Super detailed multisampled Grand Piano. No less then 93 unique samples per recorded note. Over 4400 samples! Incredible sound and response Super realistic playing behaviour Probably the most refined sampled piano on the market today. The most dynamic sampled piano – period.
Wobbly and screaming bass sounds to elevate your dubstep or grime tracks.
A set of hazy sounds to produce dreamlike tracks filled with enveloping echoes and reverb-soaked keyboards,accompanied by minimalistic yet punchy bass and drums.
This pack is filled to the brim with trunk-rattling 808s,spiced up with the insane Fm capabilities of the algoritm instrument.
Genres: Big Beat, Breakbeat, Downtempo, Electronica, Glitch, Hard Electronic, IDM, Slow Breaks, Trip Hop With over 340 loops, more than 180 original samples, plus 4 NI Battery kits, you get an arsenal of beats. Series 2 was built from the ground up, starting with the best drum microphones and Lavry converters. From there, we compressed, recompressed, synthesized, and tricked-out the samples until they became our own. In Series 2, you’ll find everything from solid, fundamental drum hits to the most warped styles.
‘Level Up’ is the new hot pack and includes five modern Construction Kits inspired by artists like Young Thug, Kendrick Lamar, Tyga and more. If you want to create the best Hip-Hop or Trap music around, this pack is just for you.
The MRSH 412 Blackjack Cab Pack is based ona 1976 Marshall “Checkerboard” 4×12 cabinet loaded with vintage Celestion G12H30 “Blackback” speakers from 1976. The tone is pure Marshall with a warm low end, punchy midrange, and a top end that cuts without being harsh. Whether your ideal Marshall tone is vintage Plexi, hotrodded JCM 800, or modern high gain, this cab works well with all styles and welcomes anything you throw at it. Carefully chosen mic placements along with thirteen multi-mic mixes of this British beast give you a wide variety of tones with minimal effort.
‘Smokers Blend Vol 3’ is the next instalment in this series of deeply potent Hip Hop sounds taking you back to the early 90’s golden era of the genre. You’ll find smoothness, authenticity and integrity throughout this Royalty-Free sample pack, so light up with us once again to inhale the Smoker’s Blend. This pack features loops, one-shots and soft sampler patches dripping with expert production and live-sampled musicianship. With over 300 loops and 190 one-shots, this fine blend brings you every conceivable element a Hip Hop producer would need with big beats, dreamy synth loops, sax phrases and effected vocals. Expect some classic keys, guitars, flutes, electric bass, harmonica, pads and more. At tempos from 80 to 100 BPM, ‘Smokers Blend Vol 3’ is ideal for Hip Hop, Rap, Boom Bap and any genre in need of some laid-back Funk. If you’re a fan of A Tribe Called Quest, Mos Def or Gang Starr, this collection will inspire a smoky retro revival.
‘Candy Future Bass’ brings you a hefty dose of professional sounds to your DAW with fat basses, intense leads, lush pads, happy melodies together with an amount of sounds coming from the most common Future Bass tracks. This killer sounds collection raised through the influence of artists and producers such as Marshmello, Slushii, Ookay, MrWood, The Chainsmokers, Jack U, Porter Robinson, Louis The Child, Point Point, Rustie, Party Favor and many more. This sound boutique perfectly suits Future Bass and Candy Trap productions and unleash your creativity also for Rap, Hip Hop, EDM, Future Pop, Dubstep, Hybrid Trap.
The idea of using chance, probability and generative systems in music making is nothing new, but tools to accomplish these things have certainly become more common of late. Just look at some recent gear highlights – Novation Launchpad Pro, Arturia KeyStep Pro, Elektron Model Cycles, Korg opsix and Wavestate all come equipped with some kind of randomiser or probability-driven feature. It seems these tools that have long been popular in the modular realm are making their way into mainstream music gear. But why should we care? As we dig into in this issue’s cover feature, far from just being a lazy way to auto-generate sounds, adding a bit of chance and unpredictably to your music making can be a great way to inspire creativity, add variation and generate ‘happy accidents’ you might not discover otherwise.
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