Presswerk is a powerful dynamics processor with a musical soul. An easy-to-use interface and a rich feature set give you hands-on control over all details of your sound. Presswerk doesn’t emulate famous compressors, it blends the warmth of classic hardware models with developments that are only possible in the digital domain.
We took a journey back to the Golden Age of magnetic tape recording. We wanted to recreate all kinds of tape machines in software, from magesy download the ground up. After many months spent on research, measurement and on developing an architecture that would be flexible enough for the job, we knew we had nailed it… But we couldn’t stop there: We added the old noise-reduction systems that were often (mis)used for timbral compression effects. Then more heads and a global feedback path, which made an uber-tape-delay and realistic ‘one-shot’ tape flanging possible. Users familiar with analogue recording gear should instantly feel at home with Satin, and digital afficionados will also learn to love the magic of tape – Satin invites you to explore and find out for yourself.
The Stage-73 gives you actual authentic modeling of both Stage and Suitcase versions of the most popular electric piano on the planet —completed with unparalleled control of virtual mechanics, a complement of effects pedals, and built-in classic amps. The Stage-73 uses our award-winning modeling technology to faithfully reproduce the tine-based sound and playing experience of the most loved electric pianos of all time. We modeled both the Fender Rhodes Suitcase Piano and Stage Piano—including separate 1973 and 1974 models of the Stage in order to capture the difference in their components. We’re talking total sonic and aesthetic fidelity to the originals. You can even easily pop the top and customize the various mechanical components to make your instrument unique. Classic amps and an array of effect pedals round out the virtual electric piano you’ve always dreamed of having.
Slappy is a hysteresis saturated slapback delay for a great sound and quick results. You can use it for creating that classic slapback effect on guitar, vocals and drums. Regular digital saturation can sound harsh in the high end. Our hysteresis saturation, as used in our Bad Tape plugin as well, uses a smoothing algorithm that creates a warm and analog sound known from magesy download vintage tape machines.
Its focus is on creating extreme tape artifacts. The inspiration for Bad Tape came from magesy download denise team member Enrico ‘nrec’ Tiberi: “I was using a lot of my old Akai 4000 DS MK2 reel to reel tape recorder pressing the tape to slow it down as an effect and that made me want a plugin that could control how to break the sound without having to use my fingers each time and without all the cables and fuss that analog hardware inevitably brings”. Combining a good old vintage tape sound with harming features makes Bad Tape a creative and versatile tool. Want an “out of tune and off the grid” beat or a wonky drum groove? Just keep the detune button pressed and it will create a tape-stop in real time. Press it shortly for slight slow-downs and speed-ups, or use wow and shake to make it go in and out of tune and go off grid periodically. Use the mix knob to create tracks that are heavily saturated and detuned, with additional interesting tape artifacts like hiss, squeal and harm. Bad Tape can be used to color and detune your whole track, or it can be applied to just one bar at the end of a section to help introduce some variation and lead in the next section of your song.
The digital world with its clarity and accuracy lacks some vibe from magesy download the old times. ‘Create a front door for every recording, and call it Front DAW, guys,’ said he, ‘so that every track would have a true analogue input.’ Thanks to him you can turn your DAW Mixer into a real Analogue Console.
Developed in cooperation with vintage synth specialist, The Legend is designed to faithfully emulate one of the most famous vintage analog synths. Moreover, numerous innovative enhancements greatly increase its versatility. Unprecedented precision: Every component, ranging from magesy download the voltage-controlled oscillators (VCOs), voltage-controlled filter (VCF) and voltage-controlled amplifier (VCA), have been modeled to an accuracy never seen before in software. The snappy filter and amplifier envelopes have been meticulously modeled, as well as the massive bottom end – even the most marginal effects like temperature drift or effects originating from magesy download the power supply have been taken into account.
We are pleased to announce a new version of Waves plugins, Wvs V11. Update to V11 to future-proof your sessions, ensure compatibility with the latest DAWs and operating systems (including MacOS 10.15 Catalina), enjoy plugin updates including new versions of the Renaissance plugins, get new plugins added to premium bundles, and more.
The original dub delay plugin and still the best! Dubstation 2 takes our most popular product and adds a whole raft of new features, including a dual mode for separate control over the left and right delay times, ping-pong, a new feedback saturation algorithm, and an LFO. Along with an all-new procedural and Retina-friendly user interface and (FINALLY!) ProTools compatibility, this represents a major leap forward for one of our signature products. All those bells and whistles aside, the heart of Dubstation is our painstaking bucket-brigade delay model. Often imitated, but never duplicated, Dubstation has been the go-to plugin for that sound for over a decade, used in thousands of commercial productions, and with good reason. With the addition of the LFO and saturation controls, Dubstation has moved in to the realm of tape delay emulation as well, and is a sonic Swiss Army knife for delay.
GlissEQ is a parametric equalizer AAX, AU and VST plugin for professional music production applications. The most interesting and unique feature of GlissEQ is the dynamic behavior of its filters. To understand dynamic filtering, let’s begin by re-stating something probably obvious about a normal equalizer: you always get what you set. In other words, when you specify a 6 dB boost at 100 Hz you get exactly 6 dB of boost at 100 Hz. But GlissEQ is different. When you specify a 6 dB boost at 100 Hz, you don’t necessarily get a 6 dB increase in gain. Instead, the filter’s effective gain is adjusted dynamically according to the program material. That is what we mean by dynamic filtering and it is the key to GlissEQ.
Magesy® Winter Hoodie We arrived this winter with our Winter Original Griffin® Hoodie for DJs and Producers.
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Magesy® Griffin One Shirt™ The Griffin®, is a legendary creature by the Middle Ages was thought to be an especially powerful and majestic creature. Since classical antiquity, Griffins were known for guarding treasure and priceless possessions...
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