Based on measurements of an Orange ™ 4 × 12 box of 1971, with 3 Celestion ™ G12H30 T1217 Prerola 75 Hz and 1 G12H30 T1281 Prerola 55 Hz Speaker is equipped. This box has everything on it: Rock / Blues / Metal. If you do not manage to get a good sound with this cab, is it better, you sell your guitar and get a tambourine.
Cabinets & Speakers
The “412 ZLCS” is based on a custom shop, unique specification commissioned Zilla™ 4×12 cabinet.
The expanded H3000 D/SX & H3000 SE Captured with 24bit Lynx converters @ the units maximum SR of 44,100. Not many FX processors are as well-known or compete with the H3000x & rightfully so. This widely used (some might say overused) device is a studio must have. Equally known for its crazy modulation FX it’s Reverbs are in a world of their own.. Contains 114 IR’s from the Band Delay, Dense Room, Mod Factory, MULTI-SHIFT, Patch Factory, Reverb Factory, Sweep Reverb, SWEPT COMBS, & ULTRA-TAP algorithms.
Impulse Responses | WAV – 24 bit 44.1, 48, 96 kHz
“412 RECTO” based on a MESA/Boogie® Rectifier® standard straight 4×12 cabinet.
The “112 DVRB” is based on and seeking to recreate the sound of a Fender® Deluxe Reverb® 1×12 open back combo. The “CTS-C12” is based on and seeking to recreate the sound of a 12 inch, 8-ohm, ceramic Fender® CTS speaker made in 1978.
The “412 ORNG” is based on an Orange PPC412 4×12 cabinet.
ZILA 212 Cab Pack is based on a Zilla Fatboy 2×12 cabinet loaded with their classic combination of Celestion Vintage 30 and Creamback H75 speakers. The Creamback hits like a hammer with punchy attack, woody midrange, and a smooth top end. The Vintage 30 is aggressive with tight low end and bite to cut through a heavy mix. With a throaty pick attack, this cab loves high gain and low drop-tuned guitars.
The MRSH 412 M25 Cab Pack is based on a 1976 Marshall™ “Checkerboard” 4×12 loaded with U.K. made Celestion™ 25 watt G12M Greenback speakers. This is the classic Greenback sound that has made it a staple in Rock n’ Roll history. The low end is meaty and controlled, the low-mids give a woody “thump” to pick attack, the midrange is present and balanced, and the top end is a perfect mixture of attack and smooth rolloff with nice air without having too much sizzle. This cab is diverse and feels great across a myriad of styles and amps. 124 single mic captures and 18 carefully crafted multi-mic Mixes for instant playing enjoyment and to curb “option overload.” Simply load the Mixes and find the one that connects with your personal style, or go deeper and explore the single mic options to use on their own or to make your own custom multi-mic mixes.
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