Metal Mania EZX SOUNDBANK

P2P | 09 December 2024 | 12.89 GB

In this EZX, drummer Dirk Verbeuren (Megadeth) and engineer Chris Rakestraw (Megadeth, Deftones, Parkway Drive) have teamed up to bring you the epitome of a metal expansion for EZdrummer 3 and Superior Drummer 3. It features three unique kits, a wealth of snare drums and kicks as well as over 30 cymbals – all flawlessly captured in one of the world’s most famed studios for hard rock and metal: Studio A at One On One in Los Angeles. Massive-sounding, warm and vibrant but at the same time just as tight and aggressive, this room has all the qualities to move air in a way that makes it seem custom-built particularly for hard-hitting metal drums. This goes to show on the plethora of defining records that were recorded here, some of which include the likes of Megadeth’s “Rust in Peace,” Metallica’s “…And Justice for All” and “Black Album,” Dream Theater’s “Awake” and Testament’s “The Ritual.” Each of the three drum kits included represents its own niched sound. One covers Dirk’s current touring setup, one is from his tenure in the band Soilwork and one was handpicked to offer a completely contrasting tone and vibe. All in all, you’ll have a balanced but eclectic palette of kits encompassing anything from the loud, aggressive and punchy to the big, low and warm.

Alchemy of Pop EZX SOUNDBANK

P2P | 09 December 2024 | 12.69 GB

Just like the ancient alchemists sought to achieve magic when combining disparate elements, this EZX fuses timeless vintage charm with cutting edge electronic sound design. The result is an intricate amalgam of drums and percussion that seamlessly meshes into a kindred but sprawling collection of kits for any facet of popular music imaginable. If you’re looking for the perfect potion for your productions, this expansion for EZdrummer 3 and Superior Drummer 3 is pure pop gold. The Alchemy of Pop EZX was recorded by JUNO Award-winning engineer/producer/mixer Hill Kourkoutis and sampled by drummer Skye Polson (Digging Roots) at the renowned Canterbury Music Company in Toronto, ON. Featuring four kits, each representing its own niche or style, as well as a broad collection of organic and electronic shakers, stomps, claps, snaps and effects curated to fit each drum set, this is an EZX that bridges the gap between several sound ideals and provides a canopy of kits covering the entire range from raw, rich, dark, earthy and open to muffled, tight and snappy.

Heavy Rock EZX SOUNDBANK

P2P | 08 December 2024 | 7.84 GB

When it comes to heavy rock, nothing is as fundamental as an unwavering wall of hard-hitting drums steamrolling like a freight train at the forefront of the mix. If you’re looking for stalwart-type sounds that you can trust to hold down the rhythm section in any mix scenario of that kind you may find yourself in, this is an EZX for you. Recorded by acclaimed mixer/engineer/producer Jay Ruston (Stone Sour, Anthrax, The Donnas) and sampled by drummer Jeff Friedl (A Perfect Circle, Devo, Filter), this expansion for EZdrummer 3 and Superior Drummer 3 combines two rock heavyweights and delivers exactly what its title promises: drums specifically tailored for heavy rock productions. In total, it includes four unique kits, one extra recorded kit configuration as well as several additional snares – all handpicked to ensure a width of tones that ranges from the rich, dark and boomy to the ringy, tight and snappy. To add, the kits were captured at a private high-end studio in the Los Angeles area boasting a massive-sounding but still not overpowering room, making it the perfect choice for loud rock drums that sound thunderously big but not drowned out by excessive ambience.

Underground EZX SOUNDBANK

P2P | 08 December 2024 | 2.43 GB

Capturing the raw essence of how drums sound when recorded using a minimal vintage-meets-modern setup in a cramped basement studio, this expansion for EZdrummer 3 and Superior Drummer 3 presents arguably the most unpolished, gritty and tangible kits you’ll ever hear. Inspired by punk, hardcore, metal, indie, psychedelic rock, kraut and all peripheral offshoots of the underground scenes of the early ’90s until today, this is an eclectic collection of drums that sounds as far from the beaten path you possibly can imagine. If you’re looking for an EZX that is loud, decadent, angry and all-around fuming of unpretentious, nonchalant in-your-face energy, this one’s for you. The Underground EZX was recorded by Refused drummer David Sandström and engineer/producer/mixer Martin “Konie” Ehrencrona at the famed Studio Cobra – a small, low-ceiling basement studio in the heart of Stockholm, Sweden. From this dungeon-like place – brimming with tape machines, old tube gear and vintage instruments – Konie has been churning out productions bursting with his signature stripe of analog character for the likes of Refused and Tribulation, to name a few. With a collection of David’s own drums, the studio’s and those of bands and friends on the Stockholm scene, they made sure this EZX had four distinctly unique kits, each bringing its niched sound and vibe to the project. Expect a broad palette of scarred, road worn and tried-and-true kits all put through the paces on anything from big festival stages and underground club stages to a wealth of albums of all styles.

EZX Cocktail v1.5.0 WiN

P2P | 13 November 2024 | 191.9 MB

EZX Indie Folk HYBRiD

AiRiSO | June 2013/November 2024 | FULL: 906 MB | UPDATE:65.9MB

Indie folk. The wayward son of rock, the black sheep of folk and the flagman of lo-fi. Always in the forefront, blazing trails through uncharted territory, far left from the dense mainstream. Questioning, innovating, constantly one step ahead of the establishment while still rooted in unmistakable tradition. These are drums for indie folk, for music where no given set of rules apply.

In The Pocket EZX EXPANSiON

P2P | 01 September 2021 | 5.33 GB

.: WiN MAC + UPDATE LIBRARY v1.01 :.

ORGANIC ELECTRONIC.

Organic drums for hyper-modern productions from one of the world’s premier human beat machines: Ash Soan. When the likes of Dua Lipa, Alicia Keys and Taylor Swift need organic-sounding but hyper-fresh beats for their songs, they call Ash Soan. But they don’t send him off to any fancy metropolitan studio to lay down his tracks, they have him record a stone’s throw from his front door. Welcome to The Windmill, 18th century mill-turned-drum room and arguably the smallest studio that has made the biggest dent in modern music history. The In the Pocket EZX taps in on the trinity that has made the beats recorded at the The Windmill the keystone of countless hits: the inherent magic swirling in the cylinder-shaped structure of its one-of-a-kind room, Ash’s ingenious ability to tune, alter and engineer unique-sounding make-shift kits as well as his inimitable bedrock-solid pocket groove.