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  • Future Music Issue 379 2022
    January 12th, 2022 ⚡MaGeSY®
    Categories: News

    Future Music Issue 379 2022

    Future Music Issue 379

    English | 100 pages | True PDF | 15.53 MB

    IN THE STUDIO WITH…Bonobo More than two decades after his laid back debut, Simon Green takes the plunge into modular Fragments



    Viewed 8144 By Music Producers.


    • Future Music Issue 378 2021
      January 12th, 2022 ⚡MaGeSY®
      Categories: News

      Future Music Issue 378 2021

      Future Music Issue 378 2021

      English | 100 pages | True PDF | 19.27 MB

      IN THE STUDIO WITH… Nightmares on Wax George Evelyn talks 30 years of Warp, new album Shout Out! To Freedom and re-evaluating life’s important stuff.



      Viewed 18619 By Music Producers.


      • BEAT Magazine Issue 193, February 2022
        January 7th, 2022 ⚡MaGeSY®
        Categories: News

        BEAT Magazine Issue 193, February 2022

        BEAT Magazine February 2022

        English | 100 pages | True PDF | 23 MB

        The specialist magazine for music, production and DJ-ing: BEAT combines competent hardware and software tests with committed reviews as well as reports and interviews from music circles and the music business.



        Viewed 12697 By Music Producers.


        • BEAT Magazine 192 January 2022
          January 4th, 2022 ⚡MaGeSY®
          Categories: News

          BEAT Magazine 192 January 2022

          BEAT Magazine 192

          English | 100 pages | True PDF | 14 MB

          The specialist magazine for music, production and DJ-ing: BEAT combines competent hardware and software tests with committed reviews as well as reports and interviews from music circles and the music business.



          Viewed 37120 By Music Producers.


          • Computer Music February 2022
            December 31st, 2021 ⚡MaGeSY®
            Categories: News

            Computer Music February 2022

            Computer Music February 2022

            English | 100 pages | True PDF | 21 MB

            Interview: A TECHNOLOGY TOUR WITH TS7

            The producer, DJ and songwriter’s next tour will be a spectacular mix of technology and live playing as he transfers his Logic creations to a live and Live arena.



            Viewed 14845 By Music Producers.


            • Computer Music January 2022
              December 29th, 2021 ⚡MaGeSY®
              Categories: News

              Computer Music January 2022

              Computer Music January 2022

              English | 100 pages | True PDF | 23 MB

              This months big interviews EFTERKLANG The experimental Danish trio have gone back to basics – and nature – with their latest album Interviews AMON TOBIN Celebrating 25 years in music production with his latest release, Amon answers the famous 15! Plus: 303 software versions Fancy getting some of that Magesy® Bassline, filter-squelch in your tracks? Help is available at numerous price points. You simply don’t have to part with thousands of pounds for an ageing second hand 303, to include that spirit in your productions…



              Viewed 26778 By Music Producers.


              • Electronic Sound Issue 77: May 2021
                December 25th, 2021 ⚡MaGeSY®
                Categories: News

                Electronic Sound Issue 77 May 2021

                Electronic Sound Issue 77

                PDF | 13 May 2021 | 40.1MB

                We’re heading for the dark side of the krautrock kaleidoscope with this month’s Electronic Sound cover stars, the inimitable Can. We’ve a limited edition purple vinyl seven-inch featuring an excerpt from the band’s stunning new live album to accompany the magazine too. Prompted by the release of ‘Live In Stuttgart 1975’, the first in a series of archive Can gig recordings, we speak to Irmin Schmidt about the band he created with Michael Karoli, Holger Czukay and Jaki Liebezeit towards the end of the 1960s. As we try to deconstruct their wholly unique brand of sonic voodoo, Schmidt reveals the inner workings of Can, together with his own memories of their powerful live performances. “We were constantly inventing collectively,” he says. “We came onstage and we didn’t have a plan. We just started. What we did was always a reaction to the whole environment – to the sound, to the acoustics, to the crowd, to our mood, and to the moment.”



                Viewed 89983 By Music Producers.





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