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Magesy® R-Evolution™
  • Progressive EZX EXPANSiON WiN-P2P
    13 February 2020
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    Progressive EZX EXPANSiON WiN

    P2P | 30.05.2016 | 2.03 GB

    SOUND EXPANSION FOR EZDRUMMER 2

    The Progressive EZX features a custom selection of content from The Progressive Foundry SDX for Superior Drummer 2. It comes with three complete kits recorded by engineer/producer Forrester Savell. With credits on defining albums by bands like Karnivool, Dead Letter Circus and I Am Giant, Savell has shaped a few of the most sonically progressive productions in the modern Australian metal and heavy rock scene. The drums were captured at the Sing Sing Recording Studios in Melbourne, Australia. During its more than 35 years in business, the studio has collected a vast selection of top tier microphones and rare outboard gear. Combined with the dense wood-lined walls in its perfectly balanced A-room, Sing Sing has proven time and time again to be the perfect environment for broad, transparent drum recording. The drums, which were sampled by Karnivool’s own Steve Judd, include carefully selected kits from DW, Ludwig and Pearl.

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    18353
  • Mick Guzauski v1.0.0 EZmix Pack
    13 February 2020
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    Mick Guzauski v1.0.0 EZmix Pack

    P2P | 13.02.2020 | 16.5 MB

    MIX IT LIKE MICK.

    Mix settings by 11-time Grammy Award-winning engineer Mick Guzauski. Back in high school in the ’70s, Mick’s fascination for sound and audio engineering lead him to build, borrow and beg to gather enough equipment to build his own studio in his parents’ basement in upstate New York. From there, Mick’s remarkable musical journey has garnered eleven Grammy Awards, more than 27 number-one hits and work on countless gold and platinum records spanning the entire gamut of genres – from jazz, Latin, rock and pop to funk and hip-hop. Today, Mick works out of his own mix room in Los Angeles and continues to mix for the world’s absolute top tier of artists. One of many standout moments in his discography of late is his work on Daft Punk’s “Random Access Memories.”

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    3561
  • EMX Country Guitars v1.0.0 WiN MAC-R2R
    31 January 2020

    EMX Country Guitars v1.0.0 WiN MAC

    TEAM R2R | 28.12.2016 | 12.28 MB

    The Country Guitars EZmix Pack presents a diverse collection of settings for all walks of vintage and modern electric country guitar. It comes with 50 unique, mix-ready tones based on amp/cab simulation and various chains of effects. In this pack, you get a wide array of tones covering anything from clean, up-close and intimate to dirty, mean and big – all designed to capture the broadest possible definition of electric country guitar. From the tube-oozing, plate and spring reverb-soaked tones for your next slow song to the rugged, transistor-fuming settings for your picking leads – this collection covers the whole gamut from vintage to modern.

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    5642
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  • EMX Ambient v1.0.1 WiN MAC-R2R
    31 January 2020

    EMX Ambient v1.0.1 WiN MAC

    TEAM R2R | 28.12.2016 | 11.2 MB

    The Ambient EZmix Pack is a collection of settings specifically aimed at creating large, reverberant soundscapes. A creative toolbox, perfect for use in atmospheric compositions spanning anything from motion picture scores to modern pop and a wide array of other musical contexts. It comes complete with ready-made amp/cab simulation settings for guitar and bass, including deep textures of bit crushed reverbs, bouncing delays and tremolos. Also, in addition to its settings tailored for vocals and drums, the Ambient EZmix Pack comes with a selection of signal chains designed to work on any melodic instrument – be it piano, organ, flute or guitar. But of course – any setting can be applied on whatever audio source you may have…

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    6743
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  • EZX2 Seventies Rock v1.0.0 WiN MAC-R2R
    31 January 2020

    EZX2 Seventies Rock v1.0.0 WiN MAC

    TEAM R2R | 28.12.2016 | 1.32 GB

    The 1970s rock scene was one of diversity and constant reinvention. On one end of the scale, bands like Led Zeppelin and The Who not only paved way for a new breed of loud, beat-driven rock – but also revitalized the drum hero of the jazz age and introduced a never-before-heard sonic ideal of big, massively saturated drums. On the opposite end, acts like the Eagles and Fleetwood Mac took on a noticeably more polished production suit. Still, both sounds were very much products attributed to the advances of recording technology. The Seventies Rock EZX sets out to capture that scope – from the farthest end of epic, earth-shattering and reverberant down to classic, dampened and low-key.

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    11328
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  • EZX2 Big Rock Drums v1.0.1 WiN MAC-R2R
    31 January 2020

    EZX2 Big Rock Drums v1.0.1 WiN MAC

    TEAM R2R | 28.12.2016 | 2.74 GB

    Fueled by acts like Led Zeppelin, Deep Purple and Black Sabbath, a new breed of rock burst onto the scene in the late sixties. With a big, thunderous sound, often with the drums as the barreling force in the front of the mix, the classic acts of this era didn’t only strike a chord that would resonate to this day – they shook the ground and started a landslide of heavy music to come.It’s from this legacy that the Big Rock Drums EZX picks up. Helmed by Rival Sons’ drummer Michael Miley and Grammy Award-winning engineer Dave Cobb (Rival Sons, Europe, Zac Brown Band), it sets out to capture the raw essence of classic rock drums as we know them. Recorded at Cobb’s own Low Country Sound Studio in Nashville, it presents five essentially different kits that still share one common denominator – they’re the massive, reverberant and roaring type, tailored for big rock songs.

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    11829
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  • EMX Rooms And Verbs v1.0.0 WiN MAC-R2R
    31 January 2020

    EMX Rooms & Verbs v1.0.0 WiN MAC

    TEAM R2R | 28.12.2016 | 19.33 MB

    If you ask a group of mix engineers what they would keep if they were forced to strip their rigs down to a minimum, a solid source for ambience would likely be at the top of most people’s lists. Reverb is a key ingredient in any great mix, regardless if it’s an epic ballad or a thunderous metal track. It adds that subtle air, breathing room and has the power to elevate even the most mundane of material. Try it – mute all your ambience sources in a mix and you’ll see. With that in mind, getting real rooms and reverbs takes it to a whole new level.

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    5994
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