounds for your synths or bass you want warmth, girth, harmonics and depth. Hard to get just with plugins ain’t it? Yes saturators can get you halfway there but a combination of a distressing type preset and the UAD Fatso ™ will have you smiling in next no time. You can of course use any brand of plugins you wish.