Vandelay v1.0.0 WiN

Team V.R | Dec 22 2017 | 1.71 MB

(Win32/64; VST3, VST)

Vandelay provides three separate delays in as many frequency regions. Each delay has an LFO that modulates the pitch of the audio stream. Together with tempo based delay times and feedback control you can create a very rich sound from almost any source. Sporting a clever, responsive and intuitive user interface, Vandelay is easily controlled and you will almost certainly get the hang out of it in minutes!

PressIt v1.0.0 WiN

Team V.R | Dec 22 2017 | 2.36 MB

(Win32/64; VST3, VST)

PressIt is a very sophisticated dynamic tool, best used as a master plugin, or to tighten up bus masters. It works really well on drums, but also background vocals or other stems that need to be tamed will fit well. PressIt consists of three compressors who work independently of each other. They are fed with the low, mid & high frequency band of the incoming audio signal. The compressor units consist of our unique algorithm from Korvpressor, developed together with engineers from KTH (Royal Institute of Technology) in Stockholm. They gently shape the three signals (with full control), and then sums it back into a nice unity. Before the audio leaves the plugin, there’s an optional brick-wall limiter to prevent digital distortion.

Pads v1.0.2 VST2 x86 x64 WiN

Team V.R | Dec 22 2017 | 13.29 MB

Pads is a thriving and organic pad synthesizer. It consists of a wavetable synth with a noise/grain generator and a high cut filter. With a carefully developed ”wobbler” that detunes the waveforms and makes very small inconsistencies to several internal parameters and a nice sounding chorus, this synthesizer is able to create some really interesting and non-statical pad sounds.

Haaze v1.0.0 VST x86 x64 WiN

Team V.R | Dec 22 2017 | 10.82 MB

Haaze provides two different ways of making a mono (or a not-wide-enough-stereo) signal to a wider stereo signal. By splitting the input signal into 16 different frequency regions, spanning from 20 Hz to 20kHz, Haaze can add different amount of stereo-widening to different frequency regions. This makes it possible to transform a mono track into a natural sounding stereo track (by for example keeping lower frequencies in mono while spreading the higher ones). Haaze is using two different stereo widening techniques, Haas (short delays between left and right channel) and ”Split EQ” (different gain on different channels on different frequency regions).

Kuvert v1.0.1 WiN

Team V.R | Dec 22 2017 | 4.4 MB

(Win32/64; VST3, VST)

Kuvert defines a whole new way of dealing with effects. In short, Kuvert allows you to draw five different envelopes. These envelopes control different effect parameters, and can be drawn freely or onto a grid. The envelopes are looped, while the incoming audio isn’t (unless you’re feeding it looped material of course). This is a powerful & fun way of altering your sounds to reach a whole new level, sometimes not even recognizable! Thanks to the looping nature of the plug-in, it will fit very well into any musical context. One way of using it would be to revitalize any looped material (such as beats) within just a few seconds.

Gaffel v1.0.2 WiN

Team V.R | Dec 22 2017 | 2.9 MB

(Win32/64; AAX*, VST3, VST)

Gaffel* is a tool that splits audio into different frequency bands. Using it on multiple channels lets the user create multiband effect(s) out of any other plugin installed. Frequency parameters are globally synchronized between different instances of the plug in if they’re set to the same group, which makes it really convenient to work with in any DAW.

Grand Finale v1.0.2 WiN

Team V.R | Dec 22 2017 | 8.7 MB

(Win32/64; AAX*, VST)

Grand Finale is a multi effect plug-in designed for finalizing complete mixes, stems, buses and/or individual audio tracks. The plug-in offers several modules in a pre-routed configuration. Each module has parameters to alter, and most modules offer a set of algorithms to select. These features come together to make Grand Finale a powerful tool for quickly finalizing a track, bus or mix. Usage: Trim the input signal, add your desired amount of compression, multi-band compression, stereo width, EQ, blend in some add compression and/or distortion, and glue it all together by balancing the input and output trim. Use the meters to monitor and and adjust your output level to whatever destination (for example, YouTube recommends -14 LUFS)