ColourCopy v1.0.2 WiN MAC LiNUX

Team R2R| 19 October 2024 | 96.95MB

( CLAP, AUv2, VST2, VST3, AAX*)

A virtual analog effect inspired by classic bucket-brigade delays (bbd), but extended with modern features. We called our new baby “Colour Copy” because it can deliver the kind of colouration people still love in classic bbd units, but with a wider variety of colours. Colour Copy started life as the little delay unit called “Lyrebird” we built into Repro-1, but the sound was too good not to be developed further and become an fx plug-in.

Twangström v1.0.2 WiN MAC LiNUX

Team R2R | 19 October 2024 | 97.06MB

( CLAP, AUv2, VST2, VST3, AAX*)

A flexible spring reverb box-of-tricks. If you’re familiar with Bazille, you might already have come across its built-in spring unit. We took that one, then modelled two more reverb tanks, paired it with drive section, filter stage, envelope, and mod matrix. It emulates a hand-picked selection of the most popular units you will find in classic guitar and instrument amplifiers, recreating the odd character of real springs.

D.N.A Plugins Total Bundle WiN

Team R2R | 19 October 2024 | 96.9 MB

…: AAX | VST2 | VST3 | x86 | x64 :…

Transform your mixes with our full suite of professional sound-shaping tools. Includes every D.N.A plugin.

thEQblue v5.0.0 WiN

Team R2R | 22 September 2024 | 22MB

PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED)

A dozen precision variations on “analog,” all in one EQ.

Beautiful analog architectures, twelve in all, that will take your work out of the ordinary. ThEQblue builds on the groundbreaking foundation of Algorithmix’s Classic PEQ Blue, while bringing that reference quality into the 21st Century. thEQblue is a collection of up to twelve minimum phase equalizer architectures, all employing 80 bit floating point internal precision. We reverse engineered a variety of well respected hardware EQs, creating idealized digital versions from that inspiration. Rather than models or simulations that carry analog “baggage,” thEQblue has no noise, distortion or other secondary effects inherited from analog.

OVC-128 v1.13 WiN

Team R2R | 15 September 2024 | 7 MB

x64: VST3, VST2, AAX | x86: VST2

Oversampled Soft/Hard Clipper Plugin

Voxengo is happy to release OVC-128, a massively-oversampled soft/hard clipping effect plug-in for professional music production applications, available in AAX, AudioUnit, VST and VST3 plug-in formats (including native 64-bit support), for macOS (v10.7 and later), and Windows computers. OVC-128 is a massively-oversampled soft/hard clipping effect plug-in for professional music production applications. A common use for this plug-in is hard-clipping before the final peak limiter. This is an effective approach in contemporary electronic music when loudness is boosted using a clipper plug-in while minor excessive peaks are absorbed by a final peak limiter that applies no additional gain itself.

PatchWork v2.70 WiN MAC

Team R2R | 12 September 2024 | WiN: 58MB | MAC: 515MB

WiN32/64 – EXE/VST/VST3/AAX | MacOSX – APP/AU/VST/VST3/AAX

“The virtual patchbay for audio plug-ins”

PatchWork is a universal plug-ins patchbay that can host up to 64 VST plug-ins into any Digital Audio Workstation (DAW) in one instance. It is possible to chain effects in series or create up to 8 parallel chains that can be activated independently. This lets you create your favorite effects or instruments configurations within the plug-in, without the need for multiple busses. These configurations can be saved as presets and recalled instantly, or shared with multiple DAWs, using any plug-in format (full list below). Despite the name, you can forget about wires or cables: configuring plug-ins routing is as simple as adding or removing a row or a column in the rack’s matrix.

Destructor v1.62 WiN MAC

Team R2R | 12 September 2024 | WiN: 32.8MB | OSX: 129.3MB

..: AU, AAX, RTAS, VST3, VST, x86, x64 :..

Destructor is a powerful distortion and amp sim modeling tool capable of simulating any kind of distortion: from harsh digital destruction to smooth compression or guitar amp simulation (works for clean tones too.), and most importantly, yours. It is delivered with hundreds of presets and predefined models, either inspired by existing gear (guitar & bass amps or cabinets, compressors, pedals, tape machines…) or created by our destructive minds. But the plug-in is not limited to these predefined models: all parameters of existing presets are fully editable, which gives you access to an unlimited number of distortion simulations – no need to purchase extra presets or amp models to build your custom tone. Based on a perceptual model rather than on electronic designs or impulse responses, the signal chain is reduced to its bare minimum, simplifying the process of tweaking the tone and making it fit into the mix.