• Q American Series v1.1.0 WiN CE-V.R
    March 4th, 2017 ⚡
    Categories:

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    Q American Series v1.1.0 WiN

    Team V.R | March 03 2017 | 30.4 MB

    Win32/64; AAX, VST3, VST

    Q American Series Digitally Recreates Legendary API 550a, 550b and 560 Vintage American Console Equalizers* The equalizers allow you to chisel your signals with surgical precision. They have a modern, easy-to-use user interface. You’ll love their aggressive structure and proportional Q feature.  QA, QB and QG vintage American console equalizer plug-ins support VST, VST3, AU and AAX plugin formats.


    Viewed 4429 By Music Producers & DJ´s.


  • Overtone v1.0.1 AU AAX VST VST3 WiN MAC
    February 25th, 2017 ⚡
    Categories:

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    Overtone v1.0.1 WiN MAC

    P2P | 25.02.2017 | 18 MB

    AU AAX VST VST3 x86 x64

    Getting a balanced mix is key to achieving a great master that reproduces well across multiple playback systems. In the past, artists and labels would select mastering studio’s based on the engineer and the equipment they used. This was largely due to specific hardware’s ability to add a certain character to a mix. Since the explosion of software based mastering, you would think that these hardware units would be redundant. This however couldn’t be further from the truth, with labels and artists alike, seeking that warm & clear character that boutique EQ’s provide.


    Viewed 6186 By Music Producers & DJ´s.

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  • AF2-10 Bundle v2.4.9 AU VST WiN MAC LiNUX-R2R
    February 16th, 2017 ⚡
    Categories:

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    AF2-10 Bundle v2.4.9 WiN MAC LiNUX

    Team R2R | Feb 16 2017 | WiN: 3.4 MB | OSX: 8 MB | LiNUX: 4 MB

    WiN32/64 – VST/VST3/AAX / MacOSX – AU/VST/VST3/AAX / LiNUX – VST

    A versatile graphical EQ with a wide range of zero latency analogue modelled filters and realtime FFT display. Many digital EQs, including those of some popular Digital Audio Workstations can have an artificially cramped filter response, especially at high frequency settings. This is often cited as a reason for the ‘digital’ sound of some equalizers. Conventional solutions to this problem can be both CPU intensive and add extra latency or other artefacts. The AF2-10 uses innovative filter algorithms to accurately model the natural response of analogue designs, even at close to the limit imposed by the sample rate, without requiring CPU intensive or latency inducing techniques. Up to ten bands are provided covering a comprehensive range of filter types across the full 20Hz to 20kHz audio range together with a sample synchronous realtime FFT display featuring optional pre / post process monitoring and selectable slope compensation.


    Viewed 4860 By Music Producers & DJ´s.


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    Mongoose v1.1.1 WiN

    HY2ROG3N | 15.02.2017 | 1.23 MB

    VST2 VST3 RTAS AAX x86 x64

    Having a nice wide stereo spread is great, expect for when we are talking about low frequencies. Mono Bass fixes the wide bass problem by collapsing your low frequencies to mono. Just set your frequency, and everything below that is brought to the center. Most of the time the effect is quite subtle (or at least it should be if your mix isn’t completely out of wack) but it definitely solidifies the low end and fixes a lot of the awkwardness of extreme panning on headphones. Just for added measure, we added a width knob to the higher frequencies.


    Viewed 4441 By Music Producers & DJ´s.


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