SunRuys v1.7 AAX AU VST VST3 x86 x64 WiN MAC

HY2ROG3N | 25.09.2015 | 27.5 MB

SunRuys is an advanced compressor designed for you mix bus. It unusual feedback. forward typology gives it a precise yet smooth sound, rounded of by some subtle saturation.

SlickEQ Gentleman’s Edition v1.2.0 VST WiN

HY2ROG3N | x86-x64 | 25.09.2015 | 6.8 MB

SlickEQ – Gentleman’s Edition takes SlickEQ‘s concept to new heights and adds an exotic “Tilt”-filter flanked by flexible low-pass and high-pass filters. Five distinct EQ models provide a rich set of predefined EQ curves and behaviours for the three main semi parametric filter bands.

Spectral Shapers v1.52 VST WiN

P2P | Sept 23 2015 | x64: 23,99 MB | x86: 23,26 MB

SoundHack is a program that has been used in sound design for music and film for the last 12 years. It is a collection of spectral filters which emphasize the creative manipulation of sound. SoundHack has been used on many films – from “The Matrix” to “The City of Lost Children” – and by many recording artists – from Nine Inch Nails to Ry Cooder to J Lesser.

MAGMA v1.6.6 VST RTAS AAX WiN

HY2ROG3N | 14.09.2015 | 276 MB

MEET THE NEW FACE OF AUDIO EFFECTS PROCESSING!

Magma comes with 65 Effects. Featuring 1-rack-unit interfaces that can be loaded and rearranged using up to four racks, Magma also comes with a flexible routing matrix enabling serial, parallel or combined routings. Effects categories include Dynamics, Equalizers, Pre-Amps, Distortions, Reverbs, Delays, Modulation, Sequencers, Filters, Special FX, and Guitar FX. Magma’s Virtual Studio Rack (VSR) technology enables users to stack dozens of interchangeable effects in a seemingly infinite number of combinations, all in one easy-to-use plug-in. Magma makes it easy to mix and match effects, create and recall unique chains, and process audio in unique ways. Using Magma is like having a Virtual Studio Rack with a large number of effects at your disposal.

AF2-10M v2.4.3 VST x86 x64 WiN

P2P | 08-09-2015 | 500 KB

A versatile graphical EQ with a wide range of zero latency analogue modelled filters and realtime FFT display. Many digital EQs, including those of some popular Digital Audio Workstations can have an artificially cramped filter response, especially at high frequency settings. This is often cited as a reason for the ‘digital’ sound of some equalizers. Conventional solutions to this problem can be both CPU intensive and add extra latency or other artefacts. The AF2-10 uses innovative filter algorithms to accurately model the natural response of analogue designs, even at close to the limit imposed by the sample rate, without requiring CPU intensive or latency inducing techniques. Up to ten bands are provided covering a comprehensive range of filter types across the full 20Hz to 20kHz audio range together with a sample synchronous realtime FFT display featuring optional pre / post process monitoring and selectable slope compensation.

AmpliTube CS v3.15c VST x86 x64 WiN

P2P | 04.09-2015 | 309.12 MB

Imagine this… you turn on your computer before breakfast and buy a Fender Twin for $20 and the Seymour Duncan Shape Shifter pedal for $10. Immediately it’s in your signal chain. You record the “missing riff” and email it to the producer. Bam! Just like that you’ve added to your high-end gear collection, only spent “couch money” on it, and made a royalty — all while still in your pajamas. Wake up… you’re not dreaming. The AmpliTube Custom Shop allows you to do just that – build your virtual gear collection one piece at a time, as you need it. It’s a revolutionary concept for software that was inspired in part by Johnny Cash’s hit “One Piece at a Time,” and the real world of gear shopping. Now, it’s available to you,.

Amplifikation One VST 1.2.6 VST WiN

CHAOS | August 29 2015 | 26.6 MB

This “guitar amp on your PC” captures the dynamics and characteristics of hardware distortion modules, head amplifiers, and cabinets, captured by various types of microphones in multiple configurations. Kuassa Amplifikation One is not emulated or modeled after a specific amplifier, we try to capture the best aspect of schematic designs, tubes, electronics and computer programming to achieve the supreme tone for your guitar through your personal computer while maintaining the user interface as easy as possible. Users are able to control every aspects of the software just like real guitar amplifiers including (but not limited to) gain structure, tone, mic position, and distance.
Stop messing around with your gears, get productive!