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  • Vienna Symphonic Library Viola Ensemble KONTAKT
    July 11th, 2016 ⚡
    Categories:
    Audio Samples, KONTAKT, Vienna Symphonic Library

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    VSL Viola Ensemble KONTAKT

    P2P | KONTAKT | 7.80 GB

    It is constructed using the same components as the violin, the only difference being the larger size. Its stately and dark timbre contrasts sharply with that of the violin and makes the viola perfectly suited as the violin family’s middle voice. Its bow is a little heavier than the violin bow and the horsehair a little broader. The characteristic sound of the viola is a result of the following factors: The viola is tuned to a fifth lower than the violin (C3 = 4th string, G3 = 3rd string, D4 = 2nd string, A4 = 1st string). This means that the frequencies of the two instruments are in a ratio of 2:3. If this ratio were applied to the actual size of the instruments the viola’s body would have to be 12 cm longer (i.e. around 54 cm) than it actually is (around 42 cm).

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  • Vienna Symphonic Library Alto Flute KONTAKT
    July 2nd, 2016 ⚡
    Categories:
    Audio Samples, KONTAKT, Vienna Symphonic Library

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    VSL Alto Flute KONTAKT

    P2P | 17.06.2016 | KONTAKT | 3.50 GB

    The Alto Flute instrument from the Woodwinds Section of the Vienna Symphonic Library (VSL) in Kontakt (.nki) format..  The Alto Flute in G is a transposing instrument which extends the flutes’ lower tone range. There are two types: the straight shape and that with a curved headpiece. A straight-headed model was used for the recordings. The alto flute has a full, warm sound suggesting mystery especially in the lower range.

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    Viewed 2807 By Music Producers & DJ´s.

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  • Vienna Symphonic Library Saxophones Soprano KONTAKT
    June 26th, 2016 ⚡
    Categories:
    Audio Samples, KONTAKT, Vienna Symphonic Library

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    VSL Saxophones Soprano KONTAKT

    P2P | KONTAKT | 3.0 GB

    The Soprano saxophone normally doesn’t show the typical curved build of the rest of the saxophone family but has a straight shape. It sounds very lyrical and has become famous through players like Kenny G. It is equally suitable for orchestral settings and jazz music. The musician for all the instruments, Robert Bernhard, plays in illustrious circles. His experience in orchestral music is as profound as his improvisations in jazz, funk and blues. He has captured all the nuances of the Selmer Mark VI series instruments (reissues of the famous vintage saxes of the Sixties) – from sensitive to aggressive, from whispering to screaming, exploiting the full dynamic range of these instruments.

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    Viewed 1905 By Music Producers & DJ´s.

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  • Vienna Symphonic Library Viola KONTAKT
    June 25th, 2016 ⚡
    Categories:
    Audio Samples, KONTAKT, Vienna Symphonic Library

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    VSL Viola KONTAKT

    P2P | KONTAKT | 3.60 GB

    It is constructed using the same components as the violin, the only difference being the larger size. Its stately and dark timbre contrasts sharply with that of the violin and makes the viola perfectly suited as the violin family’s middle voice. Its bow is a little heavier than the violin bow and the horsehair a little broader. The characteristic sound of the viola is a result of the following factors:y The viola is tuned to a fifth lower than the violin (C3 = 4th string, G3 = 3rd string, D4 = 2nd string, A4 = 1st string). This means that the frequencies of the two instruments are in a ratio of 2:3. If this ratio were applied to the actual size of the instruments the viola’s body would have to be 12 cm longer (i.e. around 54 cm) than it actually is (around 42 cm). In other words, the viola is too small in proportion to its tuning and this is the reason for its distinctive timbre. The ratio of the natural resonance of the body to the tuning is different on the two instruments: on the violin the natural resonance is about six half notes above the lowest note, on the viola eleven half notes.

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  • Vienna Symphonic Library Horn KONTAKT
    June 16th, 2016 ⚡
    Categories:
    Audio Samples, KONTAKT, Vienna Symphonic Library

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    VSL Horn KONTAKT

    P2P | Dec 18, 2011 | 4.20 GB

    The tubing of the Viennese horn is 55% conical and narrower than the most commonly used double horn in F/Bb. The so-called F crook is not a fixed part of the Viennese horn but is detachable. Other tunings are used especially for natural horn parts. The three valves are Viennese valves (twin-piston valves) and are operated by the 2nd, 3rd and 4th fingers of the left hand. In contrast to the Vienna horn the double horn in F/Bb has rotary valves with an optional additional stopping valve. The higher pitch that results from stopping on the Viennese horn is not compensated for by a stopping valve but by playing the note a half tone lower.

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    Viewed 1597 By Music Producers & DJ´s.

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