Voxengo TransGainer 1.6 AU VST VST3 MAC OSX

Team Cook | AiR-KyGn | 124.1 MB

TransGainer, an audio plug-in suitable for a wide range of professional music production uses, implements an audio signal envelope adjustment algorithm that reacts on transients rather than on a signal’s loudness level. This algorithm allows you to adjust volume of attack and sustain stages of any sounds you use it on. TransGainer was designed in a way to be suitable for all possible sound sources – be it individual tracks or full mixes. In many cases TransGainer can be used in place of gate and expander plug-ins while delivering a better sound and offering an easier control. Beside that, TransGainer can be used for audio recording restoration/re-mastering purposes and reverb tail modifications with excellent results.

LinPlug MorphoX v1.1.1 MAC OSX

TEAM Cook | March 2014 | 16.18 MB

Simplicity is the key. Dont get stuck in complexity, with MorphoX you just need the modulation wheel and the keys to experience yet unheard expression and transformation in sound. Morphing made simple, in realtime, drastic changes in sound, right at your morph wheel. Simplicity is the wheel. When you play and hear you wont believe its just a quite simple subtractive synth with chorus, delay and an arpeggiator. Its dead easy to create your own morphing sounds. To get you started we hired some of the finest sounds designers to create 600 factory presets.

TB Ferox v3.0.5 AU VST MAC OSX

Team Cook | March 24 – 2014 | 3.72 MB

Magnetic tape recording simulator

Let’s face it – with all the benefits of digital audio processing and recording (low noise, high dynamic range, virtually flat frequency response, low distortion) it is sometimes difficult to get that fuzzy vintage warmth. This is where TB Ferox comes in. It provides smooth compression and saturation that reminds one of the good old days of tape recording, and allows for additinonal feedback-delay effects, which makes it especially suitable to artistically enhance and enrich individual audio tracks.

PSP Neon HR v2.0.4 AU VST RTAS MAC OSX

Team Cook | March, 24 – 2014 |  7.67 MB

PSP Neon is a fully featured linear phase equalizer plug-in (VST, RTAS and AAX for Windows and AudioUnit, VST, RTAS and AAX for OSX) that offers eight bands of equalization, each of which can be assigned one of seven filter types. PSP Neon uses frequency-domain fast convolution based linear phase algorithms for the best balance between CPU efficiency and phase accuracy. For those who want to use the excellent analog-modeled PSP Neon filters in even more CPU critical applications, you can even toggle off the linear phase mode and take advantage of PSP Neon’s minimum phase error Infinite Impulse Response (IIR) mode!

Computer Music January 2014 Issue 199 Content DVD

Issue 199 Content DVD | 4.83 GB

Create your biggest sounds ever with our easy guides and videos – stack drums, synths, guitars, samples and more like a pro!

Spring Reverb Type4 v1.0.1 AU VST UB WiN MAC

VST AU PC & MAC OSX UB REPACK-DYNAMiCS

Team DYNAMiCS & AiR & NEMESiS | 01-26-2009 | 6 MB

A spring reverb is a system to obtain artificial reverberation invented during the 40’s by Laurens Hammond (also inventor of the Hammond Organ). In a Spring Reverb pan, the audio signal is coupled to one end of the spring by a transducer (a device that can convert electrical energy into mechanical energy or viceversa). This creates waves that propagate through the spring in both directions. At the other end of the spring there is another transducer that converts the motion in the spring into an electrical signal, which is then amplified and added to the dry sound. Most spring reverb units use several springs together, with each spring having its own characteristics (length, dimensions, tension, etc.) resulting in a natural reverberation by summing several delayed sounds at fixed or random intervals. However, with real spring reverbs the user isn’t allowed to change these characteristics. A software simulation like Type4, on the other hand, allows you to adjust parameters like “decay” (reverb duration), the dampening factor, the virtual spring tension and other parameters that affect the overall timbre of the reverb effect. Why should you want to use a spring reverb rather than a precise and modern digital reverb? Spring reverbs have typical sonic characteristics that, nowadays, make them desirable mostly as effects on their own rather than simulations of an acoustic phenomena.

WVS Reel ADT AU VST VST3 RTAS MAC OSX

msj | 10.3.2014 | 40.5 MB

WVS/Abbey Road Reel ADT is the first plugin to successfully emulate Abbey Road Studios’ pioneering process of Artificial Double Tracking. The effect that would become an integral part of Abbey Road’s signature sound was initially created at the famed studios in the 1960s to meet the needs of some very special clients: The Beatles. Reel ADT puts the magic of that era in your hands within seconds. Using its intuitive controls, you can advance or push back the doubled signal to achieve genuine, lush-sounding delay and pitch variations. You can also drive each of the signals separately to add beautiful tape saturations.