Camel Crusher v1.0.1.547 MAC OSX

TEAM HEXWARS | 30-05-2015 | 4.09 MB

CamelCrusher is a versatile ‘colouring’ multi-effect that borrows some features from its big brother CamelPhat. It offers two different distortion algorithms which can be blended together to create a wide variety of tones and textures. There’s also a warm, smooth analogue-style low-pass filter, with buckets of resonance, and an easy-to-use compressor.

ST Native v4.1.8 AU VST RTAS AS TDM MAC 32Bit

OPENSSH | 29.05.2015 | NATIVE: 297 MB | TDM: 325 MB

ST Native Effects

This is the effects rack you’ve have been waiting for. ST Native Effects gives your mixes that pro quality, fat analog sound without the fat kick in the wallet. All designed by effects fanatics surrounded by huge stacks of hardware, and the experience to back it up. Our engineers changed the world of effects when they designed the classic H3000 studio effects box, and keep pushing to bring you creative tools that help you stand out from the pack. Add some spice and flavor to your mixes now.

Oday Audio Releases 25-26 May 2015

Teams Various | 25-26 May 2015 | 11.02 GB

AU, VST, VST3, AAX, RTAS Plugins, TUTORiALS, EMU, ACiD WAV, AiFF, REX, Presets, MiDi

42 Releases from OPENSSH, R2R, P2P, SYNTHiC4TE, MAGNETRiXX, AUDIOSTRiKE 25-26 May 2015…(Important Plugins Inside)….

M6-M2 Radar Loudness Meter MAC OSX

OPENSSH | 25.05.2015 | 24.19 MB

AU VST RTAS AAX

Capture the essence of your loudness landscape at a glance for a complete and instant overview. Our innovative Loudness Radar Meter shows you Loudness History, Momentary Loudness, True-peak Level, Program Loudness and Loudness Range (LRA) in a single view. M6 Radar Loudness Meter is available in Audio Units, VST, AAX, AudioSuite and RTAS plug-in formats. No additional hardware such as Pro Tools TDM or PowerCore is needed – all you need is an iLok2 USB Key for holding the plug-in license. In short, you can use LM6 with hosts such as Media Composer, Final Cut Pro X, Pro Tools, Logic Pro, Nuendo, Wavelab, Sequoia, etc. on a Mac or PC and whether your productions are in mono, stereo or 5.1.

Alchemist v3.3.6.35839 AU VST AAX 32 bits MAC OSX

OPENSSH | May 24 2015 | 102 MB

Be it a serious problem with the dynamics in a mix, a delicate mastering assignment, or a situation with complicated dynamics, Alchemist provides everything you need in order to accomplish. Designed with professional mastering and re-mastering applications in mind, the intricate design, superior workflow, and sound perfection, makes Alchemist tailored for the high demands of today’s music and pro-audio industry,

Plug And Mix Pro Series v1.0.0 WiN MAC

TEAM R2R | 2015.05.22 | WiN: 29.07 MB | MAC: 63.01 MB

The Ultimate Precision ‘Pro Series’ Pack includes 3 professional plug-ins that are part of a new collection called “Pro Series” Plug-ins. The “Pro Series” plug-ins have been designed to reflect the need and requests of P&M’s most demanding professional customers that use the ‘V.I.P. Series’ plug-ins in their daily tasks. The “Pro Series” collection includes “E-Max” a transparent linear phase equaliser, “OptoMax” a powerful opto compressor and “Tube Exciter” a subtil tube exciter and sub bass enhancer.

Pi v1.0.11 AU VST AAX RTAS MAC OSX

TEAM HEXWARS | 15.05.2015 | 10.3 MB

VST/AU/AAX/RTAS

Pi is an innovative, multi-channel phase interactions mixer plug-in engine for Mac and PC. Pi works to improve the summing of a DAW or a mixer. Pi dynamically minimizes frequency cancellations between instruments within the mix, improves mono compatibility and brings back the lost depth and focus lost when overlapping frequencies collide. Good phase relationships between mixer tracks, are a key to great sounding mix. Normally, where mixer channels are summed into a single stereo mix bus, instruments overlap and interact with each-other across the frequency range and phase position. Often, a bass track could be temporarily out-of-phase with the kick or rhythm guitar tracks, and when summed into a mix, end up cancelling each-other over the overlapping frequency range, causing a temporary “hole” in the low end. Similarly, a snare track could end up sounding thin in a mix when the toms resonance are out of phase with the snare.