🎵 MaGeSY® R-EVOLUTiON™⭐ ⚡(FAST EDiTiON)⚡

  • FD2N Russian Edition v1.1.1 WiN-R2R
    April 26th, 2021
    Categories: AAX, VST, VST3, WiNDOWS, x64

    FD2N Russian Edition v1.1.1 WiN

    Team R2R | Feb 28 2020 | 8 MB

    PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

    “FULLNESS TUBE EQUALIZER”



    Viewed 53899 By Music Producers.


    • FD1N British Edition v1.1.1 WiN-R2R
      April 26th, 2021
      Categories: AAX, VST, VST3, WiNDOWS, x64

      FD1N British Edition v1.1.1 WiN

      Team R2R | Feb 28 2020 | 7.3 MB

      PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

      The FD1N is nicknamed “British Edition”, while the FD3N carries the label “U.S.A. Edition”. It doesn’t appear that the EQs have been modeled after any specific British or American pieces of hardware, mention some components that were used for the models…



      Viewed 63260 By Music Producers.


      • Pigments v3.0.0 WiN CE-V.R (Rev.2)
        April 25th, 2021

        Pigments v3.0.0 WiN CE-V.R

        Pigments v3.0.0 WiN x64

        Team V.R | 25 April 2021 | 1.85 GB

        (Win64; AAX, VST3, VSTi, STANDALONE)

        Pigments, a hybrid “polychrome” instrument that features hugely powerful, cutting-edge wavetable synthesis alongside award-winning virtual analog technology. After spending 20 years analyzing and emulating the best synthesizers ever made, they have now used their expertise to create an original, uniquely software synthesizer. Pigments offers exceptional sound thanks to its hugely powerful architecture and lightning-fast workflow that makes complex modulations easy, fast, and fun.



        Viewed 119545 By Music Producers.


        • Melodyne Studio 5 v5.1.1.003 WiN-RET
          April 24th, 2021
          Categories: AAX, Audio Software, VST3, WiNDOWS, x64

          Melodyne Studio 5 v5.1.1.003 WiN-RET

          Melodyne Studio v5.1.1 WiN

          Team RET | 24 December 2020 | 24.8 MB

          PLATFORM: STANDALONE/VST3/AAX/x64

          New technologies, for better results in less time. Thanks to the fundamentally improved “Melodic” algorithm, Melodyne makes your vocal editing even better than before. With perfect, natural corrections at the press of a key. Thanks to the Chord Track, you can adapt notes with lightning speed to suit the song – chord recognition included. And with the unique Fade Tool, you can create note-based fades – even in polyphonic recordings and samples.



          Viewed 21853 By Music Producers.


          • Matrix-12 V v2.7.1.1263 WiN MAC-MORiA
            April 23rd, 2021

            Matrix-12 V v2.7.1.1263 WiN MAC-MORiA

            Matrix-12 V v2.7.1 WiN MAC

            MORiA | 23 April 2021 | 381.16 MB

            STANDALONE/AAX/AU/VSTi/VST3/32Bit/64Bit

            ENTER THE MATRIX | The massively powerful Oberheim Matrix 12 has been resurrected at last. Using our TAE™ modeling techonology. we are able to recapture and bring you this beast of a synthesizer. Often coveted, rarely found for sale, and known as one of the greatest analog synths ever made, the Oberheim Matrix 12 was the crowning pinnacle of Oberheim products. Used by the likes of Joe Zawinul, Michael Brecker, Keith Emerson, Vince Clarke, Tangerine Dream, Nitzer Ebb, and many more, it is now available to you too.



            Viewed 44896 By Music Producers.


            • Kombinat Tri v3.1.0 WiN MAC LiNUX RETAiL-SYNTHiC4TE
              April 23rd, 2021

              Kombinat Tri v3.1.0 WiN MAC LiNUX RETAiL-SYNTHiC4TE

              Kombinat Tri v3.1.0 WiN MAC LiNUX

              SYNTHiC4TE | April 23 2021 | 17.1 MB

              AU/VST/VST3/AAX/x86/x64

              From mild tone-shaping or adding a bit of grit to full-on total waveform destruction, Kombinat Tri is a complete toolbox of sonic warfare, and a complete top-to-bottom rebuild of our popular Kombinat series.  With 13 different options in each of the three distortion engines (plus pass-through), Kombinat Tri is capable of sophisticated and unique sounds. Want to add a ring mod to the low end, a mild tube clip to the mids, and a bit-reduction algorithm to the high end? No problem. Want to run your signal through three sine-warps or fuzz algorithms in series? This is your box. Kombinat’s signal structure allows for a fairly broad palette of sounds, as each segment of the overall effect is a versatile tool in its own right. On the front end is a full “DJ-style” band-killer EQ; this leads to the three distortion engines, which may be used in multi-band mode for subtle surgery, or in series mode for complete signal destruction. The engines lead to a multi-mode filter with 12 different topologies, and then on to a compressor which we have configured for one-control operation.



              Viewed 83906 By Music Producers.


              • ARP 2600 V v3.7.1.1263 WiN MAC-MORiA
                April 23rd, 2021

                ARP 2600 V v3.7.1.1263 WiN MAC-MORiA

                ARP 2600 V v3.5.0.3410 MAC

                MORiA | 23 April 2021 | WiN+MAC: 377.3 MB

                AU/VSTi/VST3/AAX/STANDALONE 32/64

                The Magic Mix

                While the original instrument was a wonder to use, we always find ways to innovate and improve. Four revolutionary modulation generators add sonic flexibility and the step sequencer will allow you to animate your sounds. The multimode filter and output audio effects add new possibilities not found in the original….and did we mention it is fully polyphonic?



                Viewed 58426 By Music Producers.


                • DX7 V v1.7.1.1263 WiN MAC-MORiA
                  April 23rd, 2021

                  DX7 V v1.7.1.1263 WiN MAC-MORiA

                  DX7 V v1.2.0.1391 WiN MAC

                  MORiA | 23 April 2021 | WiN+MAC: 539.45 MB

                  APP/AU/VSTi/VST3/AAX/x64

                  In 1983, the DX7 changed the world of music. Today, the DX7 V gives you the power to change it again. Nothing says ‘80s like the sound of the DX7. Our authentic recreation gives you all the same FM digital technology and sounds that earned the instrument a revered place in the history of both keyboards and contemporary music. We didn’t stop at just replicating it, though —we re-imagined it. New operator waves, extensive modulation additions, arpeggiator and onboard FX chains enhance your sonic possibilities exponentially. For bonus points, an intuitive graphic interface makes what was once a daunting programming task a creative joy today. We put booster rockets on the instrument that created innumerable ‘80s hits. Now you can create the definitive sounds of today and tomorrow.



                  Viewed 52804 By Music Producers.


                  • CZ V v1.3.2.1320 WiN MAC-MORiA
                    April 23rd, 2021

                    CZ V v1.3.2.1320 WiN MAC-MORiA

                    CZ V v1.3.2.1320 WiN MAC

                    MORiA | 23 April 2021 | WiN: 197 MB | MAC: 248.18 MB

                    APP/AU/VSTi/VST3/AAX/x64

                    Phase Distortion Cult Classic

                    The CZ V models the Casio CZ-101 and CZ-1000, two cult synthesizers behind many ‘80s pop hits. It adds a ton of new features that make it an instrument for the ages. Casio’s mid-‘80s digital synths were light on price and big on sound. One listen and you’ll be really big on the new, improved CZ V. Like you, we love synths of every flavor. That’s why we just had to recreate the true essence of Casio’s patented phase distortion synthesis that made their CZ series so popular. You don’t need to understand how phase distortion works—just let your ears tell you how cool and unique it would sound in your music. As you’ve come to expect from all of Arturia’s V Collection, our enhancements transform CZ into an even more formidable sonic force that can transform your music.



                    Viewed 53656 By Music Producers.


                    • God Mode v2.0.0 WiN MAC RETAiL-SYNTHiC4TE
                      April 22nd, 2021
                      Categories: AAX, AU, macOS, VST, VST3, WiNDOWS, x64

                      God Mode v2.0.0 WiN MAC RETAiL-SYNTHiC4TE

                      God Mode v2.0.0 WiN MAC

                      FLARE | 22 April 2021 | WiN 5.47 MB | OSX 7.71 MB

                      ..:: VST, VST3, AU, AAX, x64 ::..

                      The God Mode introduces a new push-pull technology giving you full control over what frequencies to saturate and distort. It’s node EQ graph and linear phase filters allow for unlimited options to shape the coloration of your sound. The push-pull technology is inspired by the legendary analog Pultec EQ, a passive tube eq from the 50s, widely used in the 70s/80s for both broadcasting and mixing. The Pultec EQ would ‘push’ the gain for a certain frequency range into its tube circuit, and would then ‘pull’ it back again, to smooth out the frequency response. This creates a sound close to the original but with a nice warmth added to the boosted frequency ranges. The God Mode introduces a modern version of this technique. The first step to using the God Mode is to boost or ‘push’ certain frequencies in your track that you like to be more saturated or distorted. You can for example use one shelf to boost the highs and one peak to boost a certain color or resonance. Because you push these frequencies harder into the saturation algorithm, they will be naturally more affected by it. The second step is to decide if and how much ‘pull’ to apply to the boosted frequencies. This gives you creative control over the amount of coloration and the option to create a perfectly balanced frequency response for your track.



                      Viewed 70952 By Music Producers.




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