Beat German Mai 2025

Deutsch | 84 pages | True PDF | 17 MB

Dein Studio-Upgrade beginnt hier: 42 Audio-Interfaces im Mega-Test. Ob du Melodien oder Vocals aufnehmen, Beats einspielen oder sampeln, ein Modularsystem in deine DAW einbinden oder live auftreten willst – nur mit den passenden Audio- oder CV-Interfaces läuft die Sache rund. Doch welche passen am besten zu deinem Workflow? Und wie lassen sich iOS-Apps einbinden? Auf 18 Seiten klären wir im großen Markt-Check die wichtigsten Fragen direkt mit den Herstellern, empfehlen Setups für Einsteiger bis Fortgeschrittene, präsentieren Modelle fürs Studio und unterwegs und geben außerdem konkrete Tipps, wie du dein Setup sinnvoll optimierst und erweiterst.

Sound On Sound UK/USA December 2024

English | 140 pages | True PDF | UK:73 MB | USA: 74.55 MB

REVIEWS: Tascam Model 2400 [front cover] • Gear Of The Year 2024 • PreSonus Studio One Pro 7 • Native Instruments Kontakt 8 • Kii Audio Seven monitors • Warm Audio Pedal76 • Arturia KeyLab MkIII • Sennheiser MD 421 Kompakt • PWM Mantis synth • Fiedler Audio Atmos Mastering Console •  IK Multimedia T-RackS 6 • Soyuz 013 Ambisonic • Wes Audio ngTube EQ • Toontrack Alchemy Of Pop EZX • Neural DSP Parallax X • Microtech Gefell Generation 4 mic • Boss IR-2 amp simulator • Dreamtonics Vocoflex • Interspace Industries Audio Puck • DW Soundworks • SPOTLIGHT: Desktop Monitor Controllers • Eurorack Modules • New sample libraries — and much more!

Sound On Sound UK/USA Full Year 2024

English | 12 Issues | True PDF | UK:896 MB | USA: 963 MB

Sound On Sound is the world’s best recording technology magazine, packed full of in-depth, independent product tests, including music software, studio hardware, keyboards and live sound (PA) gear. Every issue also includes SOS’s unique step-by-step tutorial and technique columns on all the leading DAW programs, as well as insightful interviews with leading producers, engineers and musicians.

Sound On Sound June 2025

English | 140 pages | True PDF | 151 MB

REVIEWS: Slate Digital VMS 2 [front cover] • iamReverb plug-in • Harrison Mixbus 11 • IK iLoud Micro Monitor Pro • Warm Audio Fen-tone • Arturia Pigments 6 • Acustica THING • EastWest LOFI • Audix D6X • Rode NTH-50 • Toontrack Fusion • Tascam FR-AV2 • Oberheim Two Voice revisited • LANG Electronics P.LANE Type 436 • Harrison D510r 500-series • Mackie ProFX10 Go • RME DPS-2 & LNI-2 DC • beyerdynamic DT 70 in-ears • Soyuz Lakeside mic pre • Korneff Audio Shure Level-Loc • GForce Novation Bass Station • SPOTLIGHT: Studio Workstation Desks • Eurorack modules • New sample libraries — and much more!

Beat Issue 227 December 2024

PDF | 13.11.2024 | ENG:59.56 MB | GER:22.92 MB

(English and German Edition)

55 Synth Plugins reviewed – Which ones do you really need? Synths are simply indispensable! With the flood of new releases, however, it can be difficult to keep track and find the perfect plug-in for your sound. But don‘t worry, we‘ll do the work for you! On 22 pages, we evaluate the latest instruments, show them in use case workshops and provide audio demos so that you know exactly which synth is right for you. Of course, there are evergreens and freeware gems that no setup should be without. And as a bonus, there are over 10,000 presets to download so you can get started right away!

Beat June 2025 PDF

84 pages | True PDF | GERMAN:22.96 MB | ENGLiSH:23.8MB

Stell dir vor, du bist der Dirigent eines ganzen Orchesters, die Symphonie deiner Träume liegt in deinen Händen. Was wäre, wenn du diese Macht nicht nur in einem Konzertsaal, sondern direkt an deinem Schreibtisch entfesseln könntest? Willkommen in der faszinierenden Welt der Sample- und Orchester-Libraries, wo die Grenzen zwischen digitaler Produktion und akustischer Realität verschwimmen. Dieser Artikel ist dein Schlüssel, um diese Klangwelten zu erschließen, die dich von epischen Filmmusiken bis zu viel gefühlvolleren Tracks alles erschaffen lassen. Der Schlüssel zu mehr Seele in deinen Songs! Beat combines competent hardware and software tests with dedicated reviews as well as reports and interviews from musicians and the music business. We will report on music production with the latest synthesizers and computers, introduce new trends in recording, and always have our finger on the pulse with up-to-date reports. Many well-known specialist report on the widespread music production solutions and experienced editors take care of the most important entertainment and scene topics. This magazine is a platform for musicians and contains a regular demo and MP3 section for readers as well as a download with high-quality sample and music files for creative musicians.

Electronic Sound 119

English | 100 pages | PDF | 43 MB

This is something special. With an exciting new boxset in the shops any day now, the latest Electronic Sound cover stars are the magnificent Throbbing Gristle and we’re bundling the issue with a limited edition red vinyl seven-inch featuring two previously unreleased TG tracks, including one of the last two recordings the industrial pioneers ever made. We’re looking back over the story of Throbbing Gristle this issue, interviewing the surviving members of the band and others associated with TG. Genesis P-Orridge, Cosey Fanni Tutti, Chris Carter and Peter “Sleazy” Christopherson ripped up all the rules, both sonically and visually, both as a live act and a recording unit. They are widely recognised as the prime movers of industrial music, but their influence and impact stretches way beyond any particular genre. Their early gigs attracted everybody from acid-fried hippies and spotty anarcho-punks to oddball alt-funkateers and hot-wired electronics freaks. There has never been another group even remotely like Throbbing Gristle.