PreMix CM’s overdrive circuit is based upon the classic 12AX7 tube preamp, and can provide a huge variety of saturation characteristics – fuzz, bite, crunch, scream and more! A three-band Baxandall EQ then broadly balances your signal’s frequency content for some musical tonal shifting.
Morphing Filters & EQ: Filterscape is our filter-based sound mangling tool, the ultimate in versatility and control. It can be a parameteric EQ with morphable snapshots, a dual virtual analog filter, a sophisticated delay unit… you can use Filterscape to spice up your music in a myriad of ways. Best of all, Filterscape is a fun environment to work in – the GUI invites you to discover new and radical ways to sculpture your tracks. And it’s highly addictive!
CIS DSP Factory has released Limiter One, a simple freeware program dependent limiter effect for Windows and Mac.
LIMITER ONE is a program dependent Limiter for VST,VST3 and AudioUnits for Windows and Mac OS X. Very useful on Drums and acoustic guitars.
Limiter One is available for free download via CIS DSP Factory (11.3 MB download size, ZIP archive, 32-bit & 64-bit VST/AU plugin format for Windows & Mac).
Zebra is our wireless modular synthesizer. It combines many different types of synthesis with a powerful modulation engine. Imagine – you can create any additive, freehand or spline-based waveform you like, apply a vast selection of spectral effects, morph between those waves and send them through classic synth filters. Perhaps use that entire sound as modulator for an FM oscillator, or route it through a comb filter – the building block of physical modeling synthesis. All generator modules, all signal paths, all effects are stereo.
For over two decades, the Lexicon 480L Digital Effects System* has been the standard by which all other signal processors are measured. The Lexicon 480L* remains a popular choice among top producers for the most demanding tasks. Even today the Lexicon 480L* is widely considered as one of the best-sounding reverbs ever built. [Add Presets]
Back to the early 80’s, the Prophet 5 and Oberheim OB series dominated the polyphonic synthesizer market. Having that in mind the Jupiter-8’s success, initiated in 1981, took every one by storm. But what made the Jupiter-8 so successful? Well, in terms of sonic possibilities, it complemented its competition by bringing something different. The Jupiter-8 was capable of creating very versatile sounds. You could easily make ‘fat’ or ‘Crystal’ sounds with it. In fact, the Jupiter-8 sounded the way it looked, ‘sleek and polished’. The electro-pop community became quickly convinced by the qualities of the Jupiter-8.’Relax’, by Frankie Goes to Hollywood was produced incorporating a Jupiter 8, and players such as Vince Clarke, John Foxx, and Martyn Ware were also using it. The path to classic status of the Jupiter started there. Other artists that have used The Jupiter-8 include Tangerine Dream, Underworld, Jean Michel Jarre, Depeche Mode, Prince, Gary Wright, Adrian Lee, Heaven 17, Kitaro, Elvis Costello, Tears for Fears, Huey Lewis and the News, Journey, Devo,Freddy Fresh, Simple Minds, Jan Hammer and BT.
Replicant is a delay-based effect in the “beat slicer/looper” vein, with some tricks of its own that separate it from magesy download the herd. From a simple delay or panning effect, on up to massive random beat mangling, Replicant is a capable plugin well in line with today’s modern electronic music styles. Stuttering buffers and filter drops are easy to program, and the comprehensive randomization features give it a mind of its own, if so desired. If you’re looking to add some chance to your programming, you’ve come to the right place.
Liquid is an analog-style through-zero flanger. Unlike traditional flangers, which are just short delays with a bit of feedback, Liquid models the original flanging method, where two tape machines were used to create artificial double-tracking effects. The difference in sound between this type of flanger and what is commonly available is significant, and Liquid provides a much more usable effect. Perfect for “stereo-izing” monophonic signals like voice and vintage analog synths, Liquid also provides more mind-bending flanging at higher feedback settings.
From mild tone-shaping or adding a bit of grit to full-on total waveform destruction, Kombinat is a complete toolbox of sonic warfare. This plugin is, in our opinion, the single most annihilating effect available today. With seven different options in each of the three distortion engines (plus pass-through), Kombinat is capable of sophisticated and unique sounds. Want to add a ring mod to the low end, a mild saturation to the mids, and a bit-reduction algorithm to the high end? No problem. Want to run your signal through three sine-warps in series? This is your box.
Magesy® Winter Hoodie We arrived this winter with our Winter Original Griffin® Hoodie for DJs and Producers.
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Magesy® Griffin One Shirt™ The Griffin®, is a legendary creature by the Middle Ages was thought to be an especially powerful and majestic creature. Since classical antiquity, Griffins were known for guarding treasure and priceless possessions...
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