Overtone v1.0.1 WiN MAC

P2P | 25.02.2017 | 18 MB

AU AAX VST VST3 x86 x64

Getting a balanced mix is key to achieving a great master that reproduces well across multiple playback systems. In the past, artists and labels would select mastering studio’s based on the engineer and the equipment they used. This was largely due to specific hardware’s ability to add a certain character to a mix. Since the explosion of software based mastering, you would think that these hardware units would be redundant. This however couldn’t be further from the truth, with labels and artists alike, seeking that warm & clear character that boutique EQ’s provide.

AF2-10 Bundle v2.4.9 WiN MAC LiNUX

Team R2R | Feb 16 2017 | WiN: 3.4 MB | OSX: 8 MB | LiNUX: 4 MB

WiN32/64 – VST/VST3/AAX / MacOSX – AU/VST/VST3/AAX / LiNUX – VST

A versatile graphical EQ with a wide range of zero latency analogue modelled filters and realtime FFT display. Many digital EQs, including those of some popular Digital Audio Workstations can have an artificially cramped filter response, especially at high frequency settings. This is often cited as a reason for the ‘digital’ sound of some equalizers. Conventional solutions to this problem can be both CPU intensive and add extra latency or other artefacts. The AF2-10 uses innovative filter algorithms to accurately model the natural response of analogue designs, even at close to the limit imposed by the sample rate, without requiring CPU intensive or latency inducing techniques. Up to ten bands are provided covering a comprehensive range of filter types across the full 20Hz to 20kHz audio range together with a sample synchronous realtime FFT display featuring optional pre / post process monitoring and selectable slope compensation.

Mongoose v1.1.1 WiN

HY2ROG3N | 15.02.2017 | 1.23 MB

VST2 VST3 RTAS AAX x86 x64

Having a nice wide stereo spread is great, expect for when we are talking about low frequencies. Mono Bass fixes the wide bass problem by collapsing your low frequencies to mono. Just set your frequency, and everything below that is brought to the center. Most of the time the effect is quite subtle (or at least it should be if your mix isn’t completely out of wack) but it definitely solidifies the low end and fixes a lot of the awkwardness of extreme panning on headphones. Just for added measure, we added a width knob to the higher frequencies.

BP Plug-Ins Bundle v1.xx

HY2ROG3N | 13.02.2017 | 60 MB

AU VST3 WiN MAC x86 x64

L-Phase Equalizer v1.0.3.68 WiN MAC

TEAM R2R | 2017.01.26 | WiN: 9 MB | MAC: 25 MB

AU/VST/VST3/AAX

The L-Phase Equalizer features 20 color-coded bands, five filter types, and automatically picks the most common filter or EQ curve based on the frequency where the band is created.

L-Phase Multiband Compressor

TEAM R2R | 2017.01.26 | WiN: 9.8 MB | MAC: 26.3 MB

WiN v1.0.3.84 / OSX v1.0.3.101

AU/VST/VST3/AAX

The L-Phase Multiband features 6 color-coded bands, external sidechain support with audition, Auto Release to minimize pumping, and intelligently sets the attack time based on where the band is created.

Ricochet v1.1.3 VST x86 x64 WiN

P2P | 09.010.2015 | 10,78 MB

Ricochet is a sophisticated, yet easy-to-use multi-tap delay, with the signature Audio Damage sound. Featuring a 16-step grid for programming tap time, Ricochet is right at home in modern electronic music production, designed specifically for that context, and is much quicker to program than the run-of-the-mill multi-tap.