Track Control v1.0 WiN MAC
FREE | 14 DECEMBER 2016 | WiN | MAC | 10 MB
AU VST VST3 AAX RTAS x86 x64
Everything, in one place. All the utilities from the top and bottom of a console channel.
Viewed 5218 By Music Producers & DJ´s.
Everything, in one place. All the utilities from the top and bottom of a console channel.
There’s nothing quite like the roar and fire of a raging guitar valve amp… nothing that is, except a state-of-the-art, next-level emulation, and that’s exactly what you get with this month’s Computer Music magazine! We’ve teamed up with the distortion-obsessed developers at Mercuriall to bring you U530 CM, a jaw-droppingly realistic guitar amp simulator plugin in VST, AU and AAX formats, and based on the full commercial Tube Amp Ultra 530 plugin.
In the mood for livid steel-string acoustic guitar strums? Virtual Guitarist AMBER is your musical companion. AMBER adds warm and shiny strumming to your production. It comes loaded with more than 50 Styles, over 600 Phrases, multiple effects and sound shaping controls. After testing and measuring dozens of combinations of high-end guitars and microphones, we found sonic delight: A boutique American vintage dreadnought and a legendary German vintage large diaphragm microphone. For even more sonic versatility we’ve captured the guitar pickup too.
WaveRider is the ultimate volume control plugin. Back in 2009, we introduced the “Rider Plugin” concept to the world with WaveRider. Since then, it has become an indispensable tool of choice in studios around the globe. Be it vocal, dialog, voice over, bass or other instruments, you’ll find mixing with WaveRider a breeze. Meet Defaulter, the clip gain normalizer for ProTools. Now with RMS option!
The fact that the Hammer EQ is now plugin. The Hammer’s mythical top end sheen and tube-thickened low end quickly earned it a permanent place on mix busses around the world. Me, I’ve always been partial to its smooth, bite-free midrange—something that’s difficult to find in any EQ, let alone in a plugin. Try a little bump at 50Hz, 800Hz, and 10k, and your mix will noticeably pop out of the speakers. That one’s called ‘Subtle Vintage Points”, one of over 60 custom UBK presets that are destined to bring a lot of magic to a lot of tracks in the near future.
The ML8000 Advanced Limiter is the next generation of limiter technology, using two completely separate stages of processing for significantly improved peak level adjustment. The first stage of the ML8000, the Multi-band Limiter, uses 8 bands of active processing for superior phase response over traditional cross-over based processing. Each band has its own gain and threshold (output ceiling) control. Additional overall band controls include release time and limiter modes, calibrated similarly to the modes of the original highly acclaimed ML4000 limiter. An additional focus mode provides subtle articulation changes in how each band tracks and limits the incoming signal.
The Wall is is a brick wall limiter designed with one thing in mind: Make your mixes loud without screwing up your mix. No matter what side of the loudness wars you’ve decided to plant yourself on, the need to make mixes loud for clients isn’t going away any time soon. Sending your clients home with a mix that is just as loud as the professional mixes they are used to hearing is an important part of any mixing engineer’s job. But nothing drives me more insane than listening to all my hard work turn to garbage when pushing the mix loud. That’s why we made this plugin. We wanted a mastering limiter that lets you push your mixes loud and still keep the punch in your drums and keep your tonality intact.