TCS-68 v1.3.0 WiN x64

TEAM V.R | 12 July 2018 | 6.16 MB

(Win64; AAX*, VST3, VST)

TCS-68, an audio effect that pays homage to one of the most iconic cassette tape based 8-track recorders. The TCS-68 cassette tape channel effect includes a faithful recreation of the preamp, the tape system and the EQ. The original unit comprised a powerful 10-channel mixer that included a simple 3-band EQ, mic and line inputs as well as insert loops for each channel, an 8-track recorder with an advanced noise reduction system and a clearly arranged meter bridge. Given that it used compact cassettes as a recording medium it’s obvious that it was far from high fidelity sounding and thus aimed at semiprofessional users and smaller studios.

F-59 v1.3.0 WiN x64

TEAM V.R | 12 July 2018 | 3.68 MB

(Win64; AAX*, VST3, VST)

Analog Emulation / Guitar Amp and FX Modeling

The F-59 is a recreation of the ’58 – ’60 era classic that set the course for decades of guitar amplification technology. Offering a wide range of tones the plugin tries to stay true to the original vibe while adding some convenient features in the digital domain. The F-59 comprises a faithful emulation of both preamplifier channels, the legendary tone stack network as well as the power amplifier including the revision A presence filter feedback circuit. A cabinet simulation and a linear level control have been added to meet the demands of ITB work flow. The cabinet stage can be bypassed for use with your preferred IR or cabinet emulation suite.

VCL-373 v1.3.0 WiN

TEAM V.R | 12 July 2018 | 3.37 MB

Vintage Comp/Limiter

(Win32/64; AAX*, VST3, VST)

The VCL-373 is a recreation of an early 60s broadcasting limiter/compressor that eventually found its way into many mastering studios. 1963 marks a technological shift in that the famous diode-bridge based gain reduction stage was replaced by a transistor-based circuit that allowed for less THD and more reliable control voltage tracking. The plugin includes a faithful emulation of the audio transformers, the crucial feedback compression circuitry as well as the discrete class A make-up amplifier. Some convenient features including a continuous drive control, gain compensation, GR metering and a dry/wet mix have been added in the digital domain.

Bitspeek v1.x.x WiN MAC

TEAM R2R | 2015.05.25 | v1.5.0:WiN+ v1.0.2: MAC: 15 MB

Bitspeek is a real-time pitch-excited linear prediction codec effect. Right now you are probably thinking, “oh, another one of those”? Or perhaps not. Chances are that you have never heard about “linear prediction”, although most of us use it daily when we talk on our cell phones. Linear prediction coding is a voice compression technology that appeared in commercial products in the seventies and was implemented in some well-known speaking toys of the early eighties. We have applied this technology to create a VST / AU effect plug-in that analyzes audio, extracts a number of parameters (including pitch, volume and formant data) and then resynthesizes the audio using a simple oscillator, noise and filter architecture. We have added a number of playback parameters that adjusts the pitch and tonal quality of the sound as well as support for MIDI and a beat-synchronized “formant freezing effect”. Despite having only a few simple controls, this box can produce a broad range of sounds from cheap speaking toys to high-end vocoder and talkbox effects.

Clariphonic DSP mkII v1.1.1 MAC

OPENSSH | 10.07.2018 | 7.9 MB

AU VST x64

After 3 years of using the original Clariphonic DSP, I’d compiled quite a list of improvements I wanted to make. So I made them all, and the result is the Clariphonic DSP mkII, modeled from the ground up by me using all new algorithms and filters. To my ears, the mkII sounds markedly smoother than the original, and it’s considerably more powerful in use. It has 3 modes: classic Stereo, Dual Mono so I can eq each side differently, or Mid-Side for advanced sweetening. I overhauled the GUI as well, it’s a little easier on the eye and a lot easier to use. Between the smoother sound, the 3 operational modes, and the enhanced interface, I’m more proud of this design than any I’ve done to date, and that’s coming from the guy who recently dropped the Tweaker.

SEM-Filter v1.1.0.389 WiN

Team V.R | 07 Jul 2018 | 104.3MB

(Win32/64; AAX, VST3, VST)

Combining simplicity with pure tone-shaping power, SEM-Filter is a futuristic twist on a classic synth filter. Renowned for its pioneering technology in the 70s, we paid tribute not only to its sound but also the SEM’s reputation as a trailblazer. Using the meticulous modelling techniques, and by adding exciting new features, we have created a true modern classic audio filter. No longer confined to a synthesizer, you can now use the era-defining filter tone of Tom Oberheim’s cult synth module on any audio source you wish. Process acoustic instruments in your DAW, shape vocals, perform sweeps on your whole mix, create builds, rises, and drops, even use it to improve a soft-synths stock filter.

Mini-Filter v1.2.0.389 WiN

Team V.R | 07 Jul 2018 | 87.8MB

(Win32/64; AAX, VST3, VST)

Ever wanted to use one of the world’s most famous synth filters in your DAW?

The classic filter from our lovingly recreated Mini V software instrument is now in a dedicated plugin. Now you can add the familiar filter tone to warm or smooth out your audio, or to add sweetness to a sensitive recording. Not only that, but Mini-Filter also includes a powerful modulation section which consists of an envelope follower, an LFO, and a step sequencer. A patch manager is also built-in, along with a set of presets to inspire your creativity. An essential, expressive, and creative tool for any producer or performer.